Love it!
author: April Schley
Really great songs - Come and Go never ceases to amaze!
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author: Michael Popke
Come and Go: Shinebox — Taking its name from an unreleased Allman Brothers Band song (“Come and Go Blues”), this California-by-way-of Oklahoma alt-country/rock band wrote and played most of the 12 songs on Shinebox long before they recorded them with Aerosmith producer Scott Gordon (Just Push Play). Which explains why this Southern-rock-meets-California-pop music sounds so natural. The pulse of Come and Go is brothers Shane and Shannon Hudson, whose sunshine-y melodies and harmonies, Rolling Stones swagger and straightforward lyrics kept Shinebox blasting in my car and at my desk all summer. This is album number five from these guys; I'm now in the market for albums one through four.
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Also found at iTunes
author: Alex Henderson - All Music Guide
Modern country radio has, at times, been described as a refuge for disenchanted rockers who don't care for the post-Nevermind alternative rock of the '90s and 2000s; the alternative country/No Depression field, meanwhile, has been described as a refuge for country fans who don't care for the music on modern country radio. Some nu-country converts insist that they turned to Faith Hill, Garth Brooks, and Shania Twain because alternative rock isn't hooky enough (an unfair generalization, certainly), and many alt-country/No Depression converts will tell you they listen to the Blood Oranges because Hill, Twain, and similar artists are too slick and contrived. But no one can accuse Come & Go's Shinebox of being either too slick or not hooky enough; this country-influenced roots rock band has hooks galore, and the group's songs aren't ultra-slick. Actually, their material is enjoyably organic; drawing on Southern influences that range from the Allman Brothers to the Black Crowes, Come & Go bring a lot of heart to infectious tracks like "Love Saves the World," "California Skies," and "Singing Alone." Although based in Los Angeles, Come & Go leaders Shannon Hudson (lead vocals) and his brother Shane Hudson (guitar) previously lived in Texas and the Midwest -- and that down-home feeling of America's heartland is all over this 2005 release. But the Hudson brothers don't go out of their way to embrace the hell-raisin' good ol' boy stereotypes that have characterized Southern rockers ranging from Molly Hatchet and Lynyrd Skynyrd in the '70s to Alabama Thunder Pussy in the '90s and 2000s -- their approach is a lot of more introspective. Shinebox, which is Come & Go's fifth album and their first for the Irving, TX-based Purify label, isn't groundbreaking, but it's an enjoyable, well-crafted effort that roots rock enthusiasts should be aware of.
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Under Issue #232
author: john sheldon ivany
If the alt. country of Nashville can be overgeneralized as a roots focused subgenre, than the Los Angeles faction of alt.country can be said to look to the energy of pop, punk and rock for focus. Come and Go certainly takes the energy of an uptempo strain of rock'n'roll, and they attend the Chaparral school of country. They, alongside bands like Hank Floyd and Idaho Falls, have been the staple of L.A. clubs for the last few years. The blend of country swing, rock energy and a focus on subject matter closer to the concrete heart of most Angelenos packs the house at the Whiskey A Go Go on a Friday night.
Come and Go is led by brothers Shannon and Shane Hudson. These two had written the songs for Shinebox prior to the creation of the album. The opener, "Sugar" delivers a rocking yet melodic introduction to the band. "Someone for Me" oscillates with the force of a soaring rock song, as the roots of their sound become more and more evident throughout the album. Often the sound seems at odds with itself, though never without an enjoyable moment. If the guitars and beats could be placed under the voice of a punk rock vocalist, it would become punk rock with inflections of country. If a rock singer were to be there instead it would become rock. The only portion of Come and Go that is definitely country are the lead vocals. The collision of Country and alt. (punk, rock, folk, pop, roots, what-you-will) has produced several iterations of worth. Come and Go is one of the worthwhile offspring of these conjunctions. Shinebox displays the pop sensibilities of the Hudson Brothers, and surely will take them from KZLA to around the country in no time.
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