There's serious chemistry between these four artists, and Garelik's debut probab
author: Dave Madden www.splendidezine.com
I salute the singer-songwriter. It seems as if it would be easier to make the NFL draft than successfully launch a career as a guitar-toting troubadour.
Luckily, Liza Garelik figured that out, and her solution is to draw upon the power of a great band -- even if she doesn't add the full name, Liza and the Wonder Wheels, to the album cover ("and the Wonder Wheels" appears on the spine). Garelik's lyrics and voice are fairly intriguing, echoing early '90s "alternative" acts like Liz Phair, Juliana Hatfield and Throwing Muses. Alone, however, most of her songs fall under the voice-plus-acoustic-guitar awning. Backed by the Wonder Wheels, Garelik is complete, harnessing the diversity of her band to create a very interesting record.
On "Wicked Wind", she rants about big-city woes (i.e. making ends meet as an artist: "I was working for dollars and dimes / free me from the cultural overseers") as the band chugs along, holding back when necessary but rocking hard on the choruses to drive home Garelik's point as she chants "go, go, go, go...and take your wicked wind". "Cecil Sesame"'s lyrics wander around in poetic ambiguity, and would probably fall flat if it weren't for the band's Pretenders-style stomp, which adds conviction to the message (think "My City Was Gone", Learning to Crawl).
I haven't heard Garelik's other projects, or anything by her other band members (there are a slew of links on the website), but based on this recording, they should to [sic] stick together. There's serious chemistry between these four artists, and Garelik's debut probably only hints at their potential.
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A city intellectual with a guitar, Garelik, like [Paula] Carino, structures her
author: Tris McCall, www.TrisMcCall.net
A city intellectual with a guitar, Garelik, like [Paula] Carino, structures her songs with the parallelism and craft of a short-story writer and the occasional wit of a brainy comedienne. Singing in a straightforward, self-possessed and unaffected voice and frequently sounding like precocious teenager, Garelik foregrounds her narratives, favoring the same kind of spare-yet-rocking arrangement aesthetic that Carino has always chosen for herself…
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Velvet Underground and Bowie fans will definitely want to listen.
author: Cesca Waterfield, Expository Magazine
Velvet Underground and Bowie fans will definitely want to listen; "Taking Attendance" is lovely idiosyncrasy, mellow Kristin Hersh; a friend says "Glam Jacket" is reminiscent of the B52s but with Aimee Mann at the mic.
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Garelik takes her intellectual approach to songwriting and whirls it into roadtr
author: Jennifer Layton, www.indie-music.com
A standout track is the final one, “Glam Jacket,” in which Garelik takes her intellectual approach to songwriting and whirls it into roadtrip rock, leaving glitter on the trail behind her. This is a more gutsy approach to the girl-with-a-guitar thing.
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