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Do you recall an unrequited love? You'll love this album: it straps you in to that emotional rollercoaster; yet provides the light at the end of the tunnel, via an eclectic collection of styles.
Genre:
Easy Listening: Adult contemporary
Release Date:
2004
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Rhymes of Ancient Passion
© Copyright-Phil Darkins
(634479205705)
Record Label: A Voice Ltd.
SPECIAL: 50% discount if you buy more than one copy of it today!
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So, What is Rhymes of Ancient Passion?
The long-awaited debut album from
Phil Darkins
Released 20th November 2004
Rhymes of Ancient Passion is the debut album from New Zealand's, Phil Darkins
It is the culmination of 23 years of song-writing, multi-media live performances and a commitment to produce a product of the highest quality, using the very best resources.
The CD contains 15 tracks; well over an hour’s playing time.
Rhymes of Ancient Passion is predominantly an album of fresh, insightful - and original - compositions. It features a wide variety of musical flavours, from contemporary techno (Vincent), soft adult-contemporary (What of it?, I Hope She Knows, When You Simply Close the Door); through blues & jazz (Your Shipwreck, The Love Residing Daily); harder edged rock (All I Need to Know, I Stand to Lose); a touch of contemporary country (Kat D.T., To Say “I’m Sorry”); even a slice of flamenco (Delightful Dancer); and the pseudo-classical (In the Moonlight).
Rhymes of Ancient Passion also features fresh treatments of three timeless songs:
Don McLean’s Vincent (Starry Starry Night), Roy Orbison’s Crying, and the Johnny Mathis Christmas standard, When a Child is Born.
The theme of Rhymes of Ancient Passion is Redemption. The album is a track-by-track story of unrequited love, travelling through the process of grief, associated with a perceived loss, and the eventual soul redemption from a spiritual acceptance of what - truthfully - is most important in one's life: happiness; and wisdom acquired through experience.
Rhymes of Ancient Passion is a work of trust and faith. Phil & Natalie Darkins project-managed and financed the production with their own hard-earned cash, hiring specialists and allowing those people to simply do what they do best without interference.
Many albums recorded in a studio for an artist in absentia are cold, clinical and lifeless; this is NOT one of THEM. This album thrives on the truthful energy offered by each and every contributor; there is a passion and exuberance emitted from this recording that could only come from an injection of honest, positive vibes provided by musicians who truly believe in the power of these compositions. It is a genuine team effort in support of an artist that these contributors have faith in.
Phil Hornblow of Wellington’s Vision Studios was chosen as Producer and Arranger. He was given complete artistic control of the process, which allowed him to put his unique stamp of individuality on the project. “I trust Mr. H. implicitly”, says Darkins, “He is a musical genius, who knows how to get the best out of me and my songs, so I just left him with a bunch of guitar and voice demos’, and said, ‘Call me when you need the vocals done’.” The first time Darkins heard his own album was when the first 2,000 pressings turned up at his Wellington office. That is an act of faith! AND it has been well rewarded!
Some of the other specialists involved were Art Director, Steph Casey - from Beetroot Communications - who was given an identical brief from Darkins: “Here are the demo’s; do what you do; give your belief, energy and truthful response to these songs.” The results speak for themselves: the artwork is stark, vibrant and highly original.
Similarly, photographer Charlotte Bon - of PhotoCraft Studios - delivered myriad powerful images, incorporated in the album artwork and on the website, www.phildarkins.com .
Website developers, OJO Creative then took the pass and carried the ball across the line with an original, informative and entertaining website.
The session musicians who play on Rhymes of Ancient Passion were each chosen for their professionalism and their belief in the strength of the compositions. “Anyone who didn’t like the songs would have been politely asked to leave,” says Darkins, “I wanted their honesty, support and energy, to ensure that this album sounded just as good as it could. None of them let me down; I’m thrilled with their work.”
At the time of writing, Darkins still hadn’t actually met most of the people who had injected their musical energy into this project!
