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Come And Go : Shinebox
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rock, alt-country, americana. a rocking version of the rolling stones' beggars banquet days, ryan adams, wilco, or black crowes. midwestern amercan rock.
Genre: Country: Alt-Country
Release Date: 2005
Shinebox
Come And Go
Record Label: Purify Records
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Preview Song Name Time Buy
1. Sugar 2:52 + MP3 $0.99
2. West to California 3:58 + MP3 $0.99
3. New Morning Light 3:57 + MP3 $0.99
4. Someone For Me 3:07 + MP3 $0.99
5. Singing Alone 3:39 + MP3 $0.99
6. You'll Never Break My Heart 3:56 + MP3 $0.99
7. California Skies 3:54 + MP3 $0.99
8. Don't Stop 3:35 + MP3 $0.99
9. Home 4:26 + MP3 $0.99
10. Rescue Me 4:28 + MP3 $0.99
11. Back to You 3:38 + MP3 $0.99
12. Love Saves the World 8:13 + MP3 $0.99
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Album Notes

Bands live and die by their hits, and hits live and die by their hooks. And as you'll hear when you drop Shinebox into your CD player, COME AND GO has mastered the art of the hook. The band's sound draws on the raucous energy of Southern rock, the strong songwriting sensibility of the alt-country movement and the soaring vocals and musicianship of classic California pop.

Much of the energy of COME AND GO stems from the sibling rivalry of brothers Shane and Shannon Hudson. The brothers are musical vagabonds who lived all over the Midwest, Oklahoma and Texas before landing on the green hills of Malibu, California in 1997. "It's odd being in a band together" says older brother Shane. "Growing up, we always fought each other. We really didn't play music together until six years ago." Shannon explains, "I moved out to California to go to college at Pepperdine. When Shane showed up, I was already playing in coffee houses. We decided we should start a band and make music together."

So that's just what they did. And, like many ambitious musicians, they started booking gigs before there was a formal band, eventually settling down with the current lineup - Shannon Hudson, lead vocalist; Shane Hudson, guitar and backing vocals; David Freeman, bass; and Oklahoma's own Chuck Irwin on drums, a basher who learned his ABCs from Tommy Aldrich, Terry Bozzio and Peter Criss.

COME AND GO has many strengths: Shannon's strong lead vocals, the harmonies, the driven rock styling of David Freeman's bass guitar work, Shane's big guitar sound and Chuck Irwin's relentless drumbeat. The tunes sport memorable melodies and insightful lyrics, ranging from playful to poignantly romantic declarations, and guaranteed to melt the hardest of hearts. There's the big guitar noise and sing along chorus of "Sugar," the lively, optimistic chorus that gives "New Morning Light" its anthemic feel and the pounding, R&B flavored groove of "Don't Stop."

But it's the songwriting skills of the Hudson brothers that make COME AND GO special. "Our music is inspired by motion," Shannon says. "The way life passes you by, the activity of everyday life." Shane adds, "There's not a lot of rhyme or reason to my songwriting method. I can write walking down the road eating hot dogs in the rain, or just get inspired based on a conversation I just had with someone." When a song is near completion, they bring it to the rest of the band to be arranged. "As a band, we try to capture what the writer wanted to say," Shane says. "We don't add parts to make it our own. Instead we try to make it sound more like the writer wants it to sound." And the end result is a classic rock sound with a strong country flavor.

COME AND GO began hitting the LA clubs in '99, and built a buzz with successful gigs at the Whisky A Go Go, Viper Room, and El Rey Theater and a series of self-produced and distributed albums. "Our first album, Smoke, was recorded on a VX 880 in Shane's bedroom," Shannon recalls. "We did the vocals at our house, and I had to gargle Jack Daniels to finish the vocals because I had a sore throat. It was all originals, very raw. We sold it at our shows, but it was mostly done as a demo to get gigs."

Album number two, Not Dead in LA, caught COME AND GO live at the legendary Whisky A Go Go. In 2001, they cut Out Of the Valley at Expression Studios in Emeryville, CA. In a frenzy of creativity, the ten-song album was recorded, mixed and mastered in a lightening fast 24-hour period. "It captured our sound," Shannon says, "but it was almost rawer than the home studio stuff." The band sold 1,000 copies of Out Of the Valley and became a mainstay on the LA club scene, receiving an honorable mention in the LA Weekly's annual MVP Awards, a survey that tracks the town's best new acts.

