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David Elias : David Elias & XING
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Three guys get together one afternoon at Slipperworld Studios in La Honda, California and make a record with just 2 guitars and an upright bass. iTunes named it "Tracks to Watch".
Genre: Folk: Modern Folk
Release Date: 2005
David Elias & XING
David Elias
Record Label: Sketti Sandwich Productions
  • Download Album (MP3) - $9.99
  • Buy CD - $14.95
Preview Song Name Time Format Price Select
The Riddle Song 2:38 $0.99
Take Me Down The Road 4:42 $0.99
Changing Down 4:15 $0.99
Morning Light - Western Town 6:03 $0.99
If I Had My Way 4:48 $0.99
Vision Of Her 4:59 $0.99
Good Old Days 3:41 $0.99
Summer Wind 5:48 $0.99
One More Savior 5:04 $0.99
Transcendental Deprivation, Part II 2:55 $0.99
Straw Dream 6:29 $0.99
preview all songs

Album Notes

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APPLE iTunes Promoted this WEBCAST ARCHIVE - Now You Can Buy the CD! Featured by QuickTime Newsletter as "Tracks to Watch" in February, 2005 -- e-mailed to over 2.5 million!

David Elias was voted "Best Songwriter" by his music industry peers in the 2005 International Online Music Awards (IOMA) -- from over 15,000 nominees in 33 categories.
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Recorded directly to DSD using a Sonoma workstation, this webcast has been featured by Apple iTunes.

Here's what a music teacher in British Columbia said about these songs:

"I am a guitar instructor in Kelowna, BC Canada and I am trying to teach my students that not all guitar is wailing, distorted shred lines. That you can take an acoustic, put away your pick, and make some music that is more "musical" than most of what you hear on radio, MTV etc...So I was searching Google for acoustic guitar music and eventually hit your webcast. I clicked to have a quick listen and sat through it in its entirety and enjoyed every minute of it.

Thanks,
Alan Wagner, Kelowna, BC"

Here are another listener's comments:
"Thank you for putting your music on the web! How refreshing; beyond unplugged, pure musicianship and poignant lyrics. Thank you."

And another's...
"wicked stuff... i luv many kinds of music and urs is a new fave "

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I love technology when it can be used to do creative and innovative things, especially with music and art. Well, here's something you may not have experienced yet...

The idea of this project was to first capture a good live session of our acoustic trio David Elias & Xing (pronounced "Crossing"). Then taking those recordings and working with one of the true pioneers of streaming technology, create a highly interactive and informational player that allowed anyone to listen to the 11 songs we recorded through the web.

WE DID IT!!!

We recorded the songs in one morning as straight takes. There are no tricks or effects in these mixes, just EQ. Why? We wanted the live-performance sound of our shows to be available to anyone in the world!

So here is the CD version of the studio webcast archive (for you audiophiles, essentially a "hybrid" layer on CD).

I hope you enjoy our recording session!

- David Elias

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David’s original work and contributions as a pioneer in the unsigned artist’s world of self-produced CD’s put him in front of the folk community nationally and worldwide at a very early Internet age (1995). He achieved numerous and frequent #1 charting on various large musical web communities such as MP3.com, Besonic, SoundClick, Mixposure, and IndieHeart.com (currently #1 artist for most plays) as well as others.

Not restricting his exposure to online outlets (breaking ground with CD Baby in 1998 and eventually Amazon, iTunes and 50+ others) David also attracted the discriminate audiophile community as an innovator in hi-def 5.1 surround sound recordings (SACD’s “The Window”, 2003 and “Crossing”, 2005). This met with industry recognition for excellence, including the Brutus award from Positive Feedback Online for both SACD’s.

David’s songwriting achieved early recognition from the likes of Billboard magazine (honorable mention folk award in 1998) and hundreds of reviews and comments online from fans, musicians and industry professionals. He has been compared to many great songwriters ranging from Jim Croce to Nick Drake to Tom Petty to Dan Hicks to Arlo Guthrie to Bruce Cockburn, Paul Simon, Dylan, Neil Young, among numerous others. His productions continue to be recognized for their outstanding articulation and impact, both lyrically, musically and sonically. He has indeed been referred to as both musician’s musician and a songwriter’s songwriter.

