My By Self coheres around a distinct and recognizable sound.
author: Splendid Magazine
When we last caught up with Holy Frog's Kurt Kitson and Tobias Epstein, the Columbia, MO-based psych-folk duo was running off in all directions -- now strumming the porch blues, now fiddling with the sampler knobs, now free-associating Syd Barrett-style about surreal and natural images. This full-length follow-on is more focused and less freewheeling, sticking mostly to a breezy, sunny, ever-so-slightly skewed country blues style, and subverting that form primarily with its lyrics. "Blue Green Hermits", its rapid, nearly bluegrassy strumming shot through with ghostly slides and bends, buries the lyrics under a hippie-ish haze. It will remind you of the weirder side of 1970s folk rock -- Moby Grape on a particularly good trip, for instance, or even certain Grateful Dead tunes. It's followed by the more linear "Lisa", about a girl who won't answer the door or the phone, because "she's hooked on heroin and everybody knows it." Once again, the strummed acoustic guitar is a rhythmic foundation, interrupted by artful slashes of electric. The song glancingly describes three characters immobilized by mental illness -- in addition to the unhappy Lisa, there's a work-obsessed Andy and clinically depressed Stephanie. However, far from standing in judgment, Holy Frog simply moves along, observing, "I'm sure that she knows what she's doing / 'Cos I don't know what it's like in her head."
One song, "Homo Erectus", is lifted unchanged from the EP, and one or two others sound like they were developed from ideas on the earlier recording (specifically, "Charlie" sounds a lot like "Robert Pirsig Blues"). Of the newer material, "S'mores" is quite strong, a dreamy, sense-engaging meditation on all things sticky and sweet, including (but not limited to) those marshmallow/graham cracker sandwiches you probably ate at camp. It's followed by a lovely, blues guitar-accompanied "Weight of Sound", as gentle and melancholy as CSN in their prime.
My By Self is less eccentric and more accomplished than the EP, cohering around a distinct and recognizable sound. If it has fewer wacky diversions, that's probably all to the good, though you'll hope that the duo doesn't become too much more conservative going forward.
Jennifer Kelly -
Splendid Magazine -
8/29/2005 Review
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Holy Frog always delivers something that is worth a listen.
author: Ear Candy Magazine
While I described their last disc as "psychedelic-Americana", Holy Frog's new disc finds them with a more bluegrass-Americana feel than their previous effort. They haven't totally abandoned their sound, but this time around picture a Gram Parson's influence instead of Syd Barrett ("S'Mores" still keeps this formula). While their last effort was only a 6-song EP, MY BY SELF is a full-length release, and Holy Frog have proven that they can progress in not only sound but in production. My favorite is "Trust Fund Baby" - a catchy little ditty with hilarious lyrics. And as with their last, Holy Frog always delivers something that is worth a listen. This ain't your average "alt-country" act! That's only part of the picture...they weave a collage of sounds that sounds somewhat familiar, yet different.
Review by Ronnie
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