Erick Hovey • BLUES FARM • Self released
Low down and dirty; blues played as it was originally intended to sound like
Based in the wonderfully named Fort Dodge in Iowa, Erick Hovey learnt the basic blues scale when he was only eight years old. Erick has improved on this in such a stupendous way that this album makes you wonder why you haven’t come across his name before. Out of these dozen tunes, the delightful
Patchouli certainly grabbed my attention. It is songs like this which make you yearn for an extended version as this groove never becomes tiresome. Fight That Monkey opens with guitar but this is soon joined by vocals which blew me away. Pronounced by Real Blues Magazine as being among their top one hundred new releases for 2009, I would urge others to follow their and my own advice to try their utmost to track down a copy of this very distinguished record.
Russell Hill / Maverick Magazine / UK
Like the blues, but want something new? Erick Hovey’s Blues Farm is the album for you. Original material, extremely well done, great to listen to.
Variety of tempos on different songs lets this CD stay in the player so it repeats several times before I go to the next one. It is really nice to understand the vocal tracks, the mix doesn't overpower them. In fact the sonics are excellant and worth listening to because of the great mixing.
So far my favorites on this CD are Patchouli and Soda Pop Girl, but only by a slim margin. Track 10-Talkin about Love has me guessing if he was going for cajun or reggae rythym- both my feet are tappin in time so it could be both.
I have his other three albums and can recommend them as well.
Amazon.com review, five stars, by Dave in WA
Erick Hovey’s CD Blues Farm is smooth, cool blues with a hip lounge sound in some tracks --Soda Pop Girl (track 3) might be the coolest song ever about a designated driver—combined with grinding guitar in other tracks. Great swing that veers toward the blues.
Chris Evans / WRUV / VT
Someone like Erick Hovey from Fort Dodge, IA, you will not find every day. He’s a fifth generation farmer who throughout the day he drives his tractor over the fields and in the evening he writes blues and roots songs. Depending on the season, sometimes he plants the seeds or he brings in the harvest and once he is done with that he will sit down with good friends and play songs and give concerts in the clubs around his neighborhood.
Now Erick has four different kinds of genera going on between Blues Farm and Recycled Souls. He published those two CDs with altogether 28 songs and they sound between delta mood and Neil Young’s Prairie Wind. So what I would like to say is that it is not 100% blues but also blues with country and rock elements. Hovey pays special attention to the unforgettable fat grooves as a guitar player and he dose like to put a dose of heavy duty grooves into his work. Therefore you can see all the different colors of the sounds when he plays his guitar. From tender acoustic guitar all the way to the wha wha, he can take you all the way back into the 70s in his repertoire. His most important influences were Eric Clapton, Jimmy Page with Led Zeppelin. That’s what he says. And you most certainly will believe him. All you have to do is go ahead and listen to his music, and oh, in between you will also hear a little bit of Tony Joe White and JJ Cale.
The question is which one of the two CDs is better. Well actually don’t even ask yourself because there’s no way to decide. Enjoy both of them. And you can even listen to them one after the other, one after the other, one after the other, because these songs will last forever into another hundred years and still be up to date.
Bluesnews / Germany
Erick Hovey has a double release on the market with the discs Blues Farm and Recycled Souls.
I am curious as to how in his daily life as a farmer he is able to find time at night to make masterpieces.
These CDs take you on a trip through a landscape of music: blues, folk, jazz, pop, latin, and reggae.
On the Blues Farm CD, you’ll be tossed from the JJ Cale-like Know Who You Are to the Jazzy Soda Pop Girl to the bluesy song Patchouli to the laid back jazzy tearjerker Missing Part, then to a jump-blues tune I’m Through, followed with ease by the reggae styled Talkin Bout Love.
The same variation also appears on Recycled Souls which is on a whole of a more robust nature.
These CDs I can play at a higher volume at home because my better half appreciates Erick’s music greatly.
It’s unbelievable that this artist is still unknown in the Netherlands. He would not go amiss in many theaters.
Jan van Eck / VanEckBlues / Netherlands
Erick Hovey ‘Blues Farm’
Its just less than 40 years since the release of JJ Cale’s ‘Naturally’. And while it took rock fans a few years more to catch up on to the septuagenarian’s understated take on the blues, he perfected a style that is as enduring as it is influential all these years later.