It is somewhat challenging to try to characterize the scope and impact of David’s work either chronologically or in a complete fashion. Working as an independent artist for 15 years, he has been part of the dawn of many new discoveries in music and DIY approaches to sustaining art. Performing in the vicinity of 1000 shows, give or take, since 1994 and teaming up with dozens of different casts of characters from the deep roots of the Irish and Scottish to the quietude or rants of Americana and folk to the eclectic, bluegrass, rock and pop realms of those such as Jane Siberry (Issa), Sally Van Meter, and Roger Powell, David has spun many homegrown musical tales for the environment, local education and businesses, benefits galore, art shows, fairs and festivals, warehouses and lofts, beach parties, pubs and eateries, music halls and local cafes not to mention his own 7 released recordings and endless other collaborations. Perhaps it is summarized best as one fan online wrote: “…music for the heart and soul”.

More details below or see http://www.davidelias.com

• Independent singer-songwriter musician with first self-produced CD “Lost in the Green” released in 1995, with the initial wave of the Internet. This CD got immediate attention and play on hundreds of public and college folk programs across the US and overseas as far as Hong Kong. Original coffeehouse acoustic sounds for both lyrical/poetical impact and musical composition and quality were associated with early Dylan, John Prine, Paul Simon, Guy Clark, Townes Van Zandt and other folk icons.

• Second CD release “Time Forgets” went online with the initial artist subscribers to CD Baby in 1998. “Christmas Blue” from this disc became #1 on the original MP3.com Folk Rock chart in 1998. CD Baby founder Derek compared this disc to John Prine’s music as something loveable. The “Freedom on the Freeway” track received an Honorable Mention from Billboard magazine. David’s songwriting skills were also recognized by the Napa Valley Music Festival as a finalist.

• Also released in 1998, “The Blue Planet” featured a title track used in the Musician’s United to Sustain the Environment (M.U.S.E.) first compilation. This marked the beginning of many contributions to compilations and other non-profit and for profit projects including independent films such as Jason Ward’s “I Want To Blow Up Silicon Valley”. Both special and regular radio performances began during this time and continued on Bay Area stations including KSUP Santa Cruz, KPIG Watsonville, KZSU Stanford, KKUP Cupertino and KALW and KYOU in San Francisco.

• 2001 included the CD release of the ambient folk recording “Half An Hour Away” featuring an acoustic trio (guitar, mandolin, flute/tenor sax) known as David Elias & The Great Unknown. The title track of this song would also be included on the release of the Peninsula Scottish Fiddlers’ second CD. David toured Scotland with the 18-piece Fiddlers orchestra that year performing 14 shows as a supporting guitarist and featured songwriter.

• Working early with Hi-Def recording in the beginning of Sony’s development of the Super Audio CD (SACD) David ultimately released the world’s first hybrid multichannel (5.1) SACD in 2003. “The Window” was a final nominee at the Beverly Hills Surround Music Awards that year in the Emerging Artist category. That same year Pink Floyd’s remixed and remastered “Dark Side of the Moon” was recognized as the best new surround hi-res recording. Over 4000 SACD titles would follow from various labels in recognition of this new high definition format.

”The Window” has been recognized by audiophile experts as a reference quality recording for its superior sonic merits. It also has been awarded for its folk music value. As Stuart Robinson from High Fidelity Review commented: “Every great recording requires great music, and that’s what this disc is all about.”

Recorded live at Immersive Studios in Boulder and released without edits or overdubs, it features numerous luminary backing artists including Sally Van Meter, John Magnie (Subdudes), Matt Flinner, Eric Thorin (Open Road Bluegrass, Drew Emmitt) and Marc Dalio (Erin McKeown).

“The Window” has been compared to folk and bluegrass icons’ work such as Jorma Kaukonen’s “Blue Country Heart” also a 5.1 SACD which was nominated for a Grammy in 2002. “The Window” has received longstanding recognition in the audiophile community for its songs, performances and audio qualities.

• Continuing to record in the Hi-Def domain using Direct Stream Digital (DSD), an acoustic trio consisting of Charlie Natzke (guitar/backing vocal), Chris Kee (upright bass) and David recorded a live studio set entitled “David Elias & XING” (pronounced “crossing”) for an iTunes promotion in 2005. This 50-minute, 11-track podcast was named by iTunes as “Tracks to Watch” and received tremendous support and plays online. It went on to be printed as a CD as a result of the online success.

