Field of Heather
© Copyright-Wavy Birch Music
Record Label: Wavy Birch Music
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This album is a pictoral representation of Alaska through the seasons.
Artist-composer Heather Burch Adrian has done a beautiful job of blending her love of classical violin with bluegrass/Irish and vogue fiddle to create a lovely and lively look at her beloved Alaska through its four seasons.
Moving through the warm months with bluegrass fiddle, piano and vocals, her music evokes images of spring growth, sunwashed summer mountains and trails to be wandered.
Swinging its way among Irish jigs, bluegrass and classical, the album weaves on through fall and winter.
Of particular note is a lively piece that invokes an almost comic relief as the return of spring after a long and dreary winter, and reflect perhaps just a touch of cabin fever.
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Field of Heather
author: Margot Haertel
If you're "our" Heather Burch, I know I would give it lots of stars.
MH
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Fabulous!!
author: Mary Cohen
Heather is such a natural musician. She plays with grace, care, and love.
If you read this Heather, please write me and send me your address so I can fill you in on some changes!!! (marylcohen@gmail.com)
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quite refined and refreshing
author: Margaret Welz
The start is hypnotic and peaceful and revealing. The Irish notes are genuine. Wonderful.
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Blue, Bluegrass, and Celtic Meet Classical
author: Jim Allan
The liner notes claims: "Red Haired Boy/Lonesome Fiddle Blues arranged by Tom Bryan. All other pieces created by Heather Burch Adrian".
"Red Haired Boy" and "Lonesome Fiddle Blues" are both traditional tunes and I suspect some of the others are also. I've found "Forget Me Not Waltz" as a title in some lists of old songs and the tune with that title that Adrian provides is almost identical to the one supplied by Martin Hoffman to the Woody Guthrie poem "Deportees".
What New Age should be more often!
Moving, evocative, exciting, sometimes humorous, instrumental expression that relaxes and feeds the soul. Two spoken poems are also included. The musical sounds include warm classical, blues full of blue notes, sparkling bluegrass, and lively Celtic, sometimes separate, sometimes tightly fused in a single piece.
A modern classical tinge touches almost all the tracks, lending restraint and dignity to the folk rhythms without loss to vigor and color that too often accompaines classical influence. Anyone who enjoys the O'Connor/Ma/Meyer _Appalachia_Waltz_ and _Appalachian_Journey_ CDs should like this for its similar flavor. Adrian is less sophisticated but more direct and beautifully simple in her approach.
The piano tunes in particular are in the vein of Mychael Danna's "romantic minimalism". The marching snare-drum percussion, mixed with a bit of bongo-drum, on "Angus and the Coffee Bean" is a special delight.
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