Of course for every JJ Cale there’s a coterie of guitarists of a similar persuasion who prefer to eschew volume and speed and blend together the more intricate parts of the blues tapestry. Mid-Western blues guitarist Erick Hovey is undoubtedly one of a kind, a player who celebrates the virtues of space, time and presence. His latest ‘Blues Farm’ cd bears a title that is almost the perfect metaphor for a hot house of the blues, developing the subtler seeds of the genre in between the cracks.
More than that, Erick is someone who is at ease with himself. He seems to be aware of his limited vocal range, but he doesn’t worry about that as he lets his guitar do all the talking for him holding an exquisite bluesy tinged conversation over some smouldering fluid grooves and well crafted songs. Erick is a master of rich tones and textures, sweet melodies, expressive phrasing, real feel and always the blues.
And as he explores the blues in a sultry meandering way he’s unafraid to take on board disparate influences from the almost Skanking feel of ‘Baby Come Home’ to the Latino/Bossa beat of ‘Running With A Full Moon’ as well as lovely diversions though shuffles and muscular funk (‘Going Down’) to the belated twin guitar intro on the cd’s’ outro. ‘Can’t Fall Down’ is a succinct concluding guitar blow out that suggests he can jam with the best of them.
‘Blues Farm’ is an understated work of elegance and poise and fluency. Where others overstate their abilities or resort to cliché Hovey treads his own path. He may growl on ‘Know Who You Are’, he may add a contrasting piercing guitar line to the laid back shuffling stroll of ‘Patchouli’ and he may slip in a contrasting tone on the gentle shuffle rhythm of ‘Missing Part’, but there’s a signature sound at play here. Erick Hovey’s playing embodies a discernable voice and a real unique feel for the blues that will surely gain him plenty more fans.
**** (4/5) © www.getreadytorock.com
Review by Pete Feenstra / 7-5-10 / UK
Like the blues, but want something new? Erick Hovey’s Blues Farm cd is the album for you. Original material, extremely well done, great to listen to.
Variety of tempos on different songs lets this CD stay in the player so it repeats several times before I go to the next one. It is really nice to understand the vocal tracks, the mix doesn't overpower them. In fact the sonics are excellant and worth listening to because of the great mixing.
So far my favorites on this CD are Patchouli and Soda Pop Girl, but only by a slim margin. Track 10-Talkin about Love has me guessing if he was going for cajun or reggae rythym- both my feet are tappin in time so it could be both.
I have his other three albums and can recommend them as well.
Amazon.com review / Five Stars from Dave in WA
Erick Hovey is not your typical farmer, nor is he your typical blues guitar player, yet if you met him on the street you would think you are meeting Joe Average. However, the 5th generation gentleman farmer from Badger is one of Iowa's best guitar slingers in the state. As typical with Erick, he doesn't do things like the rest of us. Instead of releasing one CD, he puts out two. Recycled Souls, and Blues Farm, are two great discs of blues, jazz, and blues rock. Both these discs are similar. You really can't put Erick into a box. In one track he sounds like Eric Clapton, then the next song he is David Gilmore, or chunking along like a train in a jump blues style. Hovey's guitar just soars through out this disk. It isn't that over the top, wish I was Stevie Ray Vaughn style of guitar, but the playing of a guy who knows what he is doing and making great music.
Furthermore, his writing style is incredibly eclectic.
Erick kind of takes words from out of the ether, and sometimes an almost zen like quality of word play. Then at other times it is just down and dirty blues.
Throughout the disk Erick is supported by Dan Lodden on bass, Jeff Forman on drums, and the breathy ethereal vocals of Heather Kelly of H &K. A few friends drop by to help Erick out, Andy Schinder plays bass on Sweet Fire Rain, from Recycled Souls, while harp maestro Andy Blumenthal blows on harp on Blues Farm. Then there is also some piano player I have never heard of named Tom Gary, that sort of plays piano and organ on a few tunes:-)
This is a great CD to pick up. I can't recommend one over the other, just buy BOTH!! CD Baby has both discs.
Tom Gary, Blues Historian
Blues Farm is a soulful groove! *****
By Slick Polich – July 8,2009
Can’t say enough about Erick and his music, which I have followed for many years now. Those of you who don’t know this fifth-generation Fort Dodge, IA farmer/musician will be dutifully impressed –
The songwriting, lyrics, production, and arrangements on “Blues Farm” will have you hitting the replay button often. The great care in details – guitar tones, the homage to different eras of blues and blues-rock recording, insightful lyrics – all combine for a heady mix of meaty, soulful grooves. Just goes to show you that Iowa boys play their music card decks close to the vest until delivery – no boasting, no grandstanding, just deliver the musical goods when needed.
And boy, this delivers!