• In 2005 David was invited to join Jane Siberry (now Issa) onstage as a backing guitarist in the Newport Folk Festival. David would open shows for Jane over the next two years at numerous locations throughout California, including the Great American Music Hall, as well as performances in Texas. He also appeared live with Jane on radio in Austin, TX (KGSR with Jody Denberg) as well as KUSP in Santa Cruz, CA.

• As he was being voted “Best Songwriter” in 2005 by the International Online Musicians Awards (IOMA) David created the larger ensemble (up to 8-piece) of David Elias & XING (pronounced “crossing”) for his live performances. Using these local SF Bay Area musicians as well as most of the artists appearing on “The Window”, a second hybrid 5.1 SACD of original music called “Crossing” was produced and recorded at Slipperworld Studios in La Honda, CA.

Recorded to DSD by Charlie Natzke and mixed in Boulder by Gus Skinas (formerly of Sony SACD Project and founder SuperAudioCenter.com) “Crossing” received final nominations in three different categories in the 2003 Surround Music Awards: a) Listener’s Choice; b) Best Made-For-Surround Title; c) Best Non-Orchestral Mix.

”Crossing” received the same level of admiration for songwriting and Hi-Def excellence as “The Window”, described as an “extraordinary recording” by Stereophile Magazine in 2006.

• Shortly after relocating to Hawaii in 2008, David released a limited set of recordings featuring new lyrical songs written and performed on ukulele.

• New News in the near-term horizon (late 2008, early 2009)includes:

- Live CD with the large band David Elias & The CasualTees, recorded to DSD by Gus Skinas in hi-def and mixed/mastered by Charlie Natzke at Slipperworld Studios in La Honda, California. This project was recorded at the San Gregorio General Store over successive nights and features new Elias material on 10-tracks. Musicians backing David as The CasualTees are: Charlie Natzke, John Havard, Scott Beynon, Ken Owen, Roger Powell, David Phillips, Gary McArthur, and Reid Dennis. *** RELEASED IN FEB. 2009! *****

- Hi-Def (HD)downloads in both stereo and 5.1 surround sound of both David Elias SACD’s from iTrax.com. *** ONLINE NOW FOR HD STREAMING AND SURROUND DOWNLOADS ****

- Award-winning "Crossing" has been added to the impressive libraries of online radio at www.pandora.com -- check it out!

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REVIEWS

Great acoustic music!
author: Hans Simon Dahle
I love these David Elias recordings! I just got aquainted with his writings skills and singing style, combined with wonderful and sometimes haunting melodies, packaged in a mesh of fine acoustic instumental playing. Music for the heart and the soul! I also highly recommend his two SACDs - The Window and Crossing - they're a treat!
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It's Time For A Change...
author: Guy Michetti
Man I know that my review of this wonderful song [Changing Down] and performance by David, is not even going to come close to how superb this song is. Ok but I'll try... When you hear those guitars at the beginning.. the way they sound sonically, the way they are being played, the notes they are playing, (can we say brilliant articulation and prhasing.. have you read Pablo Casals book?) the mood that is instantaneously created, you have to know that something amazing is happening. Then when Davic starts to sing with that beautiful and passionate voice that creates images and pictures and feels like a friend like you've never known, starts to sing a simple elegy that can radically change your world and make you feel good at the same time. It is a rare thing when a artist of David Elias' caliber comes your way. He is an artist a voice that needs to be heard. The change is coming... The fact that David isn't on the cover of every musical trade journal( yet that is) is indicative to me of an industry that has lost its soul with no direction home or anywhere else. The change is coming... There will be a new morning for music someday, and one of the bright stars on that horizon is David Elias and his music. I was right, I haven't even come close to writing a good review. Just listen to the music. Listen. Listen.. listen...The change is coming...
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Don't Change
author: Lothar
Everything fits beautiful together: great acoustic work combined with perfect vocals (Compliments also to Charlie Natzke for his backing-vocals)! Greetings from Germany
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Your Way
author: Farrell
Very soothing tune and your vocal tone really sets the stage for a relaxing listen. Nice mix with the acoustic bass. The chorus [If I Had My Way] has that infectious sing along appeal. Nice writing!
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