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Curtis's second CD of roots acoustic blues played one man band style. Going even deeper into primitive Delta blues with resonator guitars, blues harp and even a one string diddley bow and cigar box guitar.
Genre:
Blues: Acoustic Blues
Release Date:
2008
Albums you will love
Curtis Blues
Forget With Me
Blues: Acoustic Blues
Joe McGuinness
From These Seeds
Blues: Delta Style
Well Worn Blues
© Copyright-Curtis Blues
(796873064118)
Record Label: Curtis Blues
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My second CD dives deeper into the roots of Delta blues. I play the primitive one-string diddley bow on the haunting "Well Worn Blues", and a four-string cigar box guitar with toothpick frets on the driving "Second Chance." The raw sound of these forgotten instruments can express human emotions as deeply as their more sophisticated guitar cousins.
Just like my first CD, I am playing songs from the 1920-1930's Delta performers as well as six of my own songs, on metal resonator guitars, wood guitars and harmonica, as a one man band. No mutitracking tricks, it is recorded as I play it, from my heart to yours!
Fairfax Times article on Curtis Blues:
One-man band embodies the blues
By Ed Turner
Curtis Blues knows how to reach deep into blues country. He knows how to heat up his vocals to belt out the raw, edgy, passionate sounds of the Mississippi Delta blues of the '20s and '30s. He also knows how to make the tunes of blues legends Robert Johnson, Sonny Boy Williamson, Charlie Patton and others sound fresh and true.
At Bangkok Blues in Falls Church, Blues, a Springfield resident and one-man band surrounded by a dozen musical instruments that he plays in his show, launches into Son House’s “Preaching the Blues.”
And Blues has the audience’s rapt attention. He may be a white, suburban guy playing the blues, but his sounds transcend that stereotype and he simply becomes a bluesman, laying out gritty, powerful, emotional songs from the heart.
“Curtis is entirely unique in that he’s a white guy playing the blues the way it’s supposed to be played,” says Wave Milor, who performs and writes for ACME Blues Company and the Idle Americans. “He goes back to the very roots of the blues and what he does musically, it takes three people in my band to do.”
Blues, in fact, plays the harmonica, six different guitars -- including a dobro, a cigar box guitar, a one-string "diddley bow" guitar -- and the bass drum and cymbals during his show. And his vocals, slide-playing and harmonica shine.
“I have no idea how he plays all those instruments together,” says Milor. “I sing and play the harmonica in my band, and I don’t do them at the same time and that’s still a lot for me.”
“Curtis lives the blues,” adds Chai Sirobongkot, the former owner of Bangkok Blues, who now plays in several bands. “I just never saw anybody so dedicated, so into the blues. He sings very powerfully and is very, very emotional. He lives music and doesn’t care about anything else.”
Twelve years ago, Blues decided to play solo.
“It’s wonderful to perform and do my thing,” says Blues, who formerly played rock. “The physical experience of having every part of your body performing music, from your toes to your mouth, is a complete immersion experience.”
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"Well Worn Blues" Deserves to Be Well Listened To
author: hermandan0
In the days when digitalized, over-dubbed, techno-manipulated music is the norm, it is a treat to hear authentic music played authentically. Curtis Blues shows that one can still be a musical explorer and innovative with traditional instruments in a traditional field. I cut my teeth with acoustic blues listening to the old recordings of the old blues masters--great playing, great songs, but often poor quality to our modern ears. Still, there was something there, some sense of space, room to breathe, for the inner appreciation to blossom without being filled in with overproduction.
Curtis Blues produces that same sense only with modern live recording quality. Listen deeply and you will be experience a direct link to the musical tradition that is in a real way at the root of so much of our modern music.
Curtis's sense of timing and rhythm is as impeccable as ever. His slide is emotive and precise; at times sweet, at times raw, but always evocative. His harmonica playing is up there with the best of the greats. It's a narrative in itself, adding depth and furthering the 'story' in the song, rather than just being musical fill.
But it's Curtis Blues' vocals that really come into their own on this cd. Nuanced, powerful, precise, the delivery of each song is colored for *that* song, *that* era, *that* topic. From whimsical to haunting, his voice alone grabs you. Put it all together with the harp and guitar, and it is blues well worn indeed.
Curtis takes the old numbers on this cd and makes them his own, while delivering them with a sound and style that makes you think you are listening to one of the original bluesmen. His "One Kind Favor" can only be described as 'killer,' while "Preaching Blues" makes you think he must be the son of Son House (no offense to his mother intended!). His own song "Baker Blues" is as funny and well-formed as any traditional song in the double-entendre genre. And his "Second Chance," played on a four string cigar box guitar is one of those songs that seems deceptively simple at first but then draws you in to a powerful and poignant emotional experience; blues at it's best.
Curtis Blues wears his "Well Worn Blues" very well, as will any listener who takes the time to enjoy this fine piece of work. Congratulations Curtis!
A fan.
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