June 09
REAL BLUES TOP 100 BLUES, SOUL, GOSPEL & ZYDECO CDS
At number 40, Erick Hovey’s 09 release “BLUES FARM”
Note: REAL BLUES ‘Top Releases’ charts are based on what CD’s, DVD’s, Books we have
received in the previous 12 Calendar months. Like our Top 100 List all have been graded as
‘Highly Recommended Purchases’ and all selections are based solely on Artistic/Spiritual
Merit. Selections have already been reviewed or will be within the next issue. This list is a
‘Bribery-free’ listing so you can ‘take-it-to-the-bank’.
Erick Hovey is a songwriter, guitarist, singer, and fifth-generation farmer from Fort Dodge, Iowa. His albums What You Blue About and Prairie Dance Music have received critical acclaim for his unique, honest voice, cool rocking blues, and introspective grooves.
His new releases for 2009 are Recycled Souls and Blues Farm.
What You Blue About? was a Catfish Choice of Blue's Access magazine. According to Delta Snake Daily Blues, "Erick Hovey is a hidden blues gem in the farmland of the Midwest." La Hora Del Blues of Barcelona, Spain, writes that Erick "skillfully mixes and develops his own blues style." And Omaha’s Reader says his music has “genuine heart and engaging personality.”
Erick learned the blues scale when he was ten years old and began performing in local taverns when he was fourteen. He still enjoys playing in small-town bars but has performed in venues and festivals throughout the Midwest.
Erick Hovey, Musician and Farmer - a Blue Collar Review
By Mick Polich - 07/26/2009 - 03:10 PM EDT
Somewhere, deep in the small towns, cornfields, wind turbines, and processing plants of northwest/north central Iowa, stinging notes cry from an electric guitar as a man sings as honestly as he can about loss, life, and the afterlife…….
Folks, let me introduce you to my friend Erick Hovey, and his unique way that he approaches his vocations, missions, and passions in life and music.
Erick is farmer who has a place outside of Fort Dodge, Iowa, where he tills the land, and probably works one of the last respectable vocations left on the planet. Farming is stewardship to the earth, and in our age of more enhanced, processed, and biologically engineered ‘super foods’, recently more and more people have been waving their middle finger at the big food engineering companies, and getting back to the garden, so to speak.
Erick is also a master musician, and has been touring NW Iowa, playing fairs, outdoor shows, clubs, and recording music when he’s not on the tractor. He’s released two CD’s this year, ”Recycled Souls”, and “Blues Farm”. To Erick, the blues is the best genre to express himself in, but isn’t limiting to his fertile imagination in arranging and peppering his music with seasonings of jazz, funk, old power trio rock, and newer folk fusion styles. But to me, the biggest part of Erick’s approach to his art and life is the organic nature with which everything blends together – everything is explored, and added in a positive fashion.
I have listened to both “Recycled Souls” and “Blues Farm” with equal aplomb and openness – “Souls” is the more rock-oriented CD of the two, while “Blues” takes the concept of decades of blues music arrangements, throws them into the blender, and makes a nice little salsa from old-time jazz, ‘70’s disco/funk, blues – rock, and folk blues. Yeah, Erick is a friend, but I say all this because on my way back this summer from our annual Andrews family reunion in Storm Lake, Iowa, I flipped “Blues farm” several times in my car, as it’s thoughtful, spiritual –and – sensual based lyrics and music ran my brain. I’m not blowing smoke –this stuff is the real deal.
With that, let’s review Erick the musician first, before we delve into Erick the farmer, and see how everything ties into his life and world.
“Blues Farm” is an apt title to this collection of essentially blues based material, but with many, many dollops of stylistic flair from other music offerings (and you can download his stuff from iTunes, or go to his website to purchase his songs). Right out of the chute comes the song “Ball And Chain” (this is my son Andrew’s favorite – probably the groove - plus he likes hearing the chorus over and over). Musically, the minor key funk/disco groove of this piece reminds me of many 1970’s recordings from the Kings (Freddie, Albert, B.B.), Johnny Otis, and music from perennial blues label Tomato Records. With a rhythm guitar worthy of backing James Brown, Erick’s bruised tenor voice sings,” I see you cut yourself, standing in the rain”. From the opening line, this song could be a metaphor for ‘the ball and chain’ of life – depression, a bad marriage, bad luck (which are classic blues themes). The redemption, or possible release, may be hinting at suicide, perhaps in this case – and then the reasoning not to go that path. Powerful song, powerful music.
