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Davis Schneiderman and Don Meyer : Memorials to Future Catastrophes
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Davis Schneiderman's and Don Meyer's extraordinary CD is the first phase of a multimedia collaboration that suggests catastrophes in a world increasingly cordoned off by the representative fears of terrorism, bio-disease outbreaks, and natural disasters.
Genre: Avant Garde: Sound Collage
Release Date: 2008
Memorials to Future Catastrophes Record Label: Jaded Ibis Productions, Inc.
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Preview Song Name Time Format Price Select
Memorials Intro (sex with everybody) 0:37 Album Only
Preview on the Edge of the Plasma Lagoon (sex with Tom Cruise) 5:05 Album Only
Open Letter to J.D. Salinger (on the occasions of his literary d 4:29 Album Only
Watermelon Man (looped Version, or Well Said, Wolf Blitzer!) (se 4:54 Album Only
The Perpetual Jesus Epidemic (sex with William S. Burroughs) 4:39 Album Only
S=The=I/=Snytax=/Y=of=N=Resoan=T=Pruocdes=A=Mnotsres=X (sex with 2:48 Album Only
Glass to Liquid (sex with a picture of Paris Hilton) 4:45 Album Only
Sonnet 71 (sex with William Shakespeare) 1:28 Album Only
Errant Transpositions (sex with The Beatles) 4:08 Album Only
Monument to Indian Native First Nations American Tenacity in the 3:26 Album Only
The Scourge of Data Projection (sex with no one) 2:29 Album Only
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Album Notes

Davis Schneiderman and Don Meyer collaborate on this extraordinary sound collage combining spoken word, music and audio bites from appropriately diverse media sources. The result is a hip, hopped-up portrait of the the way we live now. Memorials to Future Catastrophes is the first phase of a multimedia project that starts with these suggestive catastrophes in a world increasingly cordoned off by the representative fears of terrorism, bio-disease outbreaks, and natural disasters. Additional video collaboration with Tom Denlinger can be found at www.youtube.com/watch?v=jhpa41iSwHE.

Davis Schneiderman is a multimedia artist and co-author of the novel Abecedarium (Chiasmus Press, 2007), and author of DIS (BlazeVox, 2008) and Multifesto: A Henri d'Mescan Reader (Spuyten Duyvil, limited ed 2006). He is co-editor of Retaking the Universe: Williams S. Burroughs in the Age of Globalization (Pluto, 2004) and the forthcoming The Exquisite Corpse: Creativity, Collaborations, and the World’s most Epistemological Parlor Game (U. Of Nebraska). His creative work has been accepted by numerous publications including Fiction International, The Chicago Tribune, The Iowa Review, and Exquisite Corpse. He has recently been named Director of Lake Forest College Press/&NOW Books. He can be found, virtually, at davischneiderman.com.

Composer and musicologist Don Meyer (http://web.mac.com/emmeyer/Don_Meyer,_Composer/Don_Meyer.html) collaborates with choreographers, filmmakers, theater directors, and authors to create multi-media works that interweave these artforms with classical, jazz, electronic, and popular music. He is the author of articles on American cultural history and rock music, as well as the music appreciation textbook Perspectives on Music (Prentice Hall, 2003). He began teaching at Lake Forest College in 1995 and is now Associate Professor and Chair of the Music Department.

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