Gil Melle', Perry Gentile, Paulina Filby & David Andersen | Equatorial Man

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World: World Fusion Avant Garde: Sound Art Moods: Spiritual
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Equatorial Man

by Gil Melle', Perry Gentile, Paulina Filby & David Andersen

Gil Melle was one of the most fascinating and underappreciated figures in post-bop jazz. A prodigy as both a musician and painter, he was a pioneer of jazz/classical fusion and electronic music. Compositions like "The Gears" Featuring Paulina Filby.
Genre: World: World Fusion
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  Song Share Time Download
1. Equatorial Man
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8:13 $0.99
2. The Gears
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9:55 $0.99
3. Stargazer
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4:03 $0.99
4. Malacca Joe
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8:19 $0.99
5. Ascending Rinjani
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4:46 $0.99
6. Autobiography
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4:18 $0.99
7. House of the Orange Lanterns
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5:55 $0.99
8. Empire of the Condors
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6:52 $0.99
9. Molecular Activity
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5:35 $0.99
Available as MP3, MP3 320, and FLAC files.


Album Notes
Recording artist, song writer, jazz musician and composer, Gil Melle' launched his career in the sixties. He first displayed his talent for art work and was also a regular jazz performer in Greenwich Village in Manhattan. After relocating to Los Angeles in 1969, Gil Melle' displayed his musical talent for NBC's series "Night Gallery" and then composed scores for four of the "Columbo Mystery Films" for ABC and later did the chilling score for television's "Kolchak: The Night Stalker"

He also worked with major filmmakers including a young Steven Spielberg, for whom Melle' scored his first two films "The Psychiatrist" and "Savage". With Larry Cohen, he composed a thundering score for "Bone" and next did the Sidney Poitier suspense thriller "The Organization" and ABC's motion picture "The Six Million Dollar Man"

Gil displayed his talents again for such major motion pictures including "Andromeda Strain", "Frankenstein: The True Story", "The Manipulator", Warner Brothers' "The Ultimate Warrior" and Melle's best known score for Universal Pictures, the 1976 thriller "The Sentinel". Upon returning to television in the early eighties, he did NBC's "The Intruder Within" and later "The Case of the Hillside Stranglers", where Melle used lower-register instruments to create a chilling score.

Other films for the eighties include "Blood Beach", "The Last Chase" and "Hot Target". Melle's work has been recorded by The Toronto Symphony Orchestra, The New Zeland Symphony Orchestra, The Los Angeles Symphony and The National Philharmonic Orchestra of London. In all, he composed music for a remarkable 125 motion pictures.


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