David Elias | David Elias & XING

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David Elias on iTunes David Elias Website Ultra HD Download: "The Window" DSD Disc David Elias Video on YouTube

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United States - Hawaii

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Folk: Fingerstyle Avant Garde: Avant-Americana Moods: Type: Acoustic
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David Elias & XING

by David Elias

iTunes named it "Tracks to Watch". A pure acoustic trio record in ultra HD (DSD) with no frills or flashing neon, overdubs, etc.. Just an award-winning singer-songwriter backed by another guitar/voice & upright bass. A natural recording easy on the ears.
Genre: Folk: Fingerstyle
Release Date: 

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1. The Riddle Song
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2:38 $0.99
2. Take Me Down The Road
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4:42 $0.99
3. Changing Down
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4:15 $0.99
4. Morning Light - Western Town
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6:03 $0.99
5. If I Had My Way
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4:48 $0.99
6. Vision Of Her
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4:59 $0.99
7. Good Old Days
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3:41 $0.99
8. Summer Wind
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5:48 $0.99
9. One More Savior
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5:04 $0.99
10. Transcendental Deprivation, Part II
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2:55 $0.99
11. Straw Dream
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6:29 $0.99
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ABOUT THIS ALBUM


Album Notes
Following in the footsteps of The Great Unknown ("Half an Hour Away") 4 years prior, David performed regularly in 2004/2005 as XING (pronounced Crossing), a crack trio featuring upright bass (Chris Kee - Houston/Jones, Waybacks) and backing acoustic/vocal (Charlie Natzke - Slipperworld).

A live studio recording encouraged by affiliates of Apple iTunes for a webcast (later called podcasts) was accomplished in a single day at the hearlded remote Slipperword Studios amongst the redwoods in La Honda, California. David, Chris and Charlie stood in a small circle with just a few microphones and played with the windows open. A HD multitrack recording was made of the session using a Sonoma workstation from SuperAudioCenter.com. No overdubs, no artificial anything added to the recording or mix. The recording, mix and mastering are Pure DSD, preserving the high fidelity. Similar to the two SACD's also recorded in this fashion, the natural ambience of the room and instruments is allowed to come through in the mix for easy on the ears listening...

Acoustic instruments as well as vocals particularly highlight and exploit the advantages of the DSD HD format. Resonance and ambience are almost miraculously captured and reproduced. The XING sessions give credence to a less is more approach to music. 3 instruments and 2 voices was all it took...You can hear a red-winged blackbird trill to the end of one song as well. The folk style includes a lot of fingerstyle pickin' as well as nice harmonies and a solid floor provided by the upright bass. Guitar harmonies also ring through on each track.

These songs can be heard and felt as played in the intimate environment where they were recorded. Find a nice chair or sofa and perhaps your favorite headphones and be escorted through the articulation of an original award-winning singer-songwriter and his very fine musician friends.

APPLE iTunes Promoted this WEBCAST ARCHIVE. It was featured by the QuickTime Newsletter as "Tracks to Watch" in February, 2005 -- e-mailed to over 2.5 million and listened to around the globe.

David Elias was voted "Best Songwriter" by his music industry peers in the same year's 2005 International Online Music Awards (IOMA) -- from over 15,000 nominees in 33 categories.

Backing Musicians: Chris Kee, Charlie Natzke. Recorded by Charlie Natzke at Slipperworld.net. Mastered by Gus Skinas, SuperAudioCenter.com

***********************************************
Here's what a music teacher in British Columbia said about these songs:

"I am a guitar instructor in Kelowna, BC Canada and I am trying to teach my students that not all guitar is wailing, distorted shred lines. That you can take an acoustic, put away your pick, and make some music that is more "musical" than most of what you hear on radio, MTV etc...So I was searching Google for acoustic guitar music and eventually hit your webcast. I clicked to have a quick listen and sat through it in its entirety and enjoyed every minute of it.

Thanks,
Alan Wagner, Kelowna, BC"

Here are another listener's comments:
"Thank you for putting your music on the web! How refreshing; beyond unplugged, pure musicianship and poignant lyrics. Thank you."

