Album Notes

Cybertron began back in the early 1970's, initially composing music and sounds on Moog Modular Synthesizers, and the ARP-2600 Synthesizer. Back then, synthesizers were still very new to the public, and in the music business, very few people knew how to patch and program these technological monsters, which commanded awe and repsect.

This led to a recording studio gig patching a Moog 2-P for recording sessions, starting out with the very first "Weed Eater" TV commercial. From there, 'Music By Cybertron' was heard in planetarium and laser-light shows, as well as radio and TV jingles, and 'sounds-of-broadcasting'.

In the late 90's, modular synthesizers began making a major comeback, as musicians and producers began to realize that digital and virtual synthesizers, and samplers could only offer just so much, and to return to analog-modular syntheizers, with their vastly improved electronic components for stability and reliability, was 'still' the way to achieve brand-new sounds... again, along with the warm, rich sound of analog.

Cybertron uses both giant analog-modular, and digital synthesizers, in a Progressive, and Symphonic-Rock feel, combined with a fusion of several other genre, to achieve a unique sound and feel.

You will definetly sense the influence of the 'Super Groups' of the 70's, like Emerson, Lake, and Palmer; Tangering Dream; Yes; Pink Floyd; Synergy; Tomita; and more... but as a more current relfection of that era and sound.