The band's hard work paid off last year, when COME AND GO signed with the Texas-based Purify Records after touring in Texas and New York. Purify teamed up the band with producers Scott Gordon (Aerosmith, Alanis Morrisette) and Dustin Boyer (Descanso) to record their debut album, Shinebox at the famous Sage and Sound Studios in Hollywood, California. As label head Jon Mark Harmon says: "Purify believes in seeking out talented people and letting them do what they do best. When I saw COME & GO live the first time, they stood out as a band ready to break; they had an amazing live show and tunes that instantly stuck in your head. We're ecstatic about the release of Shinebox and proud to be associated with such talented artists."

"We just try to put out good old American rock 'n roll," Shannon explains. "We are a working person's band. We're all coming from real day jobs,
and we love making music together. We're very influenced by the American landscape and the sense of everyday life in the U.S."

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REVIEWS

Love it!
author: April Schley
                            
Really great songs - Come and Go never ceases to amaze!
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author: Michael Popke
                            
Come and Go: Shinebox — Taking its name from an unreleased Allman Brothers Band song (“Come and Go Blues”), this California-by-way-of Oklahoma alt-country/rock band wrote and played most of the 12 songs on Shinebox long before they recorded them with Aerosmith producer Scott Gordon (Just Push Play). Which explains why this Southern-rock-meets-California-pop music sounds so natural. The pulse of Come and Go is brothers Shane and Shannon Hudson, whose sunshine-y melodies and harmonies, Rolling Stones swagger and straightforward lyrics kept Shinebox blasting in my car and at my desk all summer. This is album number five from these guys; I'm now in the market for albums one through four.
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Also found at iTunes
author: Alex Henderson - All Music Guide
                            
Modern country radio has, at times, been described as a refuge for disenchanted rockers who don't care for the post-Nevermind alternative rock of the '90s and 2000s; the alternative country/No Depression field, meanwhile, has been described as a refuge for country fans who don't care for the music on modern country radio. Some nu-country converts insist that they turned to Faith Hill, Garth Brooks, and Shania Twain because alternative rock isn't hooky enough (an unfair generalization, certainly), and many alt-country/No Depression converts will tell you they listen to the Blood Oranges because Hill, Twain, and similar artists are too slick and contrived. But no one can accuse Come & Go's Shinebox of being either too slick or not hooky enough; this country-influenced roots rock band has hooks galore, and the group's songs aren't ultra-slick. Actually, their material is enjoyably organic; drawing on Southern influences that range from the Allman Brothers to the Black Crowes, Come & Go bring a lot of heart to infectious tracks like "Love Saves the World," "California Skies," and "Singing Alone." Although based in Los Angeles, Come & Go leaders Shannon Hudson (lead vocals) and his brother Shane Hudson (guitar) previously lived in Texas and the Midwest -- and that down-home feeling of America's heartland is all over this 2005 release. But the Hudson brothers don't go out of their way to embrace the hell-raisin' good ol' boy stereotypes that have characterized Southern rockers ranging from Molly Hatchet and Lynyrd Skynyrd in the '70s to Alabama Thunder Pussy in the '90s and 2000s -- their approach is a lot of more introspective. Shinebox, which is Come & Go's fifth album and their first for the Irving, TX-based Purify label, isn't groundbreaking, but it's an enjoyable, well-crafted effort that roots rock enthusiasts should be aware of.
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Under Issue #232
author: john sheldon ivany
                            
If the alt. country of Nashville can be overgeneralized as a roots focused subgenre, than the Los Angeles faction of alt.country can be said to look to the energy of pop, punk and rock for focus. Come and Go certainly takes the energy of an uptempo strain of rock'n'roll, and they attend the Chaparral school of country. They, alongside bands like Hank Floyd and Idaho Falls, have been the staple of L.A. clubs for the last few years. The blend of country swing, rock energy and a focus on subject matter closer to the concrete heart of most Angelenos packs the house at the Whiskey A Go Go on a Friday night. Come and Go is led by brothers Shannon and Shane Hudson. These two had written the songs for Shinebox prior to the creation of the album. The opener, "Sugar" delivers a rocking yet melodic introduction to the band. "Someone for Me" oscillates with the force of a soaring rock song, as the roots of their sound become more and more evident throughout the album. Often the sound seems at odds with itself, though never without an enjoyable moment. If the guitars and beats could be placed under the voice of a punk rock vocalist, it would become punk rock with inflections of country. If a rock singer were to be there instead it would become rock. The only portion of Come and Go that is definitely country are the lead vocals. The collision of Country and alt. (punk, rock, folk, pop, roots, what-you-will) has produced several iterations of worth. Come and Go is one of the worthwhile offspring of these conjunctions. Shinebox displays the pop sensibilities of the Hudson Brothers, and surely will take them from KZLA to around the country in no time.
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