FITZPATRICK will seduce those who love the Pop/Rock FLEETWOOD MAC or TOTO!
author: Music in Belgium
Translated from the original French:
To make this project a reality, FitzPatrick got help from guitarists Julias Rodriguez and Jim Wiehoff, George Matranga, at the keyboard, Angie Fitzpatrick singing on ‘Echoes of the King” and from Deanna Eaton, Debbie Gatti as well as John Gatti for vocals.
Their influences are coming from GENESIS and KANSAS progressive style to the more pop/rock of a TOTO and a FLEETWOOD MAC.
Melodies are very present in the singing parts as well as for the guitars and keyboards ones. From time to time the whole thing is ‘adorned’ with vocalizations.
Down the road, it’s more a Pop/Rock flavor in the style of TOTO and FLEETWOOD MAC that characterize them better. Among the best titles, “The Wasteland”, the haunting “Uncover Me” with its sensual atmosphere, “Echoes of the king” with Angie Fitzpatrick singing that gives it a little bit of a BLACKMOORE’S NIGHT flavor and “the Sleep” with a beautiful singing duo between Angie and Michael FitzPatrick which is not without reminding us of MIKE OLDFIELD at a certain time of his career.
As for “never leave”, listening to it, it is impossible not to think of PHIL COLLINS. That is perfectly the same style and atmosphere.
All in all, this pleasant album of FITZPATRICK will seduce those who love the Pop/Rock FLEETWOOD MAC or TOTO style, with a touch of MIKE OLDFIELD AND BLACKMOORE’S NIGHT.
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A very interesting album indeed!
author: Feedback Fanzine
A few years ago I would have said that there wasn't much happening in terms of Christian music, but that is definitely not the case anymore. Study the lyrics and you will see that this is very much music with a message, something that is trying to do far more than just entertain. But even if one isn't a Christian this album is just so easy and enjoyable to listen to that the casual listener will get a great deal out of it. As can probably be guessed from the bands listed on the site that this is a very melodic album, and while it probably wouldn't be viewed as being progressive in the traditional sense (if that isn't a contradiction in itself) it is probably the proghead who will get the most out of this. Well structured songs which have been well performed and well sung. This is a very interesting album indeed.
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The songs are solid, well developed, and well written!
author: Wilmont
The cover art is very cool - a house in a bubble floating by a planet.
Now for the music. The songs are solid, well developed, and well written. They range from mid tempo melodic rock to ballads and feature a soulful element. The lyrics are well crafted and often poetic. The band describes itself as a mix between Toto, Fleetwood Mac and Genesis and I'd say that is a pretty close assessment. Keyboards and guitars share about equal weight in the production, with solid key work and some very skillful guitar solos . The two brothers and one female (sister, wife?) share the lead vocal duties in the album and they all perform with precision and great emotion. Background harmonies are prominent and well executed.
I saw them listed on a Christian Progressive rock site. I don't think their music is either very progressive or overtly Christian, though the lyrics do address God in one song. The lyrics reveal some spiritual themes (so if that bothers you...) and the music is performed well and is sometimes complex, but remains accessible to a general listener that appreciates AOR throughout. The songs grow on you, and I am impressed in how they develop a melody and don't rush a song. There is a lot of depth here. Overall I have enjoyed the CD and look forward to their next project.
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Finely crafted, intense
author: Virtuosity - Spiritual Progressive Rock Reviews
This tasteful classic rock band is basically made up of two brothers, Michael and Shaun FitzPatrick. Shaun is a major in the USMC, and Mike is a Shuttle flight controller at Johnson Space Center. Together they have crafted a decent first effort, an album that grows on you with each listen. Apparently they both wrote the songs and sang, but beyond that, neither the album nor the website doesn’t really have proper credits to identify who is doing what, other than guest musicians and background vocalists. Musically, they identify themselves as a cross between Genesis, Toto, and Fleetwood Mac, and that assessment is not far off. The music is middle of the road rock and the progressive influence is fairly subtle, but the songs are strong and the singing adept. The lyrics are thoughtful and definitely Christian in world-view. Standout tracks on the album are the solid God in the Midnight Hour, the spiritually intense The Sleep, and the pastoral ballad Never Leave, which sounds like an early Collins-era Genesis song.
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