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A lovely vocal record
author: Simon Sweetman
Phil Darkins has been involved behind the scenes as a musician, producer, and arranger for years. Rhymes Of Ancient Passion features Darkins’ voice and songs for the first time on a full-length record. In the liner notes he names plenty of influences: “America, The Beatles, Jim Croce, The Eagles…” and on it goes. And fair enough too – for it’s very easy to see the people that have influenced Darkins, and certainly the laidback 1970s “country-rock” sound is something that has left an indelible impression. His voice recalls, at various points, John Denver, Luka Bloom and Graham Nash – with not quite the wavering croak of Neil Young. Original songs like ‘Kat D.T.’ tend to rock out a little, whilst ‘Delightful Dancer’ has a Spanish guitar motif anchoring its sweet melody. Taking nothing away from Darkins’ musical ability and songwriting, it is two covers that really standout on this album. I say this, because being familiar melodies they help showcase his sweet voice. The opening ‘Vincent’ (Don McLean) is just a joy. And later, Roy Orbison’s ‘Crying’ (also covered by McLean, so clearly he’s a major influence too) is re-imagined also. The arrangements are not wildly dissimilar to other versions – but Darkins’ voice is left to soar over soft guitar and piano. A lovely local record.
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author: Carolyn Small
Rhymes of Ancient Passion stirs a whole range of emotions. It has a life of it's own and plays to your mood. Certainly easy listening yet you also find yourself totally drawn in by the inspiring lyrics. Definitely something for everyone on this CD! I highly recommend it.
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Passionate debut worth the wait
author: Julie Jacobson
Phil Darkins wears his influences on his sleeve, literally and figuratively. The 14 songs on his debut album play like a who's who of contemporary music.
Leaving aside his three covers - Don McLean's Vincent, the Roy Orbison classic Crying and Johnny Mathis' Christmas standard When a Child is Born - Darkins moves through styles that range from early Crosby, Stills, Nash and Young and Bread to Elton John-tempered flamenco and the Chieftains (in Van Morrison mode).
And on the album's sleeve big ups go to groups such as the Doobie Brothers, the Kinsgton Trio, the Eagles and, of course, the Fab Four.
Despite more than two decades of music-making - including stints on television's Opportunity Knocks and That's Country, as a member of Christchurch trio Free Drinx and Wellington's 4 On The Floor, and former host of Radio Avon's dating show The Loveline - Darkins, now living in Karori, is best known in New Zealand as a voice-over artist.
Rhymes of Ancient Passion could change all that. It is a slick, professional and, at times, moving recording of what the Americans term 'adult contemporary'. It's one of those timeless middle-of-the-road performances - and that's not meant in any derogatory sense - that the thousands who flocked to recent Rod Stewart and Neil Diamond concerts enjoy.
Darkins has obvious standing in the msuic industry and he's handpicked some top session musicians to work alongside him on the album.
His country-timged ballads are backed up with some superb harmonica work by the inimitable Neil Billington, while jazz saxophonist Colin Hemmingson, blues pianist Charmaine Ford and ace guitarist Carole Hempson - who worked with Spain's legendary Antonio Vargas when he toured here in 2001 - feature on other tracks. Vocal assistance comes courtesy of veteran Wellingtonian Dave Feehan, Beat Girl Andrea Sanders, Ainslie Allen and others.
"Anyone who didn't like the songs would have been politely asked to leave," Darkins says. "I wanted their honesty, support and energy ... none of them let me down."
Though recorded, mixed, mastered and produced in two months, the package has been carefully thought out, from the track sequence and subtle humour evident in several original compositions to the string arrangements - violins, viola and cello - and the stylish graphics and photography.
Rhymes of Ancient Passion was a labour of love for Darkins; it is also a love song to his wife Natalie. Definitely worth a listen.
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Exceptionally tight production and mastering has rendered a well produced and pr
author: New Zealand Musician Magazine
Wellington based broadcaster and musician Phil Darkins presents his debut album after nearly 30 years of songwriting and performing. Most of the 14 tracks are original. Three covers include Roy Orbison's Crying, the Johnny Mathis standard When a Child is Born (a live performance from the 1998 Wellington Carols by Candlelight is reprised as a bonus track), and a tastefully ethereal rendering of Don McLean's classic Vincent which opens the album. The covers differ enough from the original versions to make them stand alone nicely, whereas the original compositions demonstrate variously deep emotion, and a quirky sense of humour that combines at times with an unpredictably nifty lyrical rhythm. Stylistically the album would sit in the middle of the road, with its mellow arrangements and Darkins' smooth, precise voice. Musicianship is shared by too many to mention, but Delightful Dancer is a stand out track of retro style, with the tasty flamenco guitar of Carole Hempton. Exceptionally tight production by Phil Hornblow at Wellington's Vision Studios and mastering by Steve Garden at Auckland's Garden Shed has rendered a well produced and presented album. Further info from www.phildarkins.com . Tim Page
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