Back To Artist
The Cliffhangers : On the Edge
Log in to add to your wishlist
Champion fiddler Mark Simos leads a great, full-steam ahead "campground" string band of friends from the Clifftop Festival in traditional old-time fiddle tunes, ranging from familiar jam and dance tunes to the obscure and archaic.
Genre: Country: Bluegrass
Release Date: 2006
On the Edge Record Label: 5-String Productions
  • Buy CD - $15.00
Preview Song Name Time Format Price Select
Last of Sizemore / Dry and Dusty 3:37 Album Only
Black-eyed Susie 3:17 Album Only
Gilda Roy 2:48 Album Only
Ida Red 4:57 Album Only
Silver Lake 1:04 Album Only
Rare Up 2:31 Album Only
Throw the Soapsuds in the Corner of the Fence 1:47 Album Only
No Corn On Tygart 3:02 Album Only
Forked Deer 6:06 Album Only
Chinquapin Hunting 3:46 Album Only
Give the Fiddler a Dram 2:36 Album Only
Arkansas Hoosier 3:43 Album Only
Sweet Susan 3:48 Album Only
Boyne Water / the Hog-eyed Man 5:31 Album Only
Old Sledge 2:38 Album Only
Calico 2:19 Album Only
preview all songs

Album Notes

Traditional Old-Time Fiddle Tunes

Mark Simos - fiddle
Brendan Doyle - 5-string banjo
Jody Platt - tenor guitar
Rusty Neithammer - guitar
Karen Falkowski - string bass

From the album notes by fiddler Rich Hartness -- The Cliffhangers’ seasoned “campground sound” evolved from the fellowship and musical bonding in the campsites of the Appalachian String Band Festival, held each August in the beautiful secluded hills near Clifftop, West Virginia. Clifftop has become a favorite summer pilgrimage for the old-time music community, where like-minded folks from far away find each other and lose themselves in blissful exploration of the old tunes.

In this fertile setting, the Cliffhangers’ unmistakable “campground sound” emerged: Mark's infinitely creative fiddling; Brendan's percussive and fluid banjo style; the woody bumblebee texture of Jody's unique tenor guitar picking, matching the fiddle tuning for tuning, line for line; the solid rhythmic groove of Rusty's humming guitar locking step with Karen's elegant elephant stride bass. Listen to their tight, intricate and masterfully executed playing on this fine collection of archaic fiddle tunes from legendary Old-Time fiddlers of West Virginia, Kentucky and further south. The Cliffhangers are a powerful Old-Time band of today, with a sound clearly on the edge of yesterday and beyond. — Rich Hartness

From the album notes by Mark Simos: Stroll the campgrounds at Clifftop late at night, and you'll hear the glorious cacophony of countless circles of friends, old and new, gathered to celebrate the pleasures of old-time music. Amidst these witching-hour sessions, a distinct old-time sound and aesthetic has evolved, one that balances close attention to sources with extended exploration of the fiddle tune’s unfathomable depths. This sound—call it “campground”— has been caught “in the field” but less often makes it onto commercial recordings.

Though we’ve been friends and musical buddies for decades, the peculiar alchemy of the Cliffhangers formed in the Clifftop campground one wild Monday night in 2001. Living scattered to north, east, south and west, we’ve reassembled each summer since, one of what Pete Sutherland calls the “Brigadoon bands” rising from the mist to play. This album, first of a trilogy recorded in October 2005 at Tim Brown’s 5-String Productions in West Chester, Pennsylvania, documents the Cliffhangers “straight up,” playing older traditional tunes. The companion two-volume “Clifftop Notes” recordings feature original tunes of mine composed over the years at and around Clifftop, played with the Cliffhangers and other friends from Clifftop’s “Gravel Court.” — Mark Simos

Produced by Bob Carlin.
Recorded and Edited at 5-String Productions (West Chester, PA) by Tim Brown.
Mixed at Overdub Lane Recording (Durham, NC) by John Plymale and Bob Carlin.
Mastered at Northeastern Digital (Southboro, MA) by Toby Mountain.

