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Blues, Boogie and Country
Genre:
Blues: Electric Blues
Release Date:
2005
Albums you will love
Jimbo Mathus & Friends
Live at Ground Zero Blues Club
Blues: Chicago Style
Jimbo Mathus
Jimmy the Kid
Rock: Southern Rock
KnockDown South
© Copyright-Jimbo Mathus
(733792555426)
Record Label: KnockDown South Records
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"My personal musical vision is an all-inclusive one. Music for me starts with Charley Patton and Jimmie Rogers and grows upward from there until the present. It's all one..." (Jimbo Mathus)
On JIMBO MATHUS "KNOCKDOWN SOUTH" (MARCH 1, 2005), the debut release for Mathus' new Knockdown South Records, Jimbo Mathus continues his ever-evolving musical alchemy of interpreting and reinventing Mississippi music -- this time combining gut-bucket North Mississippi blues with electric boogie, hip-hop drum beats, soul horn sections and a dose of honky tonk. "The main inspiration for all my recordings was 'Mississippi music'...music of my heart and soul". (Jimbo Mathus)
Produced by Jimbo Mathus and Will Dawson and recorded at Mathus' downtown Clarksdale, MS-based studio the DELTA RECORDING SERVICE, the 12 original songs on "Knockdown South" range from the primal groove of "Crazy 'Bout You" to the tripped out 'disco blues' of "Hypnotized", the country/blues/rock of "Skateland Baby" to the dark swamp pop of "Be That Way" and the honky tonk weeper "Loving Arms". "Let Me Be Your Rocker" gets its main refrain from a 1930's recording of Jackson, MS-based blues singer-turned preacher Ishmon Bracy and is reminiscent of '70s era Stones. "Boogie Music" (an homage to the 'world boogie philosophy' of Memphis producer Jim Dickinson) is the kind of ritualistic workout that "keeps the booty moving and makes the juke joints get ignorant". (Jimbo Mathus) A special enhanced bonus track features an alternate take of the song "Mule Plow Line" shot live-in-the studio (featuring Mathus, Darren Dortin - drums and Eric Deaton - bass).
Musicians on "Knockdown South" include JIMBO MATHUS - guitar/vocals/bass, drums, acoustic piano, mandolin, DARREN DORTIN/CEDRIC BURNSIDE/NATE STALFA - drums, ERIC DEATON/JUSTIN SHOWAH/PAUL TAYLOR/STU COLE - bass, FORREST PARKER - pedal steel, BJ STOKES - percussion, MAX WILLIAMS/DAVE SPENCER - guitar, PAUL MORELLI - horns, KEN HART/TATE MOORE (Kudzu Kings)/OLGA/BLACK DIAMOND HEAVIES - background vocals, WILL DAWSON - Wurlitzer electric piano.
Mathus' previous release "Stop and Let the Devil Ride" (Fast Horse Recordings/JUNE 2003) featured a raw electric blues based on a hybrid Mississippi juke-joint music -- the boogie reinvigorated and flat out ass-kicking. "Guitarist/vocalist Jimbo Mathus, founding member of the Squirrel Nut Zippers, returned to his Clarksdale, Miss., roots with his new Knockdown South...Mathus' songwriting is stylistically excellent, his vocal work is powerful...a superior blues record" (Philip Van Vleck/
Billboard)
Check out Jimbo's new album "Old Scool Hot Wings" in stores 5/30/06
jimbomathus.net or 219records.com
LETS BOOGIE...
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It's all about the feeling and it's all good.
author: Reginald Bones
Blues shouldn't be about purists, vintage strats and lightning fret work..it's about feeling and this CD is shot through with it-and its all good.You've got Junior Kimbrough type dark grooves,Stones-ish country work outs and some kick-ass southern boogie all brimming with obvious love and enthusiasm for the music.Some great song writing as well.A superior record that deserves much wider recognition.Buy it.
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great artist and cd
author: tim
I have enjoyed Jimbo on several of his CDs. This one does not disappoint.
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buy this cd. emotion for days
author: Darren
Heard about jimbo in tonequest magazine. found this site.got the cd. brother i can't stop dancing. i've played guitar profesionally for 13 years now and it's good to see some guys still know how to throw down.i'm reminded of the tones from exile on main street.
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Damn this is good!
author: www.bluesinlondon.com
Damn this is good! The (sweet southern) soul of this record is an extraordinary dirty boogie funky stone groove. It's stripped of polish but no less sophisticated for all that, and it's put together with subtlty and heart. The songwriting and playing is of the highest order, but these guys avoid the smugness that usually comes with this much ability. Deserves to be up there with them Black Keys/White Stripes types, and would add some welcome soul to that world. Album of the year round my house.
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