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Edward Perez : Opus 1-6 Ad Libitum, Music For L.w. Smith
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Classical contemporary compositions that take the listener on an introspective journey that examines the confines of one's innermost feelings.
Genre: Classical: Contemporary
Release Date: 2001
Opus 1-6 Ad Libitum, Music For L.w. Smith Record Label: Edward Perez
  • Buy CD - $12.95
Preview Song Name Time Format Price Select
Prelude, Op.1 5:10 Album Only
Romance, Op.2 7:04 Album Only
Nocturne, Op.3 6:26 Album Only
Rhapsodie, Op.4 6:24 Album Only
Fantasie, Op.5 6:09 Album Only
Impromptu, Op.6 9:24 Album Only
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Album Notes

Passionate, inspired, and dynamically rich, Opus 1-6 pays homage to the captivating music of Debussy, Ravel, Scriabin, and Satie. Composer/performer Perez improvises each work in one evocative take. Classically trained with a master's degree in composition, Perez describes his piano playing as "spontaneous emotional composition."

Through the experimentation of contemporary compositional techniques, such as set theory and combinatorial mathematics, Perez blends classical forms, romantic melodies, and avante garde harmonies to produce a structured, yet free musical fabric.

Opus 1-6 was composed as a musical illustration of Perez's theatrical play, L.W. Smith -- which tells the story of a young, deaf boy who communicates by playing the piano. The boy spends his life alone, in silence until he meets a female poet who becomes his muse.

The mood of Opus 1-6 takes the listener on an introspective journey that examines the confines of one's innermost feelings.

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REVIEWS

author: CD Baby
Based on the experimentation with contemporary compositional techniques, such as set theory and combinatorial mathematics, these improvisational pianistic explorations dive into the relationship and conversation between consonance and dissonance, fluidly penetrating the dark and light pockets of musical space. Like water winding around structures in the river bed, Perez's spontaneous composition winds in and around his classical training, picking up momentum and inspiration for these emotional creations.
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Like water winding around structures in the river bed.
author: Tamara D. Turner
Based on the experimentation with contemporary compositional techniques, such as set theory and combinatorial mathematics, these improvisational pianistic explorations dive into the relationship and conversation between consonance and dissonance, fluidly penetrating the dark and light pockets of musical space. Like water winding around structures in the river bed, Perez's spontaneous composition winds in and around his classical training, picking up momentum and inspiration for these emotional creations.
Read more...