This very impressive CD is highly recommended.
author: Ken Dryden, All Music Guide
Catherine Dupuis made an auspicious debut in 1999 with her CD I Hear Music, and this follow-up proves to be even more wide-ranging. Once more she is joined by the brilliant pianist and arranger Bill Mays, along with bassist Martin Wind and drummer Tim Horner, while occasionally expanding her supporting cast with the addition of trumpeter and flügelhornist Marvin Stamm, trombonist Jim Pugh, Ted Nash (heard on alto sax or flute), and percussionist Memo Acevedo on selected tracks. The chemistry between Dupuis and Mays is particularly explosive in the imaginative arrangement of "Follow Me." She wails in Dizzy Gillespie's bebop classic "Interlude" (better known as "A Night in Tunisia"). Dupuis restores the often omitted verse to the swinging sextet version of "All Through the Night" and she is also a masterful interpreter of the dark humor in another Cole Porter classic, "Get out of Town," which is accented by Pugh's often sardonic-sounding trombone. Mays co-composed "Spring Friend" with singer Mark Murphy, an unusually structured ballad that Dupuis makes her own with a sterling performance. The old hymn "What Wondrous Love Is This" departs dramatically from its traditional setting, with Dupuis adding a driving chant, and Mays occasionally muting the piano strings with one hand as he plays the keyboard with the other. This very impressive CD is highly recommended.
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Tolle Titten! Geile Stimme!
author: Charlie Bremicker
WOW! Was für 'ne geile Stimme und welch tolle Titten.Da treibt einem direkt den Samen aus dem Sack.
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A disguised strength, simultaneously beguiling and dominating.
author: Frank Rubolino, Cadence
Dupuis is a vocalist with a youthful, high-ranging voice. On ["Moments"], she sings 13 popular tunes, injecting a touch of scat into the formality of her theme structure. On most tunes, she sings the lyrics in an outgoing, extroverted manner, and she always manages to inject a bit of jazzy phrasing or scatting line to stir the pot. Dupuis sings the lovely Brazilian ballad "Comecar de Novo" in Portuguese to provide an additional twist to the presentation. Although her voice has a girlish charm, she is able to exert significant volume and force that stands up well against the septet that accompanies her. She gets revved up on the up-tempo selections and puts the band through its paces. The slow ballads are done with gentleness, but even they show off the disguised strength contained in her voice.
The orchestra with Dupuis has a bold sound. With Stamm, Nash and Pugh providing the punch on reeds and brass, the band displays its muscles regularly. Mays on piano leads the rhythm section that provides solid backing to Dupuis. The band's arrangements [by Mays] are well constructed and very much suited to her singing style. On "Interlude," the dynamics of the band pitted against the energetic execution of Dupuis takes the pace up a notch and concludes with a flurry of power. The recording alternates between heavily driven tunes and quieter, slower ballads, and both formats display the talent of Dupuis very effectively. She can be simultaneously beguiling and dominating.
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One of the brightest new stars in the entertainment world!
author: Jim Stone, Big Band Swing -- Wlnz Lansing Mi
You'll take more than a moment once you start listening to Catherine Dupuis's new album. From the very first track, "Follow Me," right up to the great Peggy Lee song "Things Are Swingin'," Catherine Dupuis was born to sing. She has a natural born talent and a voice that paints a rainbow with every word she sings, just listen to Hoagy's "Skylark." No doubt about it, Catherine Dupuis is one of the brightest new stars in the entertainment world!
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