And another's...
"wicked stuff... i luv many kinds of music and urs is a new fave "

**** BIOGRAPHY **************************************
David’s original work and contributions as a pioneer in the unsigned artist’s world of self-produced CD’s put him in front of the folk community nationally and worldwide at a very early Internet age (1995). His songs began sprinkling across the Internet globe on various music sites including the landmark original MP3.com. Over the next 15 years there would be endless labyrinths of these "venues" as well as podcasts and radio...Who knew?

Not restricting his exposure to online outlets (breaking ground with CD Baby in 1998 and eventually Amazon, iTunes and 50+ others) David also attracted the discriminate audiophile community as an early innovator in hi-def 5.1 surround sound recordings (SACD’s “The Window”, 2003 and “Crossing”, 2005). This met with industry recognition for excellence, including the Brutus award from Positive Feedback Online for both SACD’s ("DSD Excellence") and 4 different final nominations in the Beverly Hills Surround Music Awards, including "Listener's Choice". Stereophile Magazine found "Crossing" to be "extraordinary".

David’s songwriting achieved early recognition from the likes of Billboard magazine and hundreds of reviews and comments online from fans, musicians and industry professionals. He has been compared to many great songwriters ranging from John Prine to Jim Croce to Nick Drake to Tom Petty to Dan Hicks to Arlo Guthrie to Bruce Cockburn, Paul Simon, early Dylan, Neil Young, the list goes on. His productions continue to be recognized for their outstanding articulation and impact, both lyrically, musically and sonically. He has indeed been referred to as both musician’s musician and a songwriter’s songwriter.

It is somewhat challenging to try to characterize the scope and impact of David’s work either chronologically or in a complete fashion. Working online as an independent artist for 15 years, he has been part of the dawn of many new discoveries in music and DIY approaches to sustaining art. Performing imore than 1000 shows, since 1994 and teaming up with dozens of different casts of characters from the deep roots of the Irish and Scottish to the quietude or rants of Americana and folk to the eclectic, bluegrass, rock and pop realms of those such as Jane Siberry (Issa), Sally Van Meter, Matt Flinner, and Roger Powell, David has spun many homegrown musical tales for the environment, local education and businesses, benefits galore, art shows, fairs and festivals, warehouses and lofts, beach parties, pubs and eateries, music halls and local cafes not to mention his own 7 released recordings and endless other collaborations. Perhaps it is summarized best as one fan online wrote: “…music for the heart and soul”.

• Independent singer-songwriter musician with first self-produced CD “Lost in the Green” released in 1995/96, with the initial wave of the Internet. This CD got immediate attention and play on hundreds of public and college folk programs across the US and overseas as far away as Hong Kong. Original coffeehouse acoustic sounds for both lyrical/poetical impact and musical composition and quality were associated with early Dylan, John Prine, Paul Simon, Guy Clark, Townes Van Zandt and other folk icons. David was then compared by the startup innovater Derek Sivers at CD Baby to John Prine as one of Derek's favorite folk singers.

• Second CD release “Time Forgets” went online with the initial artist subscribers to CD Baby in 1998. “Christmas Blue” from this disc became #1 on the original MP3.com Folk Rock chart in 1998. CD Baby founder Derek compared this disc to John Prine’s music as something loveable. The “Freedom on the Freeway” track received an Honorable Mention from Billboard magazine. David’s songwriting skills were also recognized by the Napa Valley Music Festival as a finalist.

• Also released in 1998, “The Blue Planet” featured a title track used in the Musician’s United to Sustain the Environment (M.U.S.E.) first compilation. This marked the beginning of many contributions to compilations and other non-profit and for profit projects including independent films such as Jason Ward’s “I Want To Blow Up Silicon Valley”. Both special and regular radio performances began during this time and continued on Bay Area stations including KSUP Santa Cruz, KPIG Watsonville, KZSU Stanford, KKUP Cupertino and KALW and KYOU in San Francisco.

• 2001 included the CD release of the ambient folk recording “Half An Hour Away” featuring an acoustic trio (guitar, mandolin, flute/tenor sax) known as David Elias & The Great Unknown. The title track of this song would also be included on the release of the Peninsula Scottish Fiddlers’ second CD. David toured Scotland with the 18-piece Fiddlers orchestra that year performing 14 shows as a supporting guitarist and featured songwriter.

