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Dead Combo : Vol. 1
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Portuguese duo that has a sound that mixes Fado and Western Movies Soundtracks. Their music sounds like at any given moment, Clint Eastwood entered a Fado house and the Singer invited him to her room...
Genre: World: World Traditions
Release Date: 2004
Vol. 1 Record Label: Transformadores
  • Download Album (MP3) - $9.99
  • Buy CD - $12.00
SPECIAL: 10% discount if you buy more than one copy of it today!
Preview Song Name Time Format Price Select
Janela (Mediterrânica) 1:33 $0.99
Mujitos Summer 3:09 $0.99
Pacheco 2:02 $0.99
Eléctrica Cadente 3:01 $0.99
Polaroid Omelete e os Três Miseráveis Saxes Barítonos 2:46 $0.99
Ribot 2:57 $0.99
Rumbero 2:53 $0.99
Rua Das Chagas 3:11 $0.99
Tejo Walking 2:24 $0.99
Um Homem Atravessa Lisboa Na Sua Querida Bicicleta 3:14 $0.99
Me And My Friend Moonquake 1:24 $0.99
Viúva Negra #1 2:40 $0.99
Radiot 3:03 $0.99
Aos Zig's Zag's 1:38 $0.99
Fiji Dream 1:52 $0.99
Cacto 4:29 $0.99
Eléctrica Cadente (Versão Orquestra) 4:09 $0.99
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Album Notes

Somewhere in the beginning of the 21st century, they met around the corner, in Lisbon city two wanderers, one a thin "fire horse" born in 66, a loner with a top hat and wrinkled face, the other, tall, born in 1970, who came from the dark world of Jazz, starsign "dog", both swore to avenge the dead and resuscitate the living,

Influenced by Comics, they have misspent nostalgia in their pockets and the deaf soul lost in dark films. They play Lisbon, the city of the countryside, of the chimneys and of the white domes sceneries of a lost past, "fado", western wanderer everything together in a voodoo of emotions, the Tagus, the lovers that go different ways abandoned angels on the crossroads of destiny, flowers with mixed up colours, saints, flaming chambers, naked guitars, spitted and thrown to the street, basses on fire, top hats chickens on the loose and things that roll in the street. there standing against the wall in the middle of all this mess, both of them bitting apple sins, while looking at you...

The band Dead Combo is composed of two elements:

Tó Trips - electric guitar
Pedro V. Gonçalves - double bass, melodica and electric guitar.

Formed in 2003 by the occasion of a recording a tribute to the great portuguese guitar player Carlos Paredes,

Dead Combo has released the debut CD "Vol. 1" in June 2004.

Together they found a new sound, some kind of Fado mixture with western movies soundtracks.

As a critic recentely described their music:

"...Here Fado was reinvented. Here western was turned upside down. It's gunshots fired between the sounds of a guitar. It's like at any moment Clint Eastwood entered a Fado house and at the top of the stairs Severa(*) pointed him to her room..."

(*) Severa - The first great Fado singer.

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REVIEWS

Damn Cool
author: Cormac Faulkner
I heard a track by these guys on a compilation of Portuguese music that came free with Wire. There was lots of great stuff on the CD but I had to check these guys out immediately and it is beautiful. Comparisons can be a bad thing but I can't think of a better way to discribe Dead Combo - there are elements of Morphine, Ennio Morricone, Big Eyes, Rothko but basically it's just an awesome album. You can listen to the album all the way through and just admire the guitar playing then the next time you can believe you were ignoring the double bass.
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One of the best CD's of 2004
author: Eurico Monchique
Do you know fado, jazz, blues, north African folk music, cabaret songs, and western soundtracks? Dead Combo’s sound has characteristics from each one of this styles, but it’s not just one of them alone. Do you know the Arizona desert, Rua da Palma, the Rive Gauche? The duo Tó Trips and Pedro V. Gonçalves walked through these places, but ended up in a new place, that only they know and from which we only have clues through this surprise which is “Vol. 1”. Basically done with 10 strings (six from Tó’s guitar and four from Pedro’s double bass) this CD shows the vitality of a project that reaches its grandeur through its small scale. Short songs, but intense, full but don’t fill the silence. Instrumental songs that gain a voice of it’s own through the close proximity that the acoustic guitar takes to the best guitar players (Ry Cooder, Vini Reilly), or to the discreet power of the percussion (very Calexico). A CD that lives from the complicity of it’s mentors, the joy of playing music without complications of aesthetic or fashion determinations, and with a insatiable research spirit. Characteristics of the 80’s class, in which Trips and Gonçalves belong. Just like Mler If Dada – it’s not by chance that one of the few guests is Nuno Rebelo. A project that is like a U.F.O. in the Portuguese musical scene in 2004 – or in any other year – clearly a album at ease with the world, and with Lisbon in it’s veins. The hidden and dark Lisbon of those who still love the mutant sounds.
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Dead Combo - Vol. 1
author: Gonçalo Frota
It’s told that two wanderers met in a corner in Lisbon, one with a Hi-Hat and rock past, the other inside a black suit with stripes and a jazz travel case, under a lamp with fading light, hidden beyond the shadows of lonesome and never ending paths. And the universe of Dead Combo (guitar player Tó Trips ex Lulu Blind, double bass player Pedro V. Gonçalves) is of a nocturne Lisbon, sitting in a worn roof top, looking at the Tagus river, filled with a absolutely cutting melancholy, like a sound transposition the ambience of “The Crow”, Luís Louro’s comics in which a postman from Alfama romanticizes his solitude by passing his life running into a ugly night made of dirty streets. Vol. 1 is one of the most beautiful and touching records ever born under the melancholy sign. Around a guitar and a double bass, sceneries are drawn that touch the long vastness color of argyle of a asthmatic error drilled by a stripe of asphalt of route 66, they bring Ry Cooder hanging, like a pair of dice, in the rear view mirror, when they pull their "sombrero" down over the view and breath for mexican land ("Mujitos Summer"). Vol. 1 is a black record, of crows and black cats, of lost blues, baritone saxophones that resemble Morphine with insomnia from The Night, western-spaghetti melodies eaten in Morricone's plate, phrases from Carlos Paredes aboard a illegal vessel going to Cuba, with Angelo Badalamenti as the fare officer. And sticks to the skin as if the night would fill every hole of the day.
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author: TONY WHITE
tank you.
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