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A collection of twentieth-century pieces for classical and just-intonation guitar. Includes works by Britten, Harrison, Takemitsu, and Tippett. Evocative, ethereal, and ever-changing soundscapes.
Genre:
Classical: Contemporary
Release Date:
2011
Colors
Giacomo Fiore
© Copyright-Giacomo Fiore
(700261331539)
Record Label: GFCD
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1. All in Twilight: I. |
3:11 |
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2. All in Twilight: II. Dark |
2:54 |
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3. All in Twilight: III. |
2:24 |
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4. All in Twilight: IV. Slightly Fast |
2:41 |
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5. The Blue Guitar: I. Transforming |
7:56 |
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6. The Blue Guitar: II. Juggling |
3:20 |
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7. The Blue Guitar: III. Dreaming |
7:49 |
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8. Scenes from Nek Chand: I. The Leaning Lady |
4:42 |
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9. Scenes from Nek Chand: II. The Rock Garden |
1:56 |
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10. Scenes from Nek Chand: III. The Sinuous Arcade with Swings in the Arches |
3:22 |
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11. Nocturnal After John Dowland |
17:59 |
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"Colors: Modern Music for Guitar" is Giacomo Fiore's third independently released album. Similarly to "Tones from an Open Heart" (2005) and
"Genteel" (2009), this recording offers a snapshot of the artist's development as an interpreter and a performer, as he continues the journey that has taken him from fingerstyle beginnings to a more strictly classical approach.
The music included showcases a cross- section of the many languages of the repertoire from the 1960s to the twenty-first century. It ranges in style from the atonal chromaticism of Benjamin Britten and Michael Tippett, to Toru Takemitsu's jazz-hued pantonality and Lou Harrison's transparent melodic textures. Each piece creates its own musical sound-world, often pushing the instrument beyond its expect limits.
"Colors" also features two very special guitars. Harrison's Scenes from Nek Chand was written for a tricone resophonic guitar tuned in just intonation, a unique and somewhat bizarre instrument that was issued in five specimens by National Reso-phonic in the spring of 2003. After much study and research, Scott Richter of Fairfax, California completed a replica in September 2010; it's a beautiful thing and it rings like a bell! For the other pieces, a marvelous historical instrument—a 1965 Ignacio Fleta e Hijos —was graciously lent by the Harris Guitar Collection.
Recording sessions took place between March 21st–25th at the San Francisco Conservatory, with the engineering and producing contributions of Matthew Holmes- Linder. As a testament to the new resources available to independent musicians today, the project was fan-funded with a successful Kickstarter campaign.
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