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T.Ray Gordon\Richard Sellers : Strawberry Automatic
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audio drama/ action science fiction.complete with musical score, multi cast, and sound effects. in the tradition of old time radio.
Genre: Spoken Word: Audiobook
Release Date: 2006
Strawberry Automatic Record Label: T.ray Gordon\richard Sellers
  • Download Album (MP3) - $9.99
  • Buy CD - $12.00
Preview Song Name Time Format Price Select
Chapter One 13:14 $0.99
Chapter Two 16:22 $0.99
Chapter Three 10:10 $0.99
Chapter Four 20:28 $0.99
Chapter Five 18:19 $0.99
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Album Notes

Rick Sellers is CLEVELAND's premiere independent producer and voice over talent. He has done voice over work for just about every conceivable form of entertainment and product. As a commercial voice over person he has performed for multiple advertising agencies in major add campaigns. He is perhaps best known nationally as the voice of THE GENERAL, the animated spoke's person for the GENERAL INSURANCE COMPANY. In addition to providing his voice as an announcer and character voice talent for national and regional advertisers, Rick has also done voice work for most of CLEVELAND sports teams including. The CLEVELAND INDIANS, THE CLEVELAND CAVALIERS, and the CLEVELAND CRUNCH SOCCER team.
Rick also produces children audio books. His first book "SAMMY AT THE FARM" for the KAEDEN BOOK CO, has done so well they have contracted him to produce six new audio book titles for a January 2005 release. He is also producing eight children's audio books for AMERICAN GREETINGS LEARNING HORIZONS division. As a character voice talent Rick has provided character voices for toys for most of the major players including HASBRO TOYS, LITTLE TIKES TOYS, GALOOB TOYS, and ITEM, etc. Recently Rick was asked to audition for a new television show to air on CARTOON NETWORK. The new show entitled SQUIDBILLIES is currently in production and scheduled to air this fall.

T. Ray Gordon began his fledgling career in 1942 as a proof reader checking radio scripts at WOR radio in New York City for the MUTUAL BROADCAST SYSTEM.
In less the three years he was ghost writing for some of the industries top talent. In the spring of 1946 he was made producer and head writer on a new science fiction radio drama scheduled to air that September. It was to be broadcast from WOR the Mutual systems flagship radio station. The show was titled "VISTAS of the BEYOND" The format was a 15 minute weekly anthology series airing at 7:30 PM just after the "KAY CARSON VARIETY HOUR".Gordon directed each episode and utilized a repertory company of New York actors to perform his shows. Working 50 sometimes 60 hours a week, producing several prime time shows while writing the scripts for his science fiction radio drama took it's toll on the 26 year old Gordon. Under intense pressure from MUTUAL to cut budgets, and reduce costs he began drinking heavily-carousing till the we hours of the morning. His initial draft of the very first episode of his show, titled 'INHUMANITY QUEST" was met with jeers by network sensors who found the script unpatriotic, dark, and anti- American.

Never the less "INHUMANITY QUEST" was broadcast on September 8, 1946.The reaction was mixed. The program director HARVEY KLAUS was anything but impressed, he threatened to fire Gordon. Slipping into a deep depression, Gordon's drinking and well known womanizing reached critical proportions. To make things worse there were the ugly rumors of an affair with the wife of a powerful sponsor. "FRIENDLY FOODS"pulled funding for Gordon's show six months after it's air date. Due at least in part to Gordon's antics other sponsors dropped away one by one. In the fall of 1947 T. Ray Gordon was fired.

He left New York City broken and battered and returned to his home in Indiana.
Gordon freelanced for several years writing instruction manuals for various consumer goods, everything from automobiles to toasters. Meanwhile he continued to write, voraciously pounding out 72 original manuscripts from 1949-1958. From time to time he would submit his work to the publishing community only to be met by rejection after rejection . By June of 1961 T. Ray Gordon was a hopeless alcoholic. Six months later, pennyless and with no prospects for the future-T. Ray Gordon ended his own life with a self inflicted gun shot wound. His death was ruled a suicide by local authorities and his body was cremated.


Forty three years after his death, T. Ray Gordon's science fiction master works live again.
Thanks to Producer Richard Sellers, Associate producer Wesley McCraw and Apex Audio Theatre. The 72 original unpublished manuscripts written by Gordon as radio plays and lost for nearly half a century, are now lovingly and painstakingly being re recorded as Audio Dramas. Produced with a multi cast of voice actors, digital sound effects, and a fantastic new musical score. The first three of T. Ray Gordon's remarkable radio dramas will soon be available to the public. Watch for "INHUMANITY QUEST" "STRAWBERRY AUTOMATIC" and "INHERITORS OF THE SUN GOD'S"

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REVIEWS

author: Lance Eaton
Though originally never published, T. Ray Gordon’s novels currently experience a fairly unique existence thanks to the work of Richard Sellers and Apex Audio. Strawberry Automatic stands as the second script released in audio format by Gordon, and this sophomore production proves just as successful and creative as the first, Inhumanity Quest. Like the previous novel, this science fiction tale is set in the distant future. Earth has established colonies and governments on the moon and even Mars. Blaze, an automatic robotica, travels the planets as a high-paid escort—though she has numerous other talents and quite a few technological advances unbeknownst to many. After arriving on Mars for another customer, Blaze finds herself under attack. Somebody wants her dead and is spending big money to guarantee it. She has no choice but to go underground, and there she encounters Red Mars, a terrorist organization that continually assaults the Brey Corporation, a company with dubious dealings, melting the Martian polar ice caps to generate a breathable atmosphere. When Blaze comes face to face with Esteban, the Red Mars leader, she is compelled to help them defeat the corporation. Right from the start, Richard Sellers proves that he is not a one-hit wonder. The sound quality proves crystal-clear, while his choice of sound effects and background sound substantially enhances this production - though a few times he time-slots a sound effect. This means that within the text he read a sound cue, “She knocked,” which is followed by a slight pause in the story for the sound effect to be heard. These sounds are best executed concurrently. Though narrow in breadth, this story still provides a lot of story, and a mere few words or even just the sound of a character’s voice belies an entire history. The female voice for Blaze delivers an intensity that suits the character’s nature, even though her voice goes unidentified. Seller’s talent proves amusing as one character comes across as a fair Christopher Walken impersonation. Seller’s stern, commanding voice quickens the pace while intensifying the suspense. But he might use a bit too much intensity and emphasis in his voice. He reads every sentence with great determination, which can work for a short piece such as this. However, on longer future projects, the forceful voice might brandish a bit of listener fatigue. Readers subconsciously reach the edge of their seat when a voice displays intensity—they instinctively know something important is happening. Seller’s voice holds this state throughout the production, making one feel that each sentence is of grave importance to the plot, no matter how mundane. With a good tale and a decent slice of science, Strawberry Automatic certainly fits right in the science-fiction genre. When it comes to quality and production, Apex Audio may not be on top of Mount Everest, but it most certainly has made a significant ascent unto the mountain. Originally published on Curled Up With A Good Book at www.curledup.com. © Lance Eaton, 2006
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