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The Ghost Lullaby : Button Eyes
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What happens when a band combines the abstract sounds of Sonic Youth with the earth-shattering dynamic melodies of the Smashing Pumpkins, and mix it with psychedelia and shoegaze?
Genre: Rock: Psychedelic
Release Date: 2007
Button Eyes
The Ghost Lullaby
Record Label: Orange Recordings
  • Buy CD - $12.97
SPECIAL: 20% discount if you buy more than one copy of it today!

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Preview Song Name Time Buy
1. Dirty 3:57 Album Only
2. All Was Lost 4:55 Album Only
3. Just Because 7:25 Album Only
4. Delicate Ways 3:57 Album Only
5. Texture 6:09 Album Only
6. Goodnight Twillight, Hello Mischief 4:41 Album Only
7. Black Page 5:50 Album Only
8. Clocks 5:12 Album Only
9. Some Tales Have Sad Endings 10:44 Album Only
10. Oliver's Ending 4:26 Album Only
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Album Notes

Face it, you miss big drum kits, long guitars solos, crushing dreamy distortion that leaves your ears and hearts bleeding, and yes, a bass solo from time to time just because it is that much fucking fun to play. The Ghost Lullaby, a rock group from Los Angeles, offers you “Button Eyes”, the first full-length CD release.

PRESS: If you intend to summarize the wide U.K. and U.S. indie scenes from the late '80s to the early '90s, you could listen to the Ghost Lullaby (http://www.theghostlullaby.com) and receive a proper education. Whether it was their intention or not, the Ghost Lullaby offer a mirror reflection to the glory days of alternative from both sides of the modern-rock shore. The opening cut "Dirty" not only shares the title of a Sonic Youth album but the downtempo fuzz rock that made them critical darlings as well. Look to "Candle" as a point of reference with vocalist Perrin Newell capturing Thurston Moore's dour, Lou Reed-influenced tone. Newell shares singing duties with Valerie Aiello, whose Goth schoolgirl sweetness recalls Lush in the 4AD prime. The Ghost Lullaby veers from violent dissonance to dreamy richness; it's a bipolar disorder that is consistently mesmerizing. On "Delicate Ways," the Ghost Lullaby reach the grindhouse decibel levels of Sub Pop-era Nirvana, pounding the pavement with "Negative Creep"-loud riff rock. But then the band glides downward with the shoegazer prettiness of "Texture," which could be compared to Ride and Catherine Wheel except that it's a woman on board. - Adam Harrington (www.whisperinandhollerin.com)

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REVIEWS

Good Rock, plain and simple.
author: brandon
                            
Good music, great vocals, awesome lyrics. The album flows very well and has music on it that rivals any current rock band out now. Defiantly worth 5 stars.
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I love it!
author: girl's rock
                            
This CD is really cool, and i like how every song is a little different. I totally recommend this album!
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I love it!
author: girl's rock
                            
This CD is really cool, and i like how every song is a little different. I totally recommend this album!
Read more...
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