“Soda Pop Girl” has grown as a favorite of mine – it’s Tin Pan Alley swing, and the encompassing lyric of having a partner who drives you around so you can merrily drink. Plus, the song is a humorous nod to the usual sexual double entendre – cars, ’riders’, and ‘driving home’.
“I Wanna Know Who You Are” – about really digging into the soul of a person – is another favorite. Set against a classic Howlin’ Wolf styled stomp shuffle, this number features a standout harmonica solo, and gritty, small - amplifier – overdriven – sonic – crushing guitar tones, urging the listener to get up, get down with it, and find out some facts about looking into some souls. The rest of “Blues Farm” just gets better and better….
Overall, what draws me to the music of “Blues Farm” is the ability of the songs to take the myriad of blues styles that span from the early Chess sides of Muddy Waters, the electric Chicago blues of Buddy Guy and Otis Rush, and the white-boy rock-influenced power blues that many of us baby boomers grew up on, THEN, fuse lyrical content that has not only good humored nods towards classic blues and rock cliches’, but spans the afterlife, and existentialism as well. Sometimes it’s spooky, sometimes it’s raw, spiritual, and sensual – everything for the purist and the novice as well.
Now, Erick the Farmer……
Farming is centuries old stewardship to the earth – said before, say it again, don’t underestimate the importance of farming, especially now. First, I find it amazing that people are completely ignorant where their food comes from on a day - to – day basis, but when we contract diseases from overly processed food, chemically enhanced food, or destroyed food from mishandling and improper growing techniques, then we’re pissed off. People just expect food to be there, especially in the United States, where over consumption seems to be the American Way. Given the recent ‘back to the land’ reports of young people turning to farming as a way of fully knowing how their crops are nurtured and tended, it’s no small wonder that some folks are realizing conservation of the soil, the use of chemicals v.s. organic farming, and the questions of the uses of ‘super seeds’ – seed groups bioengineered to produce bigger, better crops. Face it, folks – the way of the farmer is the way of the world because it’s the way to your survival as a species.
Why do you need to know that Erick Hovey is a farmer as well as a gifted musician/songwriter? Because not only do the two vocations define Erick as a man, they are organically tied and interwoven, as essential to his being as breathing. Erick’s music needs the toil of the land, and the toil of the land needs Erick’s music.
In our e-mail correspondence, Erick sent me a multi – page ‘manifesto’ that details everything from soil conservation to better land management, to the balance of economics of farming, providing the population with a food supply, and trying to do it al thru sustainable agriculture and a balanced, healthy respect for nature. And you know what? Those are just PART of the topics in this intriguing, yet urgent, work.
I’m convinced that we as humans are always receiving messages and signs, and it’s up to us to have our antenna up if we want to decipher them. Of course, I’ve been reading Morgan Spurlock’s “Don’t Eat This Book!” which details his film documentary on eating a diet of McDonald’s for a month – then, Erick sends me his study. Sure, friends, I’m from the Midwest, and have grown up around farmers and farming, so there is a predilection towards said subject. But come on, peeps – who ever considers that our resources for food production are limited, and unless some changes keep taking place, our food supply will be compromised in 30 -50 years? Laugh about ‘tree hugging’ all you want, but when the day comes when you have no more Chicken Mc Nuggets at the dinner table, we’ll see who has the stupid grin with the thought balloon of ‘damn naturalists, anyhow’ above their head……..
Erick and his wife Betsy have gone from organic gardening to farming, getting it down as a sensible science, relishing it as their life’s work. They are a complementary couple as most compatible couples go – Erick, with his impish, ah-shucks grin, the mover, deep thinker, and Betsy - quiet, friendly radiating charm and grace. Erick, armed with a bachelors degree in agriculture, and Betsy with a masters in English (please forgive my syntax lapses, darlin’), set out to give back to the land, their shared history and heritage, and their community. Judging from what I’ve observed, they’ve done so in fine fashion. Echoing the virtues and policies of my favorite American president, Thomas Jefferson, they have worked with nature as nature has worked with them. And in continued harmony, Erick has grown an impressive side career of making and playing music around the north central/west regions of Iowa.
I wish I had more space to delve into Erick’s passion and love for the land and music – after all, what started as a simple CD review could have actually gone on for a couple of columns to get more fascinating details.
All I can end on is this – start picking up on Erick’s music, and you can start with “Blues Farm”. This has been a short primer, but hopefully, one that gives a little more insight on my friend, musician and farmer Erick Hovey.
By Mick Polich, Muses Muse website , "Blue Collar Rockin' 7-09
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