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A heady blend of traditional and contemporary Irish and Scottish music - fiddle accompanied by funky piano, guitar and percussion.
Genre:
Folk: Traditional Folk
Release Date:
2006
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Jamie Smith
Jamie Smith
© Copyright-Jamie Smith
(5016235196017)
Record Label: Jamie Smith
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Biography
I started playing the piano at the age of six, then took up the violin at eight. I spent my early teenage years playing in the Hillhead Strings orchestra, overseen by the wonderful John Maxwell Geddes.
Folk music began at the age of 13, when I joined the Glasgow Fiddle Workshop. Traditional music had always been around in the family, if only on tape. My parents used to play, among others, a lot of Patrick Street, Paul Brady, Planxty and De Danann, as well as Scottish artists like Dougie MacLean and Dick Gaughan.
I’ve listened a lot of fiddle players over the years. To name but a few, I would count among my influences: Kevin Burke, Paddy Glackin, Frankie Gavin, Liz Carroll, Matt Cranitch, Martin Hayes and Tommy Peoples. In 1995, on a particularly wet holiday to Skye, my mum bought me Matt Cranitch’s excellent tutor, appropriately titled ‘The Irish Fiddle Book’. I ploughed through it and have never looked back since.
Several years spent with the Inishowen Ceili Band took me to every conceivable corner of the Central Belt of Scotland. I also formed my own band, The Broken Peg, and we became stalwarts of student ceilidhs around Glasgow. I competed in the yearly Irish music competitions for a couple of years, winning senior fiddle in the all-Britain fleadh in ’98 and ’99.
1998 was about the time I made some of my longest-lasting musical friendships. Lawrence McElhinney, an outstanding button accordion player, introduced me to the Glasgow session scene. He also took me regularly over to Edinburgh and the heady sounds and atmosphere of the sessions on the Royal Mile. Thus I met folk like Aidan O’Rourke, Kathryn Nicol, Freddie Thomson, Chris Drever, Eilidh Shaw and Malcolm Stitt.
I also met Sean O’Donnell around this time, who’d landed in Glasgow from Derry. Sean had a rock music background but he picked up the backing for folk music at a terrifying pace and is still finding new and inventive accompaniments to this day.
In late 2000 Sean and I got together with Padraig O’Neill from Kerry. We called the band 'Benêche', a bizarre name from my history degree, but it stuck. We released our debut album in January 2003. I also reached the finals of the BBC Radio Scotland Young Musician of the Year, a fantastic experience.
That same month at Celtic Connections, the band won a Danny Kyle Open Stage award. We also took on an additional member in the form of Martin O'Neill, a terrific bodhran player who has wowed audiences with his skills all over the world.
Benêche toured extensively. Highlights would include the Orkney and Shetland folk festivals, Celtic Connections alongside the Dubliners, excursions to Manchester and Wales, and of course Lorient in summer 2004. In February 2005 I began recording towards my first, and hopefully not my last, solo album. It's now finally out so I hope you enjoy it.
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A real blast of powerful fiddling
author: Alex Monaghan
The distinctive figure of this Glasgow fiddler is well known from his appearances with Beneche and other groupings. On this debut solo recording he mixes Irish and Scottish tunes ancient and modern, adding seven of his own compositions. There are some rare treats here: Little Jennifer from the repertoire of Tommy Potts, Leddy From Cavan putting a name to one of Ed Reavy's many reels, and the cracking jig Miss Catherine Jane Sprees with Brian MacNeill's wizardry written right through it.
Jamie Smith fiddles in a clear, no-nonsense style, cutting through all accompaniment with ease. And the accompaniment is rich and varied here, ranging from the near-jazz of Edinburgh's folk scene on Clare Toast to the Spanish fiesta rhythms and Latin guitar on Palma Perfecto. Jamie's composition Ma's Taxi stands out, as do Eve's Jig by James Kelly and Christina's Set featuring Jamie's talented younger sister who divides her time between fiddling in Glasgow and painting in Edinburgh.
Jamie finishes with a real blast of powerful fiddling on Cuz Teehan's Barndance and Christy Barry's Jig, showing how well he can get inside a tune. His gutsy fiddle and fondness for the lower register make this a very interesting album, raw tunes over a meaty backing, promising plenty of pleasant surprises to come from Jamie Smith.
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