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Future Jazz Project : True By Design
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Strong vocals, tight lyricism, electric Vibraphone, Rhodes, Fender Bass and poppin' backbeats meld together to form an uplifting soulful experience. Past present and future - they are heard in one entity.
Genre: Urban/R&B: Soul
Release Date: 2007
True By Design
Future Jazz Project
Record Label: Future Jazz Project
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Preview Song Name Time Buy
1. Centrifugal 3:46 + MP3 $0.99
2. Stress 5:04 + MP3 $0.99
3. Flank Fuzz 3:51 + MP3 $0.99
4. Ridiculous 4:43 + MP3 $0.99
5. True by Design 4:26 + MP3 $0.99
6. Faded Memories 4:18 + MP3 $0.99
7. Preparation 3:18 + MP3 $0.99
8. Stutter 4:23 + MP3 $0.99
9. Can't it Wait 4:58 + MP3 $0.99
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Album Notes

Short Version:
Strong vocals, tight lyricism, electric Vibraphone, Rhodes, Fender Bass and poppin' backbeats meld together to form an uplifting soulful experience. Past present and future - they are heard in one entity.
Not forgetting their jazz roots, FJP combines live hip hop, R & B and soul, setting a new level of artistry.

Long Version:
Future Jazz Project is a musical blend of genres brought together by like minded musicians who strive not to be judged by their name but by there musical content. You might ask yourself - is it Soul? Is it Hip Hop? Is it Jazz? Their sound will render your attempt at an answer senseless. Only a talented group of musicians such as FJP could have this sort of ability to transcend convention and blur musical boundaries.

The gritty presence of Casey Sidwell's Fender bass and the airtight snap of Dameion Hines' drums have provided the anchor for FJP's rhythm section since 2001. Their tenure together has yielded a rare type of feel that is deep and modern. And though the rest of the ensemble has been a case of musical chairs for the past few years, the latest cast is surely the hardest hitting. On vibraphone, Roland synth and vibro-synth is Greg Harris. A la Roy Ayers and Bobby Hutcherson, Harris brings not only a taste for texture and soaring solos, but also a distinct flavor for composition. Greg Raymond fills out the rhythm section on keyboards and synth. He brings writing and playing styles influenced from a variety of genres. Everything from Herbie Hancock, to J Dilla, to his classical roots, to Eddie Palmieri has seeped into Raymond’s approach.

What perhaps makes FJP most compelling, however, is the balanced charge of their vocal duo. Big House provides hip-hop lyricism that pays homage to masters like Method Man and Mobb Deep, and yet hits you with content and rhythm that is uniquely his own. And of course, you are guaranteed to never forget the beautifully stunning voice of Selina Albright. Her introspective lyrics will captivate you like Sarah Vaughn, and her Badu-like power and range will leave you breathless.

After consecutive nominations for both “Best Jazz Group” and “Best Hip-Hop” by Denver’s Westword Magazine (won for “Best Jazz” in ‘04/’05), FJP has set their

sights on a new goal -- national recognition with the release of their second album, “True By Design”. FJP has had the opportunity to open up for bands like The Roots, Al Green, George Benson, Zap Mama, and was featured at the Sugar Water festival

with acts like Erykah Badu, Queen Latifah and Jill Scott. They were also selected to

back up Eric Roberson (co-writer for Musiq, Jill Scott, et al.) for the Denver premiere of his latest album “ERRO Live -- VOL:DC.” Through their side-projects as well as their former groups, members of FJP have performed or recorded with all sorts of acts across the musical spectrum. Artists like KRS-One, The Fray, Ozomatli, G-Love and Special Sauce, Maceo Parker, String Cheese Incident, Stanley Jordan, the Motet, Ron Miles, Pete Wernick, the Greg Harris Quintet, Dragonfly, Solid Crew, The Break Mechanics, the Kneebody horns, Dilated Peoples, Rudy Love, Encore, Killah Priest and Lisa Shaw, just to name a few.

“Jazz and hip-hop once constituted a popular combination thanks to the likes of Gangstarr and A Tribe Called Quest. And while the mainstream has seemingly lost its taste for the blend, there's plenty of flavor left in it -- at least when Future Jazz Project is plugged in” – Michael Roberts -Westword Magazine

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REVIEWS

Jazz, hip-hop or soul, no matter the entry level, you'll come out an FJP fan
author: John Book, Music For America
                            
By design... well, maybe this band aren't stereotypically by design, but with a name like Future Jazz Project, one might ask about their perspective of jazz, and what exactly does the future have in store? Perhaps the future is now, and it will take another generation to figure out what's been happening now? Make sense? Mmmmaybe not, but FJP's True By Design is an album that looks at the future of jazz today by recognizing what happened in the past to create a sound that should be dominant in today's music marketplace, but isn't. This Colorado-based band bring together a love for jazz, hip-hop, and soul to come up with something that is never unbalanced. They treat things equally by going back and forth between influences, and are capable of doing all of them without one being weaker than the other. Musically, it seems as if they are a long lost cousin of the early 90's acid jazz movement, but discover that in 2007, they're not lost. Instead, their fans are scattered everywhere, looking for each other. Combine one part Crown City Rockers with a bit of The Roots, a slice of Ill Again dopeness and a pinch of that Groove Collective smoothness, and what you have is a live band in every sense of the word. When they want to drop rhymes, Big House is there to do it with intensity and knowledge, it's not about mindless chants. Then you have a singer who goes by the name of Selina Albright and I have to ask this: where has this woman been all of my life? Her voice is soothing, calm, soulful, touching, emotional, and I could look in a thesaurus right now but I have to say, this woman needs to be heard. When she handles background vocals, she lightens up the edginess of Big House. When she handles the lead vocals, all ears must be on her. Not sure if Future Jazz Project is her main project, but if she's open to going solo and taking off with her own career, backed by the musicians in this band, she would be huge. Again, this is a band, and I have to mention the musicians here. Casey Sidwell (bass), Greg Raymond (keyboards), Dameion Hines (drums and turntables), and Greg Harris (vibraphone, Xylosynth, and Juno80) are tight, when a groove is locked there is no stopping them and even when one wants to get loose for a few bars, they're locked with each other knowing exactly when to carry the song to the next section. The vibe here is fun, and one can't get enough of it. It has been said that a good portion of today's younger jazz musicians cannot avoid the influence of hip-hop, so while they learn about jazz and its rich history, they are also guided by the head nod and the boom bap. What you end up hearing is a continuation of that language, and acceptance of the tradition to keep on playing, and the listener never wants this music to stop. If that was the case, this group would have about 2300 CD's each year. The title indicates they are True By Design, but the design itself is neverending, and always changing. They are true to the spirit of music, and whether you go into this as a jazz fan or a hip-hop head, you're going to come out of it a FJP fan.
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