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Dresden 45 : Paradise Lost (Expanded)
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Formed in Houston, Texas during the Reagan years, Dresden 45 played relentlessly during its most active period (1985-1990) and produced one of the best records to come out of the Texas scene of the late 1980's. "Paradise Lost," originally released in 198
Genre: Rock: Punk
Release Date: 2003
Paradise Lost (Expanded) Record Label: Arclight Records
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Preview Song Name Time Format Price Select
Newton's Bad Apple 3:05 Album Only
No Need 2:21 Album Only
Swiss Bank Account 1:50 Album Only
Live For Money 1:48 Album Only
Briar Patch 1:49 Album Only
Smoke 1:15 Album Only
Southern California 2 1:22 Album Only
Guilty of Birth 1:44 Album Only
Violence 2:00 Album Only
Dresden 45 1:44 Album Only
Mainlined 3:24 Album Only
Coexistence 3:59 Album Only
Verdunkeln 2:03 Album Only
Prozac 2:14 Album Only
Jarvik 7 3:59 Album Only
Ceasar And Me 2:34 Album Only
High On Gasoline 3:39 Album Only
45 Seconds To Live 1:29 Album Only
Can Open'er 1:36 Album Only
Blooddump 5:35 Album Only
preview all songs

Album Notes

Dresden 45 was formed in October of 1985 to participate in a battle of the bands competition sponsored by our high school. As fate would have it, the original members of Dresden 45 all attended Episcopal High School in Bellaire, Texas (a suburb of Houston) and wore starched uniforms five days a week. Exactly why four parochial school dudes were interested in playing hardcore (thrash, punk, whatever you want to call it) is anyone's guess. Why we didn't win the damn thing is also something of a mystery.

The original members were Brumby Boylston, Charlie Hardwick, Oscar Gray, and myself. Looking back, I'd say that Brumby's influence on the band was substantial and lasting: First of all, Brumby probably had the clearest vision of the band Dresden 45 would become at the beginning. Also, the guy had a great record collection and introduced the rest of us to a slew of very cool bands that existed a little beneath the radar: Agnostic Front, Black Flag, the Crumsuckers, GWAR, Minor Threat, the Minutemen, the Offenders, Rich Kids on LSD, Suicidal Tendencies, and TSOL.

Brumby also named the band, suggesting the name after reading Slaughterhouse Five, Kurt Vonnegut's autobiographical novel in which he describes being a prisoner of war during World War II. If you've read the book, you know that Vonnegut was held prisoner in Dresden, Germany and witnessed the devastating firebombing of the city in 1945. "Dresden 45" was suggested and it stuck. To be honest, if our singer had been reading something else that week we might've named ourselves Animal Farm or Fahrenheit 451. Vonnegut's novel is well worth reading, but I'm afraid that we have joined the ranks of bands who insist "it's just a name, dude."

Not long after its founding, Dresden 45 was blowing the roofs off some legendary Houston area clubs: Cabaret Voltaire, the Apocalypse Monster Club, Rockefellers, Fitzgerald's, Power Tools, and the Axiom. During the Dresden 45's most active years (1985-1990) we shared the stage with touring bands like All, the Descendents, DRI, the Exploited, Firehose, MDC, NOFX, and the Goo Goo Dolls, as well as great Texas bands like Dead Horse, the Hickoids, the Party Owls, Sugar Shack, and the Pain Teens. Dresden 45 played its last show of the 20th century on January 6, 1990 at the Axiom and went into a kind of hibernation.

As with most bands, Dresden 45 has seen a few changes in line-up. Recounting who replaced whom--and when--is tedious, so I'll skip that chore. Let me say this, though: When I decided to attempt to reunite Dresden 45, I wanted to include all four original members. I ended up with three: Brumby, Charlie, and myself, which isn't bad. Next, we recruited Jeff Chavez (from Blatant Disregard) to fill Oscar's sizeable shoes. We played two reunion shows in November of 2003. About a month after the shows Arclight Records reissued an expanded and re-mastered CD version of our LP "Paradise Lost." We played two more reunion shows in July of 2004. At the final gig--after the last note of the last song--Charlie smashed his bass to pieces like a punk rock Pete Townshend, and the year-long reunion was done.

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REVIEWS

author: Greg Beets (Austin Chronicle)
DRESDEN 45: PARADISE LOST (EXPANDED) (ARCLIGHT RECORDS) In the sprawl of economically depressed mid-Eighties Houston, hardcore was often the catharsis of choice for disenfranchised suburban teens. High schoolers themselves when the band started in 1985, Dresden 45 became one of the most beloved acts to emerge from this era. Following in the footsteps of H-town expatriates D.R.I., D45 fused punk rage to the loud, fast rules of thrash with a militaristic precision. Vocalist Brumby Boylston was a classic punk screamer, while guitarist Patrick Godbey threw down ramming speed guitar solos owing a lot more to Eddie Van Halen than Johnny Thunders. The quartet's unrelenting disgust at the lingering threat of annihilation ("Coexistence") and unrestrained greed ("Live for $") that epitomized the Reagan era make this expanded reissue of their sole album a trip back in time. Dresden 45 also paid homage to Minor Threat with rails against nicotine ("Smoke") and heroin ("Mainlined"). While their world-view was bleak and violent, their scream-along choruses and exhortations not to let the bastards win fostered an aural camaraderie. This was evident at shows during the band's late-Eighties heyday. Paradise Lost doesn't capture Dresden 45's live ferocity as well as it could've, but keep in mind it was recorded at a studio that normally did country songs and radio jingles. Sentimental Eighties refugees who've forgotten what it feels like to be 17 and pissed off should look into this
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"...this album blows D.R.I.'s Crossover (their genre-defining album) out of the
author: Neal Shah (Punk Planet Issue 60, March/April, 2004)
Despite what EPMD had to say, I've always had a fondness for "the crossover." But in this case I'm referring to the glorious mixture of punk and metal (second to my heart only after funk and metal) that began around the mid-'80s. An overlooked gem of that era is Dresden 45's first and only full-length, which was actually a compilation of most of the songs from their first two 7-inches. These guys were from Texas, home to fellow thrash pioneers, DRI. As much as I loved DRI, even up to 4 Of A Kind, this album blows Crossover (their genre-defining album) out of the water. Whereas Crossover was a little too slick and slow compared to DRI's previous work, Dresden 45's Paradise Lost was still raw and hardcore, only with better musical chops than most of their hardcore peers. Their album is filled with speed-metal riffs and leads, but it still retains the roughness and intensity of punk's early days. And the singer has a great hardcore yell along the lines of Dischord's early roster. For all intents and purposes, this is just a great hardcore album with metal influences. If you missed out the first time around, this album is going to be rereleased on Arclight Records soon with lots of extra songs. It's a must for fans of thrash and crossover, who I'm sure are poring over this magazine right now.
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