• Working early with Hi-Def recording in the beginning of Sony’s development of the Super Audio CD (SACD) David ultimately released the world’s first hybrid multichannel (5.1) SACD in 2003. “The Window” was a final nominee at the Beverly Hills Surround Music Awards that year in the Emerging Artist category. That same year Pink Floyd’s remixed and remastered “Dark Side of the Moon” was recognized as the best new surround hi-res recording. Over 4000 SACD titles would follow from various labels in recognition of this new high definition format.

”The Window” has been recognized by audiophile experts as a reference quality recording for its superior sonic merits. It also has been awarded for its folk music value. As Stuart Robinson from High Fidelity Review commented: “Every great recording requires great music, and that’s what this disc is all about.”

Recorded live at Immersive Studios in Boulder and released without edits or overdubs, it features numerous luminary backing artists including Sally Van Meter, John Magnie (Subdudes), Ross Martin (Tony Furtado), Matt Flinner, Eric Thorin (Open Road Bluegrass, Drew Emmitt) and Marc Dalio (Erin McKeown).

“The Window” has been compared to folk and bluegrass icons’ work such as Jorma Kaukonen’s “Blue Country Heart” also a 5.1 SACD which was nominated for a Grammy in 2002. “The Window” has received longstanding recognition in the audiophile community for its songs, performances and audio qualities.

• Continuing to record in the Hi-Def domain using Direct Stream Digital (DSD), an acoustic trio consisting of Charlie Natzke (guitar/backing vocal), Chris Kee (upright bass) and David recorded a live studio set entitled “David Elias & XING” (pronounced “crossing”) for an iTunes promotion in 2005. This 50-minute, 11-track podcast was named by iTunes as “Tracks to Watch” and received tremendous support and plays online. It went on to be printed as a CD as a result of the online success.

• In 2005 David was invited to join Jane Siberry (now Issa) onstage as a backing guitarist in the Newport Folk Festival. David would open shows for Jane over the next two years at numerous locations throughout California, including the Great American Music Hall, as well as performances in Texas. He also appeared live with Jane on radio in Austin, TX (KGSR with Jody Denberg) as well as KUSP in Santa Cruz, CA.

• As he was being voted “Best Songwriter” in 2005 by the International Online Musicians Awards (IOMA) David created the larger ensemble (up to 8-piece) of David Elias & XING (pronounced “crossing”) for his live performances. Using these local SF Bay Area musicians as well as most of the artists appearing on “The Window”, a second hybrid 5.1 SACD of original music called “Crossing” was produced and recorded at Slipperworld Studios in La Honda, CA.

Recorded to DSD by Charlie Natzke and mixed in Boulder by Gus Skinas (formerly of Sony SACD Project and founder SuperAudioCenter.com) “Crossing” received final nominations in three different categories in the 2003 Surround Music Awards: a) Listener’s Choice; b) Best Made-For-Surround Title; c) Best Non-Orchestral Mix.

”Crossing” received the same level of admiration for songwriting and Hi-Def excellence as “The Window”, described as an “extraordinary recording” by Stereophile Magazine in 2006.

• Shortly after relocating to Hawaii in 2008, David released a limited set of recordings featuring new lyrical songs written and performed on ukulele.

• New News in the near-term horizon (late 2008, early 2009)includes:

- Live CD with the large band David Elias & The CasualTees, recorded to DSD by Gus Skinas in hi-def and mixed/mastered by Charlie Natzke at Slipperworld Studios in La Honda, California. This project was recorded at the San Gregorio General Store over successive nights and features new Elias material on 10-tracks. Musicians backing David as The CasualTees are: Charlie Natzke, John Havard, Scott Beynon, Ken Owen, Roger Powell, David Phillips, Gary McArthur, and Reid Dennis. *** RELEASED IN FEB. 2009! *****

- Hi-Def (HD)downloads in both stereo and 5.1 surround sound of both David Elias SACD’s from iTrax.com. *** ONLINE NOW FOR HD STREAMING AND SURROUND DOWNLOADS ****

- Award-winning "Crossing" has been added to the impressive libraries of online radio at www.pandora.com -- check it out!

- Last 2 projects printed with Oasis ("Crossing" and "Live in San Gregorio") both had singles selected for Oasis Radio Sampler in Acoustic and Pop Genres.

