A captivating experience.
author: Alex Boisselle
A captivating experience. A technically top notch piece of work rich in musical texture, lyrical imagery and constantly shifting musical style. At times bordering on world stylings, at times contemporary, at times simply being. This cd is to be played for the pure pleasure of artist as muse. I found myself spinning it time and time again just for the escape. In a nut shell, this is a very refined outing by a group of superb players and a lady with a very interesting imagination. One of the best outings of the year and a must hear. All the best health and happiness to Danielle and friends for the future and good times.
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This disc is often one woozy stagger after another, tumbling between a fairytale
author: Reno Gazette Journal
Danielle French, a longtime visitor to Reno... had been paying her dues for more than a decade in a career that's teamed her with some key artists there and even earned her a date with the Lilith Fair. "Shadows," French's third disc, demonstrates why she's been compared with the likes of Tori Amos and Tom Waits. Like those two, French has no fear of the bizarre. This disc is often one woozy stagger after another, tumbling between a fairytale and a funfair-turned-nightmare. It can be downright freaky, but it's also pretty and brimming with charm. French's voice is clear and luxuriant, and she often layers her own harmonies as she sings her fanciful yet palpable tales. Behind her, the music pulses, swirls and clatters with sounds that include viola, accordion, synthesizer and tuba as well as bells and jarring chuckles. This is definitely one of the year's most eccentric and inventive... albums.
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French describes her music as "Tori Amos meets Tom Waits."
author: Kat Kerlin- Reno News and Review
Note: The following is 1 paragraph taken from a June 15th interview. For the full story, click on the link above for the website review.
OUT OF THE SHADOWS
French describes her music as "Tori Amos meets Tom Waits." Her soft, soothing voice has nothing to do with the latter. But the freak show carnival world so often inhabited by Waits has a strong presence here, as does Waits' proclivity to throw a microphone on things like the sound of a creaking chair. But French's music is her own, and with Shadows, her ethereal voice mixes with the grungy, confusing elements of earthly living. The album seems to be about someone lost in an unknown land, where madness lurks around each corner, tugging at her, yet she's still being led to her own path, where things will begin to make sense. It's like a story--one in which the characters dance drunken waltzes and play drinking glasses, singing saws, musette accordions and violas.
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