Some reactions:

Real, honest folk music at its best always represents some kind of confluence. Chance coming together of ideas and common experiences, when the conditions are right, paints a picture that's big, clear, colorful and completely in the moment. Since its very first year, the Appalachian String Band Festival in Clifftop, West Virginia has provided the right conditions for many "perfect storms" like this... Listen to these tunes, played with friends from the campground, and you can tell they never forget why they came to Clifftop in the first place, to enjoy each other and celebrate music. The Cliffhangers describe themselves as a "campground band," but that's unfairly modest. Mark, Brendan, Jody, Rusty and Karen each bring their own distinctive sound, and this core is as much celebration as unique artistic statement... It's just great music. — Bruce Molsky

Well known songwriter Mark Simos is also a fine fiddler in the old time
style. His two new companion CD's pay loving tribute to that mysterious Appalachian sound. One set [ The Cliffhangers - On the Edge ] revisits chestnuts learned at the Clifftop gathering in West Virginia, while the other [Mark Simos & Friends - Clifftop Notes Vol. 1 ] debuts originals inspired by that annual event. Between the lines you hear both the roots as well as the fruits of Mark's inspiration. -- Tim O'Brien

Read more...

REVIEWS

The Cliffhangers
author: Christine A. Harter
Really liked this CD, great choice of tunes each played so very, very well.
Read more...
Love it!
author: TerryO
A Great CD! If you're an old-time music fan, you will love this CD.
Read more...
A celebration of music, festival revelry, and old-time kinship
author: Joe Ross
Playing Time – 53:30 -- Lifelong friends are made at music festivals. Connections and bonds also become apparent in the conversations that take place between banjo and fiddle. The Cliffhangers call themselves a “campground band” because they are an association of pals whose love of jamming at the Appalachian String Band Music Festival near Clifftop, W.V. has brought them together in fellowship. Their first meeting was in 2001, and they have reunited annually since. Driven by Mark Simos’ fiddle and Brendan Doyle’s banjo, “On The Edge” features 16 traditional old-time instrumentals that document a great deal of emotion, history and nostalgia. The solid rhythm foundation is provided by Jody Platt (tenor guitar), Rusty Neithammer (guitar), and Karen Falkowski (bass). Some nifty and pleasant lead guitar work can be heard in the mix on a few numbers like “No Corn on Tygart.” Jody’s instrument with a short scale tenor banjo neck and small guitar body is tuned an octave low to the fiddle. Using a variety of open tunings, she flatpicks melody as well as rhythm. The CD jacket provides tunings and sources for each of the selections. Their renditions range from a minute (a West Virginia version of “Silver Lake”) to over six minutes (a Kentucky version of “Forked Deer”). Produced by noted banjo-player Bob Carlin, the album’s music is distinctive and infused with energy. The musicians’ personal expression is right in the groove with excellent tone, pitch and rhythm. Simos’ precise technique is flawless, smooth and pleasing. I can only imagine his bow arm gliding and swooping like a hawk in flight. His style emphasizes tonal beauty, and the band’s melodic accuracy is combined with creativity and rhythmic steadiness. The brawny cross-tuned fiddle heard on “Chinquapin Hunting” wails with old-time sensuality. If anything is missing in this set, it would be some beautifully-rendered waltzes, rags, or parlor tunes. I’ll bet that Mark knows some trick fiddling too. While reels are their forte, unless you’re dancing along, a little more variety in the nearly hour-long set would have been a satisfying change. In his liner notes, Mark Simos refers to the “glorious cacophony” of Clifftop’s campgrounds late at night. That’s one way of putting it. “On the Edge” is the first in a set of three albums recorded in late-2005. This “straight up” music is their older traditional tunes. The next two-volume “Clifftop Notes” feature Simos’ original tunes played with the Cliffhangers and other friends. As much as this music is a celebration of music and festival revelry, it’s also a celebration of old-time kinship. (Joe Ross, staff writer, Bluegrass Now)
Read more...