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Muscle Shoals music, rock, blues and R&B
Genre:
Blues: Rockin' Blues
Release Date:
2006
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The Blues Highway
© Copyright-Desert Rose Music
(634479110474)
Record Label: Desert Rose Music
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Dennis grew up in Decatur Alabame where at age 15 he learned to play slide guitar by watching Duane Allman rehearse and play with the Hour Glass Band before it later became The Allman Brothers Band.
He left home at an early age to hit the road playing clubs and opening concerts for acts like Lynyrd Skynyrd, 38 Special, Marshall Tucker, Fog Hat & Edgar Winter.
In the late 70's Dennis formed a new band with Larry Byrom of Steppenwolf. This group turned into FCC (RCA Records).
Dennis was the lead guitarist , lead singer and main writer for FCC.
FCC had two albums for RCA Records and the hit song "Baby I Want You".
After FCC Dennis became a guitar slinger for hire and worked for numerous acts ranging from Percy Sledge to T.Graham Brown.
Now he is a singer/songwriter/guitarist in Muscle Shoals Alabama as well as Co-producing Cornbread Red and Iron Horse for CMH Records of Los Angeles, among other groups.
Dennis is well known on the club circuit in the south.
Dennis' musical style is honed from Delta Blues, Southern Rock, New Orleans Jazz and Muscle Shoals Soul.
"The Blues Highway" features songs written by Dennis and friends from the Muscle Shoals area that are true to his musical roots.
The blues highway that runs from Memphis to New Orleans now passes by "... castles full of bad luck growing from the cotton bolls" instead of juke joints that marks the path of blues singers of yesterday as Dennis sings about in the title cut.
You can feel the soul flowing from the strings of the ole' slide guitar on cut "Detour You", "I've Got Miles To Go"and " Louisiana Nights" .
You can feel the pain of old musical friends untimely passing in "My Old Friends".
You can hear the raw emotion pour from the saxophone on "If Leaving was easy".
This CD contains just the right mix of Muscle Shoals groove songs and heart felt blues songs that evokes images from Delbert Mclinton to the bluesy side of Travis Tritt.
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author: Stan Wilhite
I worked with Dennis off and on over a period of several years. I was always really impressed with his playing and especially his singing. The sad part of my experience with him is the fact that I never even knew about this album until he was gone. Dennis I pray that somehow you can hear me. This album is GREAT!!!!! I'm so sorry circumstance were like they were, and we never really had a chance to get to know each other. Since I can't find the album, I play the samples all the time. We miss you son.....but be assured, you did extremely well while you were here, and you were looked up to by a lot of folks like me. I hope you're somewhere "up there" playin' and singing....God bless you son. Stan Wilhite
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Dennis Clifton
author: W Beck
If you don't like this one, there just HAS to be somthin' wrong with you! I'm sorry.
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Rocks!
author: Bengan
"Detour You" is one of these blues songs that really kicks! And that voice... Hmm, it reminds me of someone else, but it wont come up in my mind... However beautiful! The album really feels like the south, soft with pressure, engaging your blues nerve!
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author: Brad at CD Baby
Clifton cites his musical style as being "honed from Delta Blues, Southern Rock, New Orleans Jazz and Muscle Shoals Soul." On paper, it looks like quite a bouillabaisse of distinct sounds, but his knack for blending them together yields an affinity within these genres that is both sensible and intriguing. The album starts with "Detour You," a semi-raucous blues number that incorporates both classic rock and country vibes while managing to be as pensive as it is fun. Clifton handles all the guitar duties (including lap steel and dobro) on the album and is razor sharp when it comes to tones and placement. "Boogie Woogie Woman" is a revved up rocker, featuring some rugged guitar work that fits perfectly within the context of the lyrics. Switching gears, he follows it with "If Leaving Was Easy," a lyrically downhearted lament that is echoed beautifully in his crying guitar licks. With top notch musicians backing him on keys, sax, and some tasteful backing vocals, he is able to crank the sound up to Southern Rock levels, but just as easily step back and delicately select individual notes. This seemingly effortless versatility is impressive, and sure to appeal to fans of blues, classic rock, country, or those who simply enjoy some fine guitar playing.
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