- In late 2009, the award-winning SACD "The Window" became one of the world's very first DSD Disc downloads. With the ability to be played on various equipment including the Sony Playstation3, the ultra high fidelity (HD) quality of the original Sonoma recorded and mastered "Window" tracks can be downloaded and played in their native format. Audiophiles in particular can finally hear the ambient quality of these recording (stereo only) sessions featuring Sally Van Meter, Matt Flinner, Eric Thorin, John Magnie, Ross Martin and Marc Dalio. DSD Disc downloads are available at www.davidelias.com. *** An extra bonus track has been added to this DSD Disc version of "The Window". It is "Vision of Her" also in native DSD recorded//mastered on the Sonoma featuring Chris Kee and Charlie Natzke.


Reviews


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mbridge

Two For The Price Of One
This [Transcendental Deprivation Part II + Straw Dream] is a very unconventional song, mixing a pure instrumental piece on the front end and then finishing it off with connected by different song with instrumentals complimented by voice. At 9:18 this is a long song, but fear not, it will leaving you wanting another 9:18. The front part of the song reminds me of early colonial music. The musicianship is remarkable. Beautiful finger picked harmonies weave between guitars and bass making you just want to kick back with a glass of wine and sit in front of a fire and reflect.

If this were purely instrumental I would be satisfied but wait...there's more. The backend of the song slows down but continues with beautiful guitar picking but adds lead and backup vocals that add to the reflective/contemplative mood set by the guitar playing with their soft tones and harmonies.

What a warming treat on this cold Tuesday morning in Boston.

Valkir

Masterful
This is a breath of fresh air...I can't believe this is live...ithis sounds perfect...such a joy to listen to someone that has pretty much mastered his craft and is completely comfortable with his instrument in every situation..where the instrument is an extension of himself...this is a masterful performance by all 3 of you gentlemen...I tip my hat to you all. 4X Yes, MIX PIX

DiCarlo

What Can I Say...
WHAT CAN I SAY, EXCEPT........
ANOTHER EXCELLENT SONG!!!!!! [ Transcendental Deprivation Part II + Straw Dream]

You guys are soooo tight. Great guitars and bass. Nice vocals and vocal harmonies and
excellent lyrics as well. All recorded beautifully.
What can I say?
Great work.

Edrurv

Nicely Done!
Great live performance. The guitar work is clean and very cool. Great enthusiasm in the vocal selling the lyrics all the way. Rock solid steady on the tempo [The Riddle Song] and just plain good.

LEXZ

The Riddle Song got me in a full nelson...
Guy said there was this "newcomer" to Mixposure that we should all check out - IMMEDIATELY.

Now I see why he wanted us to rush over. This is absolutely impeccably recorded fine acoustic music.

Great guitar work and masterfully delivered vocals - no riddle why this song plays so well on my mind.

Alan Wagner, Kelowna, BC

Not all guitar is wailing, distorted shred lines!
I am a guitar instructor in Kelowna, BC Canada and I am trying to teach my students that not all guitar is wailing, distorted shred lines. That you can take an acoustic, put away your pick, and make some music that is more "musical" than most of what you hear on radio, MTV etc...So I was searching Google for acoustic guitar music and eventually hit your webcast. I clicked to have a quick listen and sat through it in its entirety and enjoyed every minute of it.
Thanks, Alan Wagner

Hans Simon Dahle

Great acoustic music!
I love these David Elias recordings! I just got aquainted with his writings skills and singing style, combined with wonderful and sometimes haunting melodies, packaged in a mesh of fine acoustic instumental playing. Music for the heart and the soul! I also highly recommend his two SACDs - The Window and Crossing - they're a treat!

solipsism

Simply Beautiful
for those of you who haven't heard David Elias, i can assure you who he is in my opinion one of the best songwriters working today....thoughtful beautiful lyrics meshed with the most beautiful acoustic guitars. soft, gentle and warm this song has everything and more that you'd look for in this genre...it's just about perfect. His vocal performance is stunning and again the soft almost whispering style is perfect for the genre. simply beautiful

LEXZ

New Benchmark
This [song Changing Down] will become the new benchmark for all other acoustic songs posted at Mixposure. Like "The Riddle Song," it is perfectly played, sung, recorded, and mixed.

Superb effort.

Loren

So Easy...
the guitar playing is beautiful. nice harmonies. you make it sound so easy.
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