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Richly layered textures and structures, a melding of guitar sounds and electronic atmospheres - at once simple and complex.
Genre:
Electronic: Ambient
Release Date:
2006
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Invisibility
© Copyright-Forrest Fang/Carl Weingarten
(837101212649)
Record Label: The Foundry
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Invisibility emerges from a collaboration between Forrest Fang and Carl Weingarten, built on the strong and distinct musical personalities of these two artists. Carl Weingarten displays his assured guitar playing, a unique style that exploits a variety of sounds and a penetrating melodic sensibility. Forrest Fang builds well-balanced arrangements and develops intricate textural tapestries with a sonic palette drawn largely, but not exclusively, from Weingarten’s guitar work. The result is a series of enthralling landscapes and tableaus, subtly, but definitively, coloured by the musical insight of Fang and Weingarten. And while the integration of guitar, synthesis and processing may suggest a kind of invisibility in terms of seamlessness, the music is anything but invisible. On first hearing Invisibility is beautifully simple, but repeated listenings will reveal the strong underlying texture and structure that makes this release special.
Carl Weingarten has been releasing work for well over two decades and has 18 solo albums to his credit. If you include his contributions as session musician and producer the figure climbs to over 40. He has explored many guitar styles and incorporated aspects of country, blue, progressive rock and world music into his work, exploring electric, slide, and dobro guitar sounds along the way. Weingarten has worked with many respected musicians, including Fareed Haque, Michael Manring and Forrest Fang, and founded Multiphase Productions in 1980. Weingarten continues to release music and play live regularly.
Forrest Fang is a multi-instrumentalist and composer who has authored a number of albums over the last two decades. His work incorporates both Western and non-Western influences, including minimalism and Chinese classical music, and his work (particularly for Cuneiform Records) has explored various aspects of progressive and world music. Fang has also appeared on the recordings of well known artists, including Robert Rich and Carl Weingarten, and he continues to develop new projects and work with local artists.
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Invisibility finds Fang and Weingarten exploring anew possibilities in the realm
author: Dean Suzuki (Radio Producer & Host, KPFA)
At first blush, a collaboration between Forrest Fang and Carl Weingarten might not appear to be a proper fit, though the two have worked together in the past. Certainly both have a love of ambient music – indeed have composed and recorded such music– but they have moved along diverging paths in recent years. Fang's work has embraced world music, including that of his own Chinese heritage, and Weingarten has been exploring the possibilities of the National steel guitar using a slide and E-bow. Somewhat unexpectedly, the two musicians have gone back to their roots with this project. Invisibility finds Fang and Weingarten exploring anew possibilities in the realm of Fripp and Eno, the minimalists, and a generation or two of fellow ambient composers. Fang's shimmering electronics provide a bed upon which Weingarten layers guitar motifs, textures and sonorities. This album evolved slowly over five years through a painstaking and meticulous process of crafting, honing and refining their compositions. Fang's gossamer atmospheres evolve and develop – gradually shifting, changing in texture, hue, density and sonority. Weingarten responded to Fang's soundscapes, not by adding melody, per se; instead he sought to complement Fang's thoughtful electronics by using the guitar as a kind of tone generator to thicken the plot, as it were. Guitar sequences move the music ahead rather than simply creating a trance-like groove. The results are truly magnificent and repeated plays will reward the attentive listener with a multitude of details, kaleidoscopic timbres, and complete musical satisfaction.
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