Freakin Eureka
Dipsomaniacs
© Copyright-Dinner TIme Music (ASCAP)
(795103001428)
Record Label: FDR (Face Down Records)
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Freakin Eureka is the long-standing NJ garage rock band, Dipsomaniacs', much-anticipated follow-up to their successful 2001 release, The Life You're Faking.
The new album, which was recorded between October 2002 and May 2003 in the Big Room at Philadelphia's Indre Studios, features eleven new songs in the Dipsos' distinctive Replacements-via-Fountains of Wayne garage pop style.
Mick Chorba's songwriting on Freakin Eureka is as strong as ever, and the playing is more straight-ahead than it has ever been. Many of the loose ends are left tidily untied, capturing the live energy of the band with spontaneous-sounding arrangements that feel like low lights and American beer.
The Dipsomaniacs have been growing in popularity with each successive release. Since selling out the first pressing of their previous album, the band has toured regionally, made festival appearances at the Dewey Beach Pop Fest and the International Pop Overthrow Festivals in Los Angeles and New York, and contributed tracks to several compilation CDs including the popular Left of the Dial Replacements tribute album. They have also successfully worked to build a strong live fan base through regular shows in New York, New Jersey, Philadelphia, Delaware and Baltimore.
The band now looks to expand their reach through more touring in support of Freakin Eureka, including a planned Midwestern stint that will revolve around their performance at the 2004 International Pop Overthrow festival in Chicago.
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this Trenton-ish quartet of convicted rock addicts hit the mark yet again
author: Al Muzer - Aquarian Weekly
Having acheived greatness with a loose, sloppy/notsloppy Westerberg-inspired pop vision on past efforts, this Trenton-ish quartet of convicted rock addicts hit the mark yet again with the infectiously catchy, Strokes-dirty "Black Cloud"; the '80s radio pop pound of "Sun Shine Through"; a big, swirling, Velvet Crush-like "Low Level Search For God" that invokes classic Cheap Trick and Who hooks; a hilarious double-entendre tagged "Prince Harry"; and angsty MTV hits waiting to happen "Worthless," "Always Forgetting Something" and "Beautiful Outside."
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This disc serves notice that the Dipsomaniacs just keep getting better with each
author: Mike Bennett @ Fufkin.com
Dipsomaniacs -- Freakin Eureka (Face Down/Jam): This New Jersey band continues to crank out the power pop jams, showing off a mixture of influences from the mod-era Who to the latter day Replacements on this comfortable collection. Lead singer and band songwriter Mick Chorba has one of those slackerish verging-on-whiny voices that is friendly rather than irritating. Chorba's voice turns out to be a great vehicle for his sardonic lyrics. Indeed, he seems to be growing as a lyricist, as shown by "Low Level Search for God". The song manages to convey a characteristic wit while managing to seem sincere about the quest for truth. The ballsy mid-tempo track is also a showcase for what a terrific bunch of players these guys are, as the song has a lengthy instrumental break where all involved get a bit of the spotlight, without losing focus in heading to the rousing finish. On the strictly humorous level, "Prince Harry" (as in "drink, drugs..and Prince Harry") is a winner, and it has a nifty roadhouse rock gloss. In the song, Chorba protests when he writes a poem for his crush, but all she wants is sensationalism. Tabloid sensibility = no romance. On a darkly humorous level, how can you beat "when you're feeling worthless/just think about me/when you've got no self-esteem" from "Worthless". This is a fine acoustic lament that could probably be adapted well by either Cheap Trick or an alt-country act. Speaking of country, "Sleepy Joe" actually has a pedal steel, and has a country flavor, just like a couple tracks have a bit of bluesiness a la The Faces. Which is a good thing. Of course, if you just want some straight ahead power pop or rock and roll, there are songs for you. "Sun Shine Through" is premised on a foolproof riff, making the song pretty much 100 percent hook. Meanwhile, "Little One" shows that it is still O.K. to boogie, as long as you have a melody to go along with it. This disc serves notice that the Dipsomaniacs just keep getting better with each release.
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