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Dominant Intelligence : Balance Of Power
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Intellectual lyrics over well composed beats, thinking mans hip hop for the anti-mainstreamist.
Genre: Hip-Hop/Rap: Alternative Hip Hop
Release Date: 2007
Balance Of Power
Dominant Intelligence
Record Label: Soldiers Of The Cause Records
  • Buy CD - $10.00
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Preview Song Name Time Buy
1. Epicenter 3:38 Album Only
2. Terrorists in Office 3:44 Album Only
3. Stage 4:14 Album Only
4. Fresh MC's 4:02 Album Only
5. Buncha Bullshit 3:19 Album Only
6. Whatcha' gonna Do 3:06 Album Only
7. Outer Cage 2:57 Album Only
8. Through Whose Eyes 4:02 Album Only
9. The Stampede 3:31 Album Only
10. Pacifism 5:09 Album Only
11. Digital Attempt 3:12 Album Only
12. The Shredder 0:55 Album Only
13. Quickie One 2:26 Album Only
14. Criminal Too 3:11 Album Only
15. Growin Up 1:45 Album Only
16. Swingin Funk 3:24 Album Only
17. Darkonic 2:21 Album Only
18. Drama 2:13 Album Only
19. Continuous Flow 3:50 Album Only
20. Balance of Power 3:57 Album Only
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Album Notes

Dominant Intelligence is a two man team: Homeboy Face and V-Tech the Vocabulator. They grew up together and have shared a common interest in hip hop and rap since 6th grade. They began freestyling in freshmen year and started writing and recording at age 18.Balance of power is the groups 2nd album, the long awaited follow up to their first album “Partners In Rhyme” in 2004. Both emcees share a common distaste for the mainstream garbage pop that is shoved in our faces everyday. They grew up listening to the likes of Wu-Tang 36 chambers and Forever, Outkast's first 3 albums: southernplayalistic, aquemini, and atliens, and other legends like Redman, Ice Cube, and Busta Rhymes. They consider the golden years of rap from 94-2001, when mainstream artists actually made really good music.
“Balance Of Power” has exquisite production mostly done by homeboy face with a few contributions by V-Tech, BMB, and WeeDee G. Featured Emcees include Knowble from serendipity Project, Carrie Robinson, Govind, Daily Chores, BMB, Antibiotic, and Dope Nutz. The album has a smooth feel and is the kind of album you can listen to all the way through. Similar in feel to Outkast's “Aquemini”, you can put the headphones on and get lost for about an hour without having to skip tracks. The songs transition smoothly from one to the next providing a cohesive entity similar to a mosaic, lots of pieces that form one large picture. The topics covered range from growing up, to death, politics, to staying mellow, all the way to the problems we face today and our children will face tomorrow. The song styles cover a large range as well; from punch you in the face bangers like “epicenter” and “stage” to the composed and complex emotions of “Through Whose Eyes” and “Balance of Power” Where the combination of classical style piano combined with the beautiful voice of Carrie Robinson serenading your soul will give you goose bumps every time.
If I had to think of one phrase to describe this album it would be “musical masterpiece”. The production of the beats is top notch and the vocal quality is superb. It all comes together to elucidate a beautiful landscape of mental stimulation with thought provoking lyrics and smooth aesthetically pleasing beats that intoxicate your soul. If you like just plain good music and your sick of empty pop beats with an overly emphasized clap track and meaningless lyrics then you should definitely pick this one up. You are guaranteed to be impressed.

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REVIEWS

A group with the potential for making "next level" material
author: John Book/The Run-Off Groove
                            
With a name like Dominant Intelligence, it may sound like a very bold statement but it works quite well. The other half goes by the name of Homeboy Face (yeah,I don't know either), and on Balance Of Power (Soldies Of The Cause) both of them not only rap but contribute their productions to the cause, which feature dusted samples from the crates of the unknown and their own instrumentation. This one leans more along the lines of Slug and Eminem, and what I like about them is that they not only drop verses but will do a bit of passing-of-the-mic. The humor here is kept to a minimum, as they hit a bit harder lyrically with tracks like "Terrorists In Office", "Through Whose Eyes", and the title track. The album is quite polished as is, although a few of the songs would be a bit better to me if it had a bit of grit to it. When I hear a song of anger or protest, I don't want it to sound like Lil' Jon like. Contradictions can work, but here it's one of the few weak spots on the album. This is how they do it in Santa Cruz, and I hope to hear more from all of them in the future.
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