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Ensemble Pamplemousse : Raanna Jedaku
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RAANNA JEDAKU is a collection of 7 works by Ensemble Pamplemousse: these works weave together shapes of resonance, clusters of glitch, skitters of hyper action, and masses of absurdity into impeccable structures of unified beauty.
Genre: Avant Garde: Experimental
Release Date: 2011
Raanna Jedaku
Ensemble Pamplemousse
Record Label: Carrier Records
  • Buy CD - $15.00
  • Download Album (MP3) - $14.00

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Preview Song Name Time Buy
1. On Structure II 10:15 + MP3 $2.00
2. Nest 16:41 + MP3 $2.00
3. Symbiosis II 8:05 + MP3 $2.00
4. Pulse Compression 11:34 + MP3 $2.00
5. Sofrut 7:38 + MP3 $2.00
6. Effective Temperature (from the Herzsprung-Russell Suite) 6:37 + MP3 $2.00
7. Gnomon 7:44 + MP3 $2.00
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Album Notes

Composer/performer collective Ensemble Pamplemousse was founded in 2002 to provide a focal point for like-minded creators with a thirst for sonic exploration. The ensemble is a close-knit group of divergent artistic personalities, emergent from training in disparate musical fields. Their collective love for the exquisite in all sonic realms leads the ensemble to persistently discover new vistas of sound at the frayed edges of dissective instrumental performance technique. Compositions aggregate each member's unique virtuosic talents into extraordinary magical moments. In the flexible moments of performance, the ensemble weaves together shapes of resonance, clusters of glitch, skitters of hyper action, and masses of absurdity into impeccable structures of unified beauty.

RAANNA JEDAKU is a collection of 7 works by the members of Pamplemousse, written between 2009 and 2011. This double album is a combination of 2 projects: 'Symbiosis' and 'Absurd Limitations'. The first 3 tracks, or first disc, embodies 'Symbiosis' and the final 4 tracks, or second disc, was produced through 'Absurd Limitations'.

About 'Symbiosis': These works are an exploration of codependent relationships in sound or music. The compositions describe different processes, each internally reliant for success. These relationships range from those between audience and performer, to the expected (and sometimes broken) sonification of visual cues, to the unveiling of hidden tones emerging from super- and sub-audio frequencies.

About 'Absurd Limitations': These 4 works of exploitative self-limitation effectuated through the conflux of adventure and confusion are the emergent product of reducing, restricting, narrowing, squelching, slicing, and otherwise removing all unnecessary fodder. In extremes what remains is a curious series of decomplexities which the audience is driven to anatomize into a consolified structure. Space is at a premium; noise is molecular; silence is hypothetical but desired.

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