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author: Clif Fiske
A pleasure to anyone who loves the violin beautifully played.
Thank you Mr Levinson.
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If you do not know much about Classical music, this album is for you...if you do
author: Habs Young
Everything about this album is exciting because of the top notch performers, particularly the virtuosic Gary Levinson. From the Early music of Mozart to the relatively new music of Prokofiev, there is a freshness that will excite both music aficionados and non alike. The Mozart Sonatas played by father and son (Gary Levinson & Eugene Levinson) are simply enchanting; the fact that they are father and son make them even more so. The precision of the trio playing (Levinson, Cynthia Phelps & Carter Brey) in the Beethoven pieces is so unbelievably crisp; they have me gasping for air! With the Martinu, Levinson and his violin really shine against the deep tones of the viola (masterfully played by Cynthia Phelps) in the chasing exchange of lines. Lastly, Levinson's playing seems to have a particular vibrancy as he (handsomely, deftly) traverses the Prokofiev (accompanied by Tatiana Goncharova). The Andante is so beautiful...and it was genius to end with the Allegro con Brio. What an ensemble of musicians (get ready to fall in love with Levinson's playing)...pure meticulousness! If you do not know much about Classical music, this album is for you...if you do, even more so.
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Levinson reminds me somewhat of a young Gidon Kremer, and his focused sunlight m
author: Bruce Hodges
A couple of astute friends sent me My New York Years, the new release from violinist Gary Levinson, with eager instructions to plunge immediately into the Martinů Three Madrigals for violin and viola. They were right. Levinson’s colleague here is Cynthia Phelps, principal violist with the New York Philharmonic, and the two of them sound sensational. Levinson reminds me somewhat of a young Gidon Kremer, and his focused sunlight melds superbly with Phelps’ dark velvet. What comes through even more strongly is a sense of playfulness as the two dart here and there, chasing each other down Martinů’s intertwining paths. The program includes two short Mozart sonatas (K. 46D and 46E) with Levinson’s father Eugene (the Philharmonic’s principal bass), Beethoven’s String Trio in D Major, Op. 9 (with Phelps and the orchestra’s first-chair cellist Carter Brey), and a sensuous performance of Prokofiev’s popular Sonata for Violin and Piano No. 2, with Tatiana Goncharova as the fleet pianist.
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