the Lake Effect
© Copyright-Daniel G. Harmann
(711574523528)
Record Label: Post436 Records
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The Lake Effect, the new release from Seattle's Daniel G. Harmann merges indie rock with dreamy atmospheric pop and simple but elegant songwriting. Continually searching for ways to break the singer/songwriter mold, Harmann uses non-traditional song structures driven by his delicate falsetto and layered between guitars, keyboards, and cello.
"I've always related more to the punk rock side of the scene than the singer/songwriter side," Harmann says. The result is a record with occasional electric guitar grit but also the lushness of a choir of vocal harmonies.
Harmann grew up in rural Arizona, moved to Seattle in 1999 and relocated to Portland in 2003. Recording his first record in 2001, Failures in Motion, the songs were written as some letters to friends and family. Produced by Graig Markel at the Recovery Room in Seattle, the album was so well received that Markel asked to release it on his own label, Recovery Records .
Harmann toured continually in 2002 in support of the record, and in February of 2003, he returned to the studio with Markel to begin work on The Lake Effect which is being released on April 20, 2004 by Chicago's Post436 Records.
Special guests on The Lake Effect include Rosie Thomas (Sub Pop Records), Lesli Wood (Ms. Led/Saeta), Bob Smolenski (Saeta), Graig Markel and Drew Ringo (Maxmillian Colby/Sleepytime Trio). Harmann also appears on the Low tribute, released by Fractured Discs in the spring of 2005, entitled: We Could Live in Hope - A Tribute to Low, alongside artists such as Mark Kozelek & Idaho.
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EDITOR’S PICK “'The Lake Effect' grabs a lock of your hair and teases you wi
author: Smother.net
EDITOR’S PICK “'The Lake Effect' grabs a lock of your hair and teases you willingly through the lush valleys of sonic bliss with its atmospheric soundscapes. Not often does an album waltz through and demand to be noticed in such a subtle way... Indeed [it] will ripple through you and unlike a skipping stone won’t eventually sink in—it sinks immediately into your soul in a place reserved for your favorite lovers and best of friends as a perfect invasion of your most private of emotions."
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author: Lost at Sea
I loved it. I loved John Vanderslice’s Cellar Door and thought it would easily retain the honor of best solo outing of the year. So, naturally, I was shocked to discover that Daniel G. Harmann’s The Lake Effect gave Cellar Door a run for its money... The jury is deadlocked, and a mistrial has been declared.
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This is a voice that evokes an image of Jeff Buckley (taking some quiet time), N
author: Bettawreckognize.com
"This is a voice that evokes an image of Jeff Buckley (taking some quiet time), Nick Drake and Elliott Smith, whispering to you. The following are some of the words used to describe this album, actually used by myself and people I know: beautiful, soothing, pretty, wow, inspiring, holy crap that's good. This album is multifaceted within its space, adeptly flowing from quiet, short and moving pieces to more upbeat electric guitar that picks up the pace, but never abandons the album's true essence."
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It is a cohesive record filled with acoustic reflections and energetic rock trac
author: Unfinished Magazine
"It is a cohesive record filled with acoustic reflections and energetic rock tracks... one of those records with an addictive quality to it, and I honestly haven't been able to stop listening to it... It is an intimate listen, and more than worth the price of admission."
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