Josh Hadens første soloalbum er en svært behaglig opplevelse.
author: musiq.no - Solveig Sevik
”Devoted” starter rett og slett veldig bra.
Den første sangen er helt nydelig; sexy, stemningsfull og behagelig, sunget med en sløvet, hes vokal. De første gangene man hører albumet kan man bli noe overrasket over at en ny sang har startet, alt går nemlig i ett på sett og vis.
Kanskje litt Counting Crows-aktig; drømmende og melodiøst. Dette er nemlig en plate man må høre på flere ganger for å skille låtene fra hverandre, og virkelig nyte hver eneste sang.
Og da er plutselig hele skiva helt nydelig!
Dette er sensuell, blues-inspirert musikk som passer bra med dunkel belysning, rødvin og tett dans...
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you need this record!
author: Michael Boese
you still need it!
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author: Tobias Kühlewein
I've read about it in the German music-magazine SPEX. It's one of this year's best albums and not released in Europe! Think of Steely Dan in Dub. Or Jeff Buckley and Chris Isaac with electronic and jazzy edges thanks to Dan The Automator's production and John Medeski on Keybords. Haunting and beautiful! I am so devoted! You should be too!
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author: Skyscraper Magazine - Michael Meade
Leaving behind the nom du disque Spain - which never struck me as much more than the man himself - Josh Haden has released his first solo album, 'Devoted'. The disc calls on a tune from his 2004 EP 'Light Of Day'. Spain, of course, worked marvels in the field of minimalist slow-core ballads over the course of three albums. Fans of the band will find much that resonates here, but apart from a subdued late night jazz lounge aesthetic to this work, Haden has opened up his arrangements to include a richer instrumental palette, though one would never describe it as a full sound. Too, Haden's vocals have progressed from being mere breathy deadpan whispers to more expressive breathy whispers. But his voice is well-suited to his material. Running through the album are subtle elements of a silky smooth R&B, heard best on the soulful title track. Opener 'Light Of Day' most closely resembles a Spain song proper, and sets up the fan for the musical developments Haden has undertaken for this album. As the title suggests, the songs here tend to celebrate, rather than lament, love and its concomitants, from divine adoration to carnal hunger. Produced by Dan the Automator, Haden gets help from Kid Koala and John Medeski.
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