Back To Artist
James Michael Dooley : The Mars Underground
Log in to add to your wishlist
Lush orchestra and intimate ambiances decorate this original motion picture soundtrack for the documentary about our relationship with the planet Mars; past, present, and future.
Genre: Classical: Orchestral
Release Date: 2005
The Mars Underground
James Michael Dooley
Record Label: Pelagic Music
  • Buy CD - $12.97
  • Download Album (MP3) - $9.99

Share This Album

| Share
Preview Song Name Time Buy
1. Arrival On Mars 6:25 + MP3 $0.99
2. Prospects and Plans 2:54 + MP3 $0.99
3. Dr. Zubrin 3:33 + MP3 $0.99
4. History Has Taught Us 3:57 + MP3 $0.99
5. The 90 Day Plan 4:54 + MP3 $0.99
6. Zubrin's Plan 3:31 + MP3 $0.99
7. The Journey 6:44 + MP3 $0.99
8. Mars Direct 0:45 + MP3 $0.99
9. Spreading the Word 1:04 + MP3 $0.99
10. First Experiments 1:07 + MP3 $0.99
11. Corrections 1:59 + MP3 $0.99
12. A New Direction 3:50 + MP3 $0.99
13. The Case for Mars 0:32 + MP3 $0.99
14. The Mars Underground 1:22 + MP3 $0.99
15. The Mars Society 1:01 + MP3 $0.99
16. Desert Research 0:26 + MP3 $0.99
17. Confrontations 5:48 + MP3 $0.99
18. Experiencing Mars 3:30 + MP3 $0.99
19. Planetary Civilization 3:41 + MP3 $0.99
20. On The Surface 2:33 + MP3 $0.99
21. Our Future with Mars 3:47 + MP3 $0.99
preview all songs

Album Notes

After graduating with a degree in Music Composition from New York University, James Dooley moved to Los Angeles to study film composition with such prolific composers as Christopher Young, Elmer Bernstein and Leonard Rosenman.
In 1999, he joined Media Ventures and collaborated with award-winning composer Hans Zimmer as his Chief Technical Engineer on Gladiator, and as an additional composer, arranger and orchestrator on such features as The Time Machine, Pirates of the Caribbean, and King Arthur, as well as Ridley Scott's Hannibal, Black Hawk Down, and Matchstick Men.

His collaborations with Hans Zimmer have continued through such projects as the DreamWorks animation feature Spirit: Stallion of the Cimarron, the haunting score for Gore Verbinski's The Ring, Jerry Bruckheimer's adrenaline-packed Pirates of the Caribbean: The Curse of the Black Pearl, Antoine Fuqua's emotional Tears of the Sun, and Jonathan Frakes' adaptation of the beloved 60's television series, Thunderbirds.
Dooley has also composed scores for several short films, including the Sundance Film Festival selection, Bit Players, the award-winning short films Untitled: 003 Embryo and Agua Dulce, as well as the cutting-edge short film Things Fall Apart for director Yaniv Raz. Dooley has also scored the widely acclaimed documentary, Rebels of Oakland, for HBO. This project was the highest rated sports documentary for HBO since the year 2000.
James's music can be heard in the theatrical trailers for Elf, Tony Scott's Man on Fire, Antoine Fuqua's King Arthur, Ron Howard's The Da Vinci Code, and even Harry Potter and the Goblet of Fire. Additional advertisement projects include an emotional spot for the United States Marines, Time-Warner RoadRunner, overseas spots for Porsche, as well a special promotional spot for Mercedes-Benz's ultