It's not recreative to listen to it, it's a rather strange and unexpected experience. However, it's different, it will be recognised. It's certainly not easy listening, it's (as you told me Richard) a way of getting rid of unwelcome guests! You have to be in a good mood and open minded - and somehow it's fascinating too! Good luck in your future projects ...

Pinnochio only became a real boy because he went on a magical and bizarre journey. Had he stayed in school he would still be wood. Diledadafish seem to only adhere to their own logic and impulses. While I absorb the flushing of Diledaddafish I feel my sap run freely through my veins, the wooden grain turns wavy on my fingertips, knots become knuckles, branches into bone, my skin sandpapered smooth, splinters are of the past,I feel maple syrup rushing around in my leaderhosen! This is experimental not in the sense of high brow super serious statements but experiemental in the best sense of the senses, being playful, playing with the elements. At times I thought of the Residents. But mostly I thought of Diledaddafish. The packaging is marvelous and handsome. And the music is extremely delightful and 33.3% warped. Thank you.

Historical Flush is Diledadafish's second CD release (the also reviewed Mothball was their first). This one, released 5 years later, but featuring material recorded between 1984 and 1995, is yet another surreal electronic romp through Dadaland. It all begins with, appropriately, "First Lady II", one minute of silly synth noises. The eleven plus minute "Westen & Osten (excerpt)" is remnicent of stuff from the late 70's industrial movement, but without the expected darkness and "shockingness" associated with artists like Throbbing Gristle. Pulsing, buzzing synth sounds lead directly into lo-fi drum machine beats and weird processed vocals, almost similar to something like Front 242. Simply brilliant. "One Minute of Shimmel" continues the industrial act with it's gruff European vocals, teutonic drums, and all sorts of weird stuff in the mix. "Factory, The" lives up to its name, with it's calm ambient synths punctuated with drum machines and what may well be human voices processed into machinery type sequences. Quite original. Bits of "All We Need Is Love" actually remind me of something like Atrax Morgue, with the addition of orchestral synths and a sense of humor so lacking in many forms of music. "Udder" is totally absurd silliness, sounding like a more advanced version of those built in demo songs on toy keyboards, with the addition of weird mechanized vocals in the background. "Resinous Dentist" is in the vein of many of the tracks on Mothball, with its nearly dark ambient synth work, similar to Coil's Hellraiser themes. "Max & Hector" is also one of the ones with a darker musical structure, but with computer generated vocals throughout the track. And it all ends with a cover of the Residents' "Walter Westinghouse", nearly 6 minutes of fractured electro-pop music and processed vocals that take on a totally alien quality of their own. Once again, Diledadafish manage to produce more deranged Dadaist electronic "pop" for lack of a better word. Historical Flush is a bit "harsher" compared to Mothball, but still much more listener friendly then experimental Dadaist countrymates Runzelstirn And Gurglestock. Imagine 70's Cabaret Voltaire and Throbbing Gristle, with a better sense of humor and less "extreme-ism", and you've got Diledadafish. Which should be something you'd want to hear. Great booklet too, featuring artwork for each of the tracks, and a great little piece on "How to Sell Diledadafish By The Power of Display" that should entertain you. (Creaig Dunton)

Ton Casualties / Casual Tonalities ... Gabor Csupo's Zombient Music. Or perhaps Schwarzwald by Kuroi Mori. Echoes of underwater influences much like Drumatic which we have here at www.cdbaby.com/drumatic Heavy underwater bass music lovers must give these a try now. ~*~ Jett Black ~*~