the Climb
© Copyright-Holly Holmes
(837101088145)
Record Label: a wHOLe MESs o' me Records
SPECIAL: 30% discount if you buy more than one copy of it today!
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Check out Holly’s latest recording project with Robson Santos, a Brazilian composer and wonderful friend. Holly is featured on his new album, Límbico Trem, now on CD Baby: http://cdbaby.com/cd/robsonsantos.
Her debut album, "the Climb," reflects Holly's varied influences of Brazilian music, unusual arrangements of jazz standards, and jazz-tinged covers of popular songs. She is particularly fond of penning lyrics to instrumental jazz standards as demonstrated by Wayne Shorter's "Fee Fi Fo Fum," renamed "Siren Song" with the addition of the lyric. Holly stays true to Pat Metheny's delicate ballad "the Road to You," seen here as "the Road to Me." The first recitation is a beautiful wordless solo, followed by an elegant piano solo, and it closes with her original lyric. Holly’s work as an inventive improviser is tastefully demonstrated on several tracks including Siren Song and I Thought About You. As well as being the bandleader for the album, Holly also co-engineered, co-mixed, and produced it.
Holly earned a Bachelor of Music degree in jazz studies from Western Michigan University in Kalamazoo, Michigan. Following her graduation in 2000, Holly was awarded an internship with the jazz programming department at Washington DC's prestigious Kennedy Center for the Performing Arts. There she assisted with the Dr. Billy Taylor radio series as well as working as an audio engineer for other live performances featuring Nnenna Freelon, Kurt Elling, Freddy Cole, and several others.
In 2003, Holly traveled to Brazil as guest vocalist of a student and alumni jazz quintet representing WMU. The success of the tour inspired her to plan a return trip in order to study Portuguese language and the guitar. In June 2004, Holly was awarded an Emerging Artist Grant by the Arts Council of Greater Kalamazoo to help make this happen. Holly spent six months living in Salvador and Belo Horizonte, Brazil in 2004-05. There she became fluent in Portuguese and studied guitar with Celso Moreira, a well-known teacher, player, and brother of Brazilian guitarist and recording artist Juarez Moreira. Holly's next recording project will feature works by and inspired by the Brazilian artists she met on this trip.
Holly received a Masters in Jazz Performance and is currently completing work towards a PhD in Musicology from the University of Illinois at Urbana-Champaign. Holly’s research interests include Brazilian popular music and jazz.
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OUTSTANDING WITH A SULTRY TWIST
author: THE MINISTER John Butler
Needless to say.... I am very impressed with Holly Holmes project: THE CLIMB
Excellent vocals and ARRANGEMENTS.
Reminds me alot of Nora Jones.
Keep up the great work and I'm looking for alot more coming from Holly Holmes
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The Climb is a lovely ride through the expanding universe of the jazz vocalist.
author: Sara Holtzschue (vocalist/composer/journalist); JazzReview.com
"Holly Holmes’ recording The Climb is an ambitious and inventive debut, combining standards, modern classics and pop songs. She has a Sheila Jordon like color and an adventuresome choice of songs in the vein of Cassandra Wilson and Nora York...“Little Yellow Moons” is the highlight of the recording. This is a gem of a tune by songwriter Bill Caskey. The lyrics coupled with the accompanying accordion and percussion give the performance a warm, coffee shop feel...The jazz lyrical tradition is well honored in Ms. Holmes’ versions of Wayne Shorter’s “Fee Fi Fo Fum” and Pat Metheny’s “The Road to You.” The introduction to “Never Will I Marry” has such a wonderfully tongue in cheek delivery; I caught myself laughing out loud..."(to read more see the full review)
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Faithful to her live performances
author: rickenbacker88
Ms. Holmes's CD is faithful to her live performances, which is remarkable because none of the musicians on the CD currently perform with her except on the final song, a live recording from Germany in 2004. The edgiest song is I Thought About You, performed only with a stand-up bass; the melody floats within and through the bass lines. The CD ranges from pop to jazz to Brazilian effortlessly. A very promising debut album.
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