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El Ten Eleven : These Promises Are Being Videotaped
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\"Justice meets Tortoise.\" \"Kraftwerk in the Sky.\"
Genre: Electronic: Electro
Release Date: 2008
These Promises Are Being Videotaped Record Label: Fake Record Label
  • Download Album (MP3) - $10.97
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SPECIAL: 20% discount if you buy more than one copy of it today!
Preview Song Name Time Format Price Select
Jumping Frenchmen Of Maine 5:10 $0.99
I Like Van Halen Because My Sister Says They Are Cool 3:54 $0.99
Fat Gym Riot 3:09 $0.99
Adam and Nathan Totally Kick Ass 4:26 $0.99
K10 4:14 $0.99
Paranoid Android 2:16 $0.99
Chino 2:52 $0.99
Numb Tooth 1:40 $0.99
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Album Notes

\"Kraftwerk In The Sky\" The Onion

\"Justice meets Tortoise\" some kid in Portland

\"Kristian finds some absolutely sick dance riffs on this one — parts that would normally go to a synth and sound flat or tired sound explosive when played on live bass guitar here. Tim\'s added some new sounds to his electronic kit but still pounds the fuck out of his snare and throws in some cowbell to call you out to the dancefloor.\" Music For Robots

\"You\'re one of the fastest-rising stars of post-rock instrumental music.

You\'ve built a growing fan base through mostly word-of-mouth by performing jaw-dropping live shows around the country.

And if you\'re El Ten Eleven, on your third album, \'These Promises Are Being Videotaped,\' you take this momentum and . . . change your sound entirely.

Previously, El Ten Eleven created instrumental pop, but has since decided on a shift to electro-dance.

\'I\'m sure we\'re going to lose a lot of fans on this record, but we\'ll probably gain some, too,\' said Kristian Dunn, the group\'s guitarist and bassist.

A two-man Los Angeles sound machine, El Ten Eleven was previously known for stoney instrumentals, courting fans of post-rock.

So far, the switch to dance has been paying off.

\'I was surprised,\" Dunn said. \"I thought there would be post-rock snobs with their arms folded staring at us [at our shows], but people have been cheering.\'

So El Ten Eleven decided to join the likes of popular dance acts like LCD Soundsystem and Justice and create music to sway to under multicolored lights.

Only instead of making electronic music with electronics, El Ten Eleven is doing it with just drums and bass on \"These Promises Are Being Videotaped,\" due out this month.

It might sound delusional to say the dude in El Ten Eleven is playing bass in a way that\'s never been done before, but if you\'ve seen these guys live, you know it\'s not out of the question.\" Arizona Daily Star


\"If you’ve never seen El Ten Eleven, by the way, they are one of the most exciting bands to watch live. Kristian Dunn and Tim Fogarty work in a similar vein as looping artists Dosh, Andrew Bird and Final Fantasy and, with an incredible list of equipment, they produce music that between the two of them sounds like it has been made by a concert orchestra.\" AZ Night Buzz

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REVIEWS

Circle Magazine
author: Adam Gough
Where in the past El Ten Eleven have drew comparisons to Sigur Ros and Tortoise, with their lazyboy-downer-nu hippie tunes that in actual fact got you high, this LA duo’s third release introduces itself with all the compassion of a Shock & Awe strike. Shock and Awe, technically known as Rapid Dominance, is a military doctrine based on the use of overwhelming power, and this is exactly what El Ten Eleven have executed with expertise on this album. The first track on These Promises Are Being Videotaped plays under the rather obscure title ’Jumping Frenchmen of Maine’. The only way I can describe this track is that it takes Soulwax’s chin-swinging ‘E Talking’ onto the dance floor, matches it move for move and eventually leaves it in a foaming dehydrated mess collapsed in the corner. Something which is pretty hard to imagine after recalling the first time you heard Soulwax’s ecstasy filled bass heavy gem, but this stuff will send your serotonin levels surging through the roof. Their take on Radiohead’s Paranoid Android is an interesting treat. It brings to mind Jimi Hendrix’s distorted and discordant take on America’s national anthem. Like all good covers, I feel they’ve taken this one ad really looked after it like its one of their own, a very unique take on a modern classic. What I like about El Ten Eleven is their organic use of real guitar, real bass and real drums. They’re not too overproduced and come off sounding like a real band rather than a compilation of lazy samples. Judging from videos on their myspace they look like a real blast to experience live; they’re loud when they wanna be, intimate, instrumentally experimental (hell they play guitars with drumsticks) and certainly know how to work an audience into a frenzy. Everything this album offers in fact. El Ten Eleven’s music up to now, renowned for being great driving music and for putting listeners in a good mood, has been more about light pitter-patter percussion, soothing rippling melodies with quite a withdrawn ambience but this album brings them to a whole new dimension. It still skips and whistles down the street (check out ’I Like Van Halen Because My Sister Says They Are Cool’) but has a nice punchy edge and drives a lot faster, honking its horn to attract attention and demanding that people get out of the way lest the fun stops rolling on. www.circlemagazine.co.uk
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amazing!
author: Jakub Holovsky
So amazing this album is! Great music, something fresh for ordinary days. The ideas keep on rolling and it all feels so good! Definitely worth a buy!
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