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duo Vertigo : Vertigo One
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Urban tunes, exotic sound fields, labyrinthine toccatas and sexy pick-up lines...
Genre: Avant Garde: Modern Composition
Release Date: 2006
Vertigo One Record Label: Karnatic Lab Records
  • Buy CD - $15.00
  • Download Album (MP3) - $9.99
Preview Song Name Time Format Price Select
Celestial Dance 3:37 $0.99
The Magic Box: 1. the magic box 2:39 $0.99
The Magic Box: 2. the little triangle 2:14 $0.99
The Magic Box: 3. an invention in two voices 5:40 $0.99
The Magic Box: 4. dance of the blue castanets - Cliff Crego 1:41 $0.99
The Magic Box: 5. 4 square - Cliff Crego 1:48 $0.99
Urban Turban - Ned McGowan 8:11 $0.99
Quadrivium 1 - Drew Crawford 9:20 $0.99
Toccata III - Samuel Vriezen 11:12 $0.99
Study for Four Hands (Piano-Drumming) - Benedict Weisser 7:51 $0.99
Come Here Often? - Giel Vleggaar 8:32 $0.99
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Album Notes

Over the past few years, award-winning Duo Vertigo has become famous for its riveting and energetic performances, inspiring the creation of imaginative and innovative new works by composers from all over the world. This disc of world premiere recordings offers a selection of the strongest, strangest and most gripping of those pieces, including urban tunes, exotic sound fields, labyrinthine toccatas and sexy pick-up lines...

Duo Vertigo:
Claire Edwardes percussion
Niels Meliefste percussion

Australian percussionist Claire Edwardes and Dutch born Niels Meliefste met in 2000 at the Tromp Percussion Competition in Eindhoven, The Netherlands – there they were awarded first and second place and since then they have been perfecting the art of playing percussion together. In April 2005, as Duo Vertigo, they were awarded third prize in the prestigious “Gaudeamus International Interpreters Competition”.

They have presented concerts in venues such as De Doelen, Rotterdam and the Vredenburg, Utrecht and have toured throughout Germany, Sweden, the United Kingdom and Australia. Recently Duo Vertigo was involved in several improvisation projects including a dance party in the Concertgebouw, Amsterdam presented by MTV Fusion. In August 2006 they toured to Australia with the assistance of Stichting Gaudeamus and the FAPK. There they gave master-classes, led ensembles and performed concerts in Perth, Brisbane, Melbourne, Canberra and Sydney. In October 2006 they were featured as part of the BMIC’s Cutting Edge Series in London.

One of the primary aims of the duo is to aid in building the serious yet innovative percussion duo repertoire and performance technique. Over thirty pieces have been written for them by emerging and established composers from all over the world, many of which have become part of their regular repertoire. They work regularly with Dutch, Australian, American and British composers including Louis Andriessen, Andrew Ford, Cliff Crego, Matthew Shlomowitz and Edward Top.

They were awarded the J.H.O. Montauben-Ballintijn Fonds by Prins Bernhard Fonds to travel to the Banff Centre, Canada in 2004 to record this, their debut CD.


Duo Vertigo CD review by Peter McCallum, Sydney Morning Herald December 2-3, 2006

Stylish precision and poised clarity characterise this enterprising disc of new percussion music by the brilliantly versatile Duo Vertigo.

Jane Stanley’s Celestial Dance is softly pointed and flows rather than stomps. The five pieces from Cliff Crego’s The Magic Box are among the disc’s most interesting for their concise simplicity and precisely crafted cross rhythms in a performance that etches the peaks of phrases with finely articulated colour.

The drummed-out single notes and less developed textures of Ned McGowan’s Urban Turban needs more self-critical editing to weed out the uninteresting ideas. Quadrivium 1 by Sydney composer Drew Crawford is most effective for its overall shape, tracing an arc from high tapping wood (marimba) down and back to receding metallic haze. Samuel Vriezen’s Toccata III creates an extended shimmering sound web of cross rhythm, like being hypnotised by light on water.
Benedict Weisser’s Study for Four Hands is a lively but prosaic exercise in heavy chords while Giel Vleggaar’s Come Here Often? consists of a percussion accompaniment to recorded pick-up lines by female voices which, being a bit over-eager, falls flat.

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