Highlight Review Aug. 2010
author: Bluegrass Unlimited Magazine
Nearly a lifetime ago, Folkways released an album called Persistence And Change In The Blue Ridge. That describes this project very well. The music predates our time. The delivery and sensitivity with which the music is performed is contemporary. Great music persists and survives the changes in interpretation. It not only survives, it blooms.
Who would think that an album based upon clawhammer banjo and resonator guitar would work so well? Chris Coole is the primary banjo player. He is an accomplished player and his understated approach is richer for it. By taking it back, deep into the mountains, he breathes new life into the old evergreen, “John Hardy,” making it something appealing and new. The intertwining of the resonator guitar and banjo is compelling in its sonority. On an original tune, “Carolyn Sanaskol,” John Reischman adds his fine mandolin playing to the duo.
With the exception of one other original, the material is traditional. Skipping intermediary sources, they bypass the Carter Family and go to the Carters’ source, Leslie Riddle, for “Cannonball Blues.” Coole’s fingerpicked guitar is derived from Riddle’s fine version of this song. Coole’s lead vocals get to the core of the songs and add much to this fine project; the vocals are refined with the right amount of edge.
There is a wide variety of music here and Rosenberg’s reading of “In The Garden” on resonator guitar captures the feel of Brother Oswald at his best, then proceeds to take it to a new place altogether in his masterful touch with the old hymn.
Strong material, rich vocals, and highly accomplished musicianship place this project at the top of the list. The careful juxtaposition of the old and new bring a depth to the performances that only comes with a true knowledge of the genre. When a CD keeps working its way to the number one spot in your listening priorities, it has to have that special something. This humble recording does. (Chris Coole, 540 Quebec Ave., Toronto, ON, M6P 2V7, Canada, www.chriscoole.com.) RCB
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Beautiful Duet Album of Banjo & Dobro
author: Hearth Music
I'm a sucker for a good dobro player; there's something about the dreamy way the notes slide around, letting in all kinds of silence while creating such rich tones. It's kind of a zen instrument, I guess. On this newly released duet album, the zen-like quality of Ivan Rosenberg's dobro contrasts nicely with the choppy rhythms of Chris Coole's clawhammer banjo playing. Both players are virtuosos on their instruments, but have the good taste to leave the flaming solos behind here and focus on the power of the music. Each song and tune is tastefully arranged and played with such a soft touch that you start to hear all kinds of different sides to the music that you didn't expect. A rowdy ballad like "Willie Duncan" with lyrics like "Cruel Willie ain't you sad, for makin' all the women feel bad" takes on a darker, more melancholic atmosphere than I'd have thought possible, thanks to the Chris Coole's gentle voice and Ivan's sweeping dobro passages. Though Chris hails from Toronto, he has such a wide knowledge of old-time banjo traditions and such a nice twang in his voice, that I really thought he was born and bred in the Appalachians. Ivan's a well-respected session musician from the Pacific Northwest. Currently living in Portland, Oregon, he guests on many albums and composes original music that has been featured on national TV shows. I hope both these artists will continue to play together and tour, and with a CD like this, they deserve to be much better known on the national folk scene.
-Devon at Hearth Music
www.hearthmusic.com
http://www.hearthmusic.com/blog/index.html
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