The Gregory James Band | Tibet

Go To Artist Page

Recommended if You Like
Bolo Ottmar Liebert Pat Metheny

Album Links
Gregory James GroupieTunes PassAlong Tradebit PayPlay Apple iTunes Emusic GreatIndieMusic

More Artists From
United States - California - SF

Other Genres You Will Love
Jazz: Smooth Jazz Jazz: Jazz Fusion Moods: Type: Instrumental
There are no items in your wishlist.

Tibet

by The Gregory James Band

Pastoral suite of flute and guitar.
Genre: Jazz: Smooth Jazz
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Sign up for the CD Baby Newsletter
Your email address will not be sold for any reason.
Continue Shopping
cd in stock order now
Share to Google +1

Tracks

Available as MP3, MP3 320, and FLAC files.

To listen to tracks you will need to either update your browser to a recent version or update your Flash plugin.

Sorry, there has been a problem playing the clip.

  song title
share
time
download
1. Calcutta
Share this song!
X
4:17 $0.99
2. Kapoor Hotel
Share this song!
X
4:43 $0.99
3. Tibet
Share this song!
X
5:37 $0.99
4. Nishad
Share this song!
X
4:01 $0.99
5. Mountain Call
Share this song!
X
1:22 $0.99
6. Sappho
Share this song!
X
6:35 $0.99
7. Nepal
Share this song!
X
4:31 $0.99
8. Antares
Share this song!
X
4:30 $0.99
preview all songs

ABOUT THIS ALBUM


Album Notes
notes:
This recording weaves together a pastoral suite of flute and guitar duets. Originally recorded in 1983, this critically acclaimed LP is being re-released on Rogue Records.

'A fine guitarist whose playing is reminiscent of Pat Metheny in its ringing melodies and pastoral harmonies. James is also an interesting linear improviser in straight-ahead contexts. His albums on Rogue Records tread between jazz and internationalist 'new age' music idioms.' San Francisco Bay Guardian

biography:
Gregory James' compositions are rooted in Jazz, branching into an unscripted mix of fresh sounds and spontaneity. His skill as a guitar player developed in the heady atmosphere of the San Francisco 60s, where he was influenced by both bebop jazz and the rock music of the time. He found inspiration in classical ethnic music of Northern India and in the music of Afro-Cuba, as well as the spirituality of Persian poetry. For more than 20 years, James' explorations of contemporary jazz have interacted with this cultural mélange to reinvent what is fresh...now...today.

James was interested in music at an early age and upon turning eleven he began studying guitar under David Le Roy Smith, continuing for seven years. By the age of 15, he was already playing professionally with some of the best acts in San Francisco...everything from bossa nova with Amandio Cabral to gigs with Brazilian guitarist Bola Sete and pianist Vince Guaraldi. James' music evolved quickly, beginning to blur boundaries between rock and jazz. By 1978, he was playing with Chico Hamilton in New York.

His versatility has remained without compromise, performing with a wide variety of musicians from Ray Charles and Van Morrison to Jean Luc Ponty, Bishop Norman Williams and Eddie Duran among others. Bola Sete, one of his teachers, started James on his long search developing his musical language, allowing him to explore a looser, more sensual style.

James' first album, ALICIA (Inner City 1050) was released in 1978 with great acclaim, leading to both an east and west coast tour. He then returned to start the rock band Video Rouge, performing nationally for a year. In the mid 80s James put aside the electric guitar for acoustic, and began to explore the synthesis of jazz and world roots, producing three albums under his label Rogue Records: MADAGASCAR, TIBET, and ALPHABET TOWN. In 1996, furthering his improvisational and instrumental exploration, he released ANANDA (Tokuma/Moo), followed by THE SEARCH, TRAVELLER, REINCARNATION, and recently COME TO ME (all by Rogue Records).

Downbeat referred to James' new direction as 'bridg[ing] the gap between musical adventure and mass appeal', while Guitar Player notes his range from 'high energy polyrhythmic fusion...[to] pastoral impressionistic sketches...James' guitar lines are simple, direct and melodic.' Opening for Stan Getz, Variety called him 'a first-rate electric guitar player' and the Bay Guardian's Derk Richards noted James as 'a fine guitarist whose playing is reminiscent of Pat Metheny in its ringing melodies and pastoral harmonies.' James has also double-billed with Max Roach, Vital Information, Group 88 and Chris Isaak. He's opened the Berkeley Jazz Festival for McCoy Tyner and the Concord Jazz Festival for Ramsey Lewis and Rosemary Clooney.

James states, 'music must respond to who we are now'. Thus, building from the sounds around him, his improvisational compositions form fresh stories, ever-changing, creating a musical space and tension that is, nonetheless, incredibly sensual.


Reviews


to write a review