One of the best cabaret recordings I have heard.
author: Craig Saunders
Beautiful melodies and a beautiful voice join together to make this one of my favorite cds in a long, long while. I will be listening to this one for many years to come.
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De Lorenzo brings to the stage an instrument that is not only well-trained but s
author: CHET WILLIAMSON, WORCESTER MAGAZINE
When a singer has a voice like Brian De Lorenzo, musicians like to say, "He is a songwriter's best friend." De Lorenzo brings to the stage an instrument that is not only well-trained but strikingly beautiful. He has one of those rare voices that make first-time listeners stop and say, "Who is that?"
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Possessing a clear tenor which he uses with earnest emotional intensity, De Lore
author: Max O. Preeo, Show Music
Although the title of Brian De Lorenzo's Found Treasures refers to the songs it contains, the cabaret singer is one himself. Possessing a clear tenor which he uses with earnest emotional intensity, De Lorenzo sings with complete commitment. Some of his selections may not have been "lost" to Show Music readers, but the 19 numbers form an appealing program. And where else would you be likely to hear Angel's "Astoria Gloria" and "How Do You Say Goodbye?," Romance/Romance's "Words He Doesn't Say," and 3 Guys Naked From the Waist Down's "I Don't Believe in Heroes Anymore?" De Lorenzo's sincerity makes familiar songs such as Who Will Buy?" (Oliver!), "Do I Hear a Waltz?" and "Tonight at Eight" (She Loves Me) seem fresh.
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Ask your record store for it, and if they don't have it, tell them they should.
author: Jon Lehman, The Patriot Ledger
Brian De Lorenzo is a very-easy-to-listen-to singer, with a wide-ranging tenor voice and a keen interest in tracking down little-known show tunes that are worth notice. The evidence is on his new, self-issued CD “Found Treasures,” and it’s a strong argument for De Lorenzo’s artistry as a solo music theater performer and for the merit of the songs he has found in Broadway’s discard bin.
De Lorenzo’s 16-track, 57-minuted CD is a mixture of obscure songs that deserve a better fate, a few well-chosen pop ballads and anthems, some show tunes that will be familiar to music theater fans, and a few that will be familiar to everyone.
He opens with an entry from the “I’ve heard that before, but where?” category, “Who Will Buy (This Wonderful Morning)?” It’s an upbeat, heart-on-its-sleeve song in the “Everything’s Coming Up Roses” vein – only better because of its continually morphing wordplay and modulating keys. And De Lorenzo delivers it with unabashed enthusiasm and ringing conviction.
The second song is an even deeper case of déjà vu – “I’ve Never Said I Love You” which subtly echoes in its music as well as lyric the better known “I’ve Never Been in Love Before.”
There are a few well-known numbers to be sure. There’s a witty medley of the Richard Rodgers-Stephen Sondheim “Do I Hear a Waltz?” with “Love Makes the World Go Round.” And there’s a welcome restatement of the ardent young man’s anthem “I Can See It” from Tom Jones and Harvey Schmidt’s “The Fantasticks.”
There are also a couple of songs from “Angel,” a 1978 show by Gary Geld and Peter Udell that De Lorenzo says got him hooked on reviving neglected gems in the first place.
And they are gems. “Astoria Gloria has the bright, nonsensical lilt of a true Tin Pan Alley tune, and the ballad “How Do You Say Goodbye?” takes a fresh and emotionally truthful approach to a familiar theme, summed up in its concluding couplet, “Love doesn’t simply die/How do you say goodbye?”
Emotional honesty is a cabaret singer's stock in trade, and De Lorenzo has it. He makes every song sound like an account of his own experience and emotions, and he conveys each one with a directness that makes the experience the listener's as well.
You can hear De Lorenzo for yourself Wednesday night at Scullers (one show only) or by getting the CD. Ask your record store for it, and if they don't have it, tell them they should.
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