If the title of D/DC's debut seems like a mouthful, be advised it's indicative o
author: Rachel Devitt, Rhapsody.com
If the title of D/DC's debut seems like a mouthful, be advised it's indicative of the album itself. Actually, the "homiesexual" rappers' mouths are full of lots of things. They chew elegantly on lines like "Spread your lexicon/I supplex you through your poo-poo spout," name-check Gloria Anzaldua, and manipulate the timbre and timing of their delivery to play with the semiotics of their wittily academic rhymes. Bourgie is, to borrow one of D/DC's favorite words, a grammatology of the "rap faggot," a deconstruction of the signifiers and syntax that make up and govern that identity.
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The album with the title of the century so far has the beats and the smarts to t
author: Louise Gray, New Internationalist Magazine
The album with the title of the century so far has the beats and the smarts to tune ears and turn heads. Recorded in 2002 by the Deepdickollective, ‘seven queer Negroes’ (their term) from San Francisco and only now properly available, BourgieBoho is a début rap album that combines the polemical capacity of Public Enemy with the poetic flow of Gil Scott Heron. The only difference? This is the rap that dares to speak its name: homohop.
That gay hiphop has come out of the closet so gloriously is a delight to anyone who has listened to the homophobic onslaughts of stars such as Eminem and, yes, Public Enemy, and wondered whether they protest a little too much. BourgieBoho seems to have the answers.
It’s a highly literate, polished route that Tim’m West (aka 25 percenter), Juba Kalamka (aka Pointfivefag), Phillip Atiba Goff (the Lightskindid Philosopher) and their colleagues negotiate through ‘misty-eyed’ Afrocentrism, homophobia and racism. They do it with theoretical lucidity and no sledgehammer politics.
But the really great thing about BourgieBoho is that the music’s so good: the Deepdickollective have also served time as performance poets and studio wizards. The deconstructed beats owe something to drum’n’bass minimalism, but just as you lock into a groove, this ensemble surprises with a loop of lush violins. It’s an album that sets the agenda, musically and politically, for some time to come.
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Powerful lyrics, excellent rhythms, and a strong sense of humor
author: Len Rogers, StonewallSociety.com
From start to finish D\DC have powerful lyrics, excellent rhythms, and a strong sense of humor. The subject matter is serious, however these musicians take the music and message seriously and add a heavy dose of humor to send their message home. In a traditional sense like George Clinton using music to address social injustice, capitalism, prejudice, and ignorance these five have crossed a new chasm by offering an empowerment to their listeners. Bringing the black GLBT experience into the consciousness of today's society. They have combined the essence of cultural art with a needed statement in a most effective way. As shown in track eleven, "Vaxicran", a spoon full of sugar does indeed help the medicine go down. And D\DC is that spoon full of sugar.
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"I'm Totally Into This CD!
author: WINFREE
This CD is so hot! I feel everything they're saying! Very clever lyricists! I'm very proud to be a part of an artform that has this diversity. Music has been expressed from every angle and every point of view in the past. Now another voice is being heard through this awesome CD. I love every track! Hopefully, I'll get a chance to check out one of their shows...or maybe one day have the chance to collab on something!
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