In 2006 Jennifer released her CD “The Real Me” to much critical and popular acclaim. It was her calling card to the world, a gentle explanation of the road that she had taken. It was a love letter to a concerned fan base and the general public. It touched a chord. The popularity of “The Real Me” came as a complete surprise as it propelled Jennifer to an even wider world of appreciation and acceptance. Now she appears as the featured member of her own trio, no longer at the back of the stage.
“The Real Me Live” was filmed at Franklin Park in Riverside California in July of 2010 by noted filmmaker Mark Lewis. Utilizing the music from the groundbreaking CD, “The Real Me”, these live versions are crackling with intensity, passion, and virtuosity. Jennifer entertains as she spins her musical tales and adventures, in tandem with the gargantuan talents of pianist Andy Langham and drummer Randy Drake. Included is a bonus music track, short interview clips with some of Jennifer’s closest friends, an introduction by KSDS San Diego music director Claudia Russell, as well as her extended interview with Jennifer about making “The Real Me”, as Jennifer describes her songwriting and performing processes, and a life lived in music.
Her story is compelling. Her journey has been most unconventional. Her career is groundbreaking as she attempts to bring a sense of normalcy to a subject that many people don’t understand, all the while proudly displaying her exceptional skills. She is considered by many to be be one of the finest Jazz bassists in the world.
She began life in as John Leitham.
In her professional life, she had played with numerous big names,
including Woody Herman, George Shearing, Bob Cooper, Bill Watrous, and Peggy Lee. She was Mel Torme’s bassist for ten years. For most of that time, she was also a bandleader and studio musician, playing on over one hundred recordings, including five discs under her own name. She married, settled in L.A., but all that while, was struggling to deal with and keep secret her gender identity.
Finally, in a process that was lengthy and painful, physically and
emotionally, she transitioned in 2001 while touring with Doc Severinsen.
She has maintained a vigorous career throughout and has achieved much acclaim and acceptance.
Jennifer has been a featured artist at at many of the world’s most prestigious jazz festivals and clubs. She has recently appeared with her trio at some of the finest venues in the world, including The Blue Note, Iridium, Small's, and Dizzy’s Club Coca Cola in New York, The Toronto Pride Fest, The Bohem Festival in Budapest and The Louis Armstrong Jazz Festival in Bank, Hungary, Mammoth Lakes, Sacramento, and Sweet and Hot Jazz Festivals in California, Blues Alley in Washington DC, Catalina's, Vitello's, Charlie O’s, Cafe 322, Steamers, The Lighthouse, and The Warner Grand Theater in Los Angeles, “KSDS Jazz Live” at the Saville Theater in San Diego, Milford Center for the Arts, Connecticut, The Black Box Theater at Centenary College and Shanghai Jazz in New Jersey, the Cheltenham Center for the Arts, Pa, the Deer Head Inn in the Delaware Water Gap, Pa and a host of others.
Whether fronting her trio or her quintet, Jennifer has been an admired bandleader and a unique, creative musical force.
Jennifer’s most recent CD, the critically acclaimed Left Coast Story (2008), is a collection of requests from her loyal fans.
Her premier trio CD The Real Me (2006) is a reflection of her passion for the medium of “classic jazz trio”. However, this “classic trio” features the bass as the lead voice throughout and highlights both Jennifer’s original compositions and vocal debut.
Her latest release, the DVD "The Real Me Live" is a live in concert rendering of the music from the groundbreaking CD. The June 2011 release, also available as an audio download, is crackling with intensity, passion, and virtuosity!
Leitham’s other internationally renowned CD's include Left Coast Story (2008) Two for the Road (1999), Live (1997) Lefty Leaps In (1996) The Southpaw (1992) Leitham Up (1988) and the audio download The Real Me Live (2011)
Jennifer is the subject of a new documentary by film maker Andrea Meyerson, "I Stand Corrected", winner of many film festival Audience Choice and Jury Awards for best film and is now making the rounds on the worldwide festival circuit.
Here is what the critics are saying about Jennifer :
“The world that Leitham has moved in since the early ’80s has been at the center of the highest levels of jazz performance. More than 100 recordings as an A-list bassist, eight CDs of her own, long-term stints with Mel Tormé, Doc Severinsen and the Woody Herman Thundering Herd as well as appearances with the likes of Gerry Mulligan, Joe Pass, Louis Bellson, Bill Watrous, Cleo Laine and dozens of others attest to the far-ranging versatility of her playing”. JazzTimes 2009, Don Heckman.
"As a soloist, Leitham is in a class by herself. At the core of her powers are a rich plummy sound, an astonishing virtuosity, unerring intonation and a deep sense of swing. Leitham’s trio, to borrow from the argot of rock, is a power group extraordinaire." - Topeka Capitol Journal 2009, Chuck Berg
“...prodigious technique and improvisatory prowess promptly erase any emotion except awe." 52nd St. Jazz, Robert Bragonier
“Left handed virtuoso of the upright bass.” Los Angeles Times, Leonard Feather
"Combining her astonishing virtuosity with some exquisite soul, Jennifer Leitham brings in her trio to celebrate the success of her latest album, The Real Me. Some nice tunes on that one. She, (and her trio), make an organic whole that is really something live ... and something that all kinds of fans get into."
LA Weekly - Brick Wahl
"Jennifer Leitham is an extremely compelling diva of the upright acoustic bass. She is one of the few practitioners of her instrument, of any gender, genre, or generation, who can completely command my attention with what is, essentially, an entire set of bass solos." Wall Street Journal, Will Friedwald
"I Stand Corrected is a remarkable documentary about a remarkable human being, Jennifer Leitham.
The best part of this documentary is the discovery of a truly major American musical mind. Listening to the way Jennifer plays, one has the impression that no obstructions exist between the ideas in her head and their expression on the instrument. And her ideas are by no means simple but profound and complex. Furthermore, she has a great sense of swing. This, indeed, is her real genius: She is able to compress her complicated thinking into rhythms that are not hard to follow, that speak to the body directly. There is no poetry without music, no music without the dance. Jennifer Leitham is an American original." The Stranger, Seattle 2012, Charles Mudede