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Charley Simmons : Full Circle
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A blend of folk and blues with hot fingerpickin guitar steeped in the tradition of Merle Travis and Gamble Rogers
Genre: Blues: Acoustic Blues
Release Date: 2001
Full Circle Record Label: Charley Simmons
  • Buy CD - $14.00
Preview Song Name Time Format Price Select
Southbound 2:47 Album Only
Suffocation Blues 2:28 Album Only
Deep Gap Salute 1:59 Album Only
Your Town Now 3:06 Album Only
You Can Love Yourself 2:25 Album Only
Doc's Guitar 1:18 Album Only
San Francisco Bay Blues 2:39 Album Only
Pacing the Cage 4:27 Album Only
Windy and Warm 2:11 Album Only
Black Label Blues 2:30 Album Only
Deep River Blues 3:04 Album Only
Lullaby Baby Blues 2:40 Album Only
Sunrise Over Sinbad 3:11 Album Only
preview all songs

Album Notes

Charley was born and raised in rural Delaware on a farm near Blackiston Crossroads. He started playing guitar at the age of nine. His travels carried him south to St. Augustine, Florida where he studied on the styles of Merle Travis and the late Gamble Rogers among others.

These days he makes his home in southeastern Utah and performs throughout the Intermountain West from Salt Lake City to Telluride,Co. He was the 1992 Utah State Flattop Champion, the 2002 Wyoming State Fingerstyle Champion and the winner of the 2003 Gamble Rogers Fingerstyle Competition.

Says Charley of the CD, " It's a tribute to my early influences on guitar, some newer influences and a couple of my own thrown in for good measure"

"red hot fingerpickin extraordinaire"- Intermountain Acoustic Musician

"a must see in musical entertainment"- Aspen Daily News

"Simmons' picking will heat up the night"- Glenwood Springs Post Independent
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Have you grown weary of slick, over-produced, and commercialized music? Do you crave something pure, delicious, and uncorrupted by the technology of the recording studio? Here is a CD to satisfy your craving.

"Full Circle" is a collection of thirteen songs and instrumentals by the extremely talented guitar player and singer Charley Simmons. Mr. Simmons accompanies his singing with masterful finger-style guitar music. His voice is a combination of dry, long-cut shag tobacco and honey, which is complemented perfectly by his guitar work. All the selections were played on a Breedlove C-25 Northwest. For you guitar aficionados and aficionadas, this is an extremely sweet, well-balanced guitar, punchy and quite piano-like in tone. The CD was recorded cleanly, without any over-produced effects. Just one voice, one guitar, pure and unprocessed. Turn up the volume, and it sounds like a live performance in your living room.

Some of the tunes are traditional, others are by writers such as Greg Brown, Bruce Cockburn, Keb'Mo', and Doc Watson. Two of the tunes are by Mr. Simmons. His closing tune of the CD, "Sunrise Over Sinbad," is breathtakingly beautiful. The compositions on the CD range in style from Delta to country blues, to Doc Watson-style to Akins-Travis-style fingerpicking. In the liner notes, Mr. Simmons cites Doc Watson, Chet Atkins,Merle Travis, but especially the late Gamble Rogers, as strong influences on his guitar style.

"Full Circle" includes an extremely energetic rendition of Doc Watson's "Southbound" and "Doc's Guitar," a heartfelt version of Greg Brown's "Your Town Now," an astute and haunting interpetation of Bruce Cockburn's "Pacing the Cage," an old favorite, Jesse Fuller's "San Francisco Bay Blues," and John Loudermilk's "Windy and Warm," which you will recognize instantly when you hear it. The seven other tunes are played with an overwhelming sense of competence, compassion, and soul.

Although the guitar picking on all the tunes is impressive, the solos on the other of Mr. Simmons' compositions, "Suffocation Blues," in particular, will make you smile, squirm with delight in your chair, and shake your head in wonder. The pieces are played with dexterity, aplomb, and great heart. Mr. Simmons has a wonderful touch on the guitar, thumpy, steadfast, rhythmic, sweet, with a terrific sense of syncopation and subtlety. There is nothing as satisfying as that alternating-thumb bass pattern in a fingerpicked tune, especially when it's executed with this much finesse.

Go ahead, have a tasty auditory experience. Invite Charley Simmons to play in your living room.

Howard Gotfryd
Desktop Publisher
Guitar Player
New York, NY

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REVIEWS

Great!
author: Brian Hancock
I listen to the guitar work on the CD and wonder how long I will have to practice to get this good!
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author: CD Baby
A blend of folk and blues with hot fingerpickin guitar steeped in the tradition of Merle Travis and Gamble Rogers. You won't believe the extraordinary range of this artist; his fingerpicking is at a fevered pitch on one track and the next is a mellow walking blues number. No matter what he's playing, he's playing it with the kind of intense skill and knowledge that places him on a pedestal high above the rest.
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God Finger Pickin and Singing.
author: Robert Lee Johnson -- The Guitar Man
Some Great Finger Picking and Singing. Good long Guitar Breaks that lets you hear some good Guitar Music. Merle Travis would apprecaite this picker.
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Acoustic fingerpicking blues that runs the gamut from fast and fired up to slow
author: Pamela Rooney
If you’re not a fan of fingerpicking blues, you need to become one right now. This CD full of ringing treble and steady rhythm, all on a single guitar, played by one man. The album features only two originals, but his interpretations of songs by artists like Greg Brown, Doc Watson, and Bruce Cockburn are incredibly articulate and immaculately performed. It seems to me that this album addresses a genre that has been around for decades upon decades, and provides a very fresh value of production for it, as well as vocals that provide a link from the past to the present. Moving through furiously fast picking songs as well as laid back melancholy blues, this CD is a great experience from start to finish.
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