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Dexter's Moon : Come Rain
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Traditional Folk? This filmic lo-fi country pop createes an admirably sustained mood of quiet introspection and acoustic guitar-based melancholy.
Genre: Folk: Traditional Folk
Release Date: 2005
Come Rain Record Label: Altissimo/Combat Disc
  • Download Album (MP3) - $9.99
  • Buy CD - $12.97
Preview Song Name Time Format Price Select
In the End 5:19 $0.99
Come Rain 4:43 $0.99
Thank You 3:01 $0.99
Goldfish Memory 4:48 $0.99
Rock 'n' Roll Lullaby 4:16 $0.99
Voodoo Girl 3:29 $0.99
Falling 2:39 $0.99
(Fucked-up) Love Story 5:42 $0.99
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Album Notes

"I used to have the notion, I could swim the length of an ocean, if I knew you were waiting for me." That pretty much sums up the reasons why Jenny suddenly decided to make music of her own, instead of just listening to it, and constantly dating musicians. It would also mean that people probably would stop asking her why she wasn't in a band, since two of her brothers have been making music since their teens (Statemachine and Tiger Lou being their present musical alter egos). And maybe new things would start to happen.

And at the exact right moment Jenny had started to hang out a lot with Emilie, via a mutual friend (thank you Vesna!). Emilie had just bought an electric guitar, borrowed an acoustic guitar and a bass, and realized she couldn't play them all by herself at once.

On November 5th 2000, just minutes before Ryan Adams' first solo performance in Stockholm, the decision was made to start a band. A few days later Emilie went to New York to visit a friend, and Jenny started to write 3-4 lyrics a day, rather crappy, to tell the truth, but probably well needed therapy for the writer ... The first rehearsal took place in Emilie's kitchen a month or so later, playing Whiskeytowns "(Excuse me) While I break my own heart tonight", or trying to play anyway. Emilie played the guitar, Jenny played the bass and sang in a pair of headphones, you can only guess how it sounded, we try to forget.

To summon things up a bit, it took a year or so until we really started what would become what we are today, even though the band name Dexter's Moon actually was decided on rather early on. By that time Emilie had switched to play the bass, Jenny had bought a really beautiful guitar and learnt to play it enough to write our own songs, and we'd gotten our own rehearsing place (shared with among others Sahara Hotnights, Marit Bergman, and Östermalm). A few additional musicians have been tried through the years, but we finally "found" Martin Insulander who produced our demo "You can count on me" in the spring of 2004. It sounded so good and we had so much fun together he just kind of grew into the band naturally. One of the great things about Martin is that he can play most instruments, and is always eager to try something new, but when we perform live he mostly plays an additional guitar. Since the fall of 2004 we've gradually become twice as many band members, with Emilie's younger sister Jennifer on harmony vocals, melodica and harmonica, Martin's younger brother Richard who takes care of the drumming, and Simon Stålenhag behind the piano.

Since our first live performance for family and friends on December 23rd 2002, at a tiny club in Stockholm, we've been playing a bit here and there and mostly enjoyed it immensely. During the late winter and spring of 2005 we're playing everywhere! Check out the gigs section for more info, and please don't hesitate to contact us if you want us to play at your club. People have been known to fall in love with each other during our shows.

We have now released our debut cd called "Come Rain" with 8 songs on Combat Disc and Altissimo. Be sure to get a copy, it's pretty great stuff.

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REVIEWS

Yet another female-fronted band from the wilds of Sweden ...
author: Kevin Renick
Yet another female-fronted band from the wilds of Sweden, Dexter's Moon is a septet led by vocalist Jenny Maria Kellerman, along with Emilie Lindkvist, brothers Martin and Bjorn Insulander, Jennifer Pope and Simon Stalenhag. The 8 songs that make up their debut, "Come Rain", create an admirably sustained mood of quiet introspection and acoustic guitar-based melancholy. Jenny sings in a very shy manner, as though she's a bit hesitant to reveal such personal things in a recording but can't help herself. This is closer to old-style folk than anything else; only a few songs have minimal percussion. "Every cloud has its silver lining/Now I'm about to cloud up and rain all over you," sings Jenny somberly in the title cut. The forecast definitely calls for overcast skies here. Although some evocative sax lends interest to "In the End" and piano adorns "Voodoo Girl" and "Rock and Roll Lullabye", most of the music here is simple acoustic guitar and that sad little voice. The best song is "(Fucked-up) Love Story", which has already gotten the band a fair amount of attention; it offers a subtle waltz beat and real lyrical bite in its portrayal of a clearly less-than-inspiring relationship. "This kind of love we're making is like a spider's web/We're two flies caught in it until we're dead." Yessir, makes you wanna dive right into the ol' dating pool, doesn't it? Although the music here is pretty and I found it sometimes poignant, it doesn't really provide much in the way of cathartic release. It's kind of repetitious; in other words, and you can tell the group's still finding their way. But they have the talent to do so, and with a little more energy and diversity next time out, they should be quite capable of increasing the emotional reach and impact of their sound.
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