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Francis Doughty : Among Trees
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Original American Self-Styled 6- and 12-String Guitar Instrumentals, Kottke-schooled, Thrilling Fingerstyle Mixed with Evocative Guitar Ballads
Genre: Folk: Fingerstyle
Release Date: 1999
Among Trees Record Label: Francis Doughty
  • Download Album (MP3) - $9.99
  • Buy CD - $12.00
Preview Song Name Time Format Price Select
By Lantern Light 3:10 $0.99
Flau Song 3:11 $0.99
Dream Song for a Walk on a Sunset 4:29 $0.99
Gandalf's Guitar Garden 2:36 $0.99
Christmas Birds 4:55 $0.99
Lilac Sunday 3:05 $0.99
Jasper's in the Window 2:57 $0.99
The Cowyard 3:30 $0.99
All the Beautiful boys and girls 3:46 $0.99
The Hermit Thrush 4:20 $0.99
Button-girl 3:12 $0.99
The elm Tree 4:08 $0.99
Anticipating You 3:10 $0.99
preview all songs

Album Notes

"One of the few local guitarists following in the demanding John Fahey/Leo Kottke mode...guitarist Francis Doughty is one of the best-kept secrets in town." (BOSTON HERALD)

Francis Doughty is an exciting folk instrumental guitarist who has been playing music since his early teens. Inspired by the likes of Leo Kottke, John Fahey, and a wide range of classical music, Doughty has used those influences to develop his own unique voice on the guitar, which ranges from the thrilling to the haunting.

"It takes a large talent to keep people listening when the only voice to be heard is that of a single instrument, even if it has 6 or 12 strings...Doughty uses his strings to get where he's going...in songs that demonstate great range and tone...[they] come slowly with feeling, or they come in torrents." (Daily Hampshire Gazette)

Doughty's guitar-playing is riveting and instantly engages the audience. Indeed there are a lot of good 6- and 12-string players out there, but it is his masterful song-writing which makes Doughty a true standout.

Attending a Francis Doughty concert never fails to leave an audience enthralled. His shows present a mix of his own songs, several classic covers by Kottke, as well as arrangements of traditional or jazz pieces — and always a surprise or two. The counterpoint to his music is his endearing stage manner and colorful humor. He makes a genuine connection.

Showcase Performer at Falcon Ridge Folk Festival 2001 and 2004

"Francis Doughty paints pictures of New England with his guitar." (Jason Bovian, Here and Now, WBUR)

Francis has released two instrumental guitar CDs, Among Trees and Under the Sky, both receiving high praise from reviewers and fans - and he has been featured at venues throughout the Northeast. Doughty has shared the stage with or opened for Gordon Bok, Lui Collins, Tony Vacca, Don White, Adrienne Jones (of Mad Agnes), Kiernan Kane, Elliot Bronson, James Durst, Thea Hopkins and others. He has made numerous radio and several television appearances, including a feature on NPR's magazine show "Here and Now," taped at WBUR in Boston.

When Francis Doughty speaks through his guitar he transports the listener to another place. He comes at you with a wall of sound from his 12-string in songs such as: the highly-charged crowd-pleaser, We're Getting Closer, his equally energetic Pearl-Streaked Morning or Leo Kottke's epochal masterpiece, Morning is the Long Way Home. Tempering the fast paced favorites are the beautiful, evocative songs such as the Irish traditional song, Sheebeg Sheemore and the tender ballad Steve's Pain. The overall result is not just impressive — a Francis Doughty concert takes you on a memorable ride!


"[His] arrangements can blow blades of grass or fall like icy snow. More than words. You can easily lose yourself in Doughty's music..." (Worcester Magazine - Charlene Arsenault)

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REVIEWS

author: Dr.Ernst Weeber
Me and my wife enjoy it to listen to your beautiful music every time we can. Thank you for rising our life quality. Your Dr. Ernst Weeber/Germany
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author: J Kirlin (Taylor Guitars)
Francis Doughty has been playing acoustic guitar since he was 17, but only three years ago decided to "stop hiding his light under a bushel basket" and perform live. His supple fingerstyle folk is inspired by John Fahey, Ed Gerhard and Leo Kottke, but perhaps even more by the bucolic "homesteading" lifestyle that he says "keeps him in the vegetable gardens or the woodsheds for some portion of every day." Doughty's debut album of instrumentals, Among Trees, is aptly titled; his honeydew melodies unfold in an unhurried halcyon pace that caresses the senses and suggests a Walden-esque setting ungoverned by clocks. Doughty studied classical composition at the University of Massachusetts at Boston, and credits his grounding in the classical tradition for his sense of musical structure. Of his 510 and 815-CE, which yield warm, rich, clear organic tones, Doughty says: "These guitars SING! and have truly been the inspiration for me to put out my debut CD and perform in public. "I'm hopelessly addicted to this instrument," he confesses of his passion for guitar. "I fish around a lot on it, and every now and then I get rewarded by something surprising and pleasing, in the way that it describes something that's real to me. There's a necessity to playing the guitar that would be impossible to overcome. It's part of me; part of my language." "Francis Doughty paints pictures of New England with his guitar." — WBUR (Boston) "[Among Trees] is a place to go -- it's a haven against the world, really, when it's too much . . ." — Connie Bowblis, WKNH (Keene, NH)
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This is a peaceful, beautiful, interesting CD from start to finish. Thank you t
author: Eli Lach
The above says it all.
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One of the more remarkable acoustic debuts I've heard.
author: Michael Doyle/epinions.com
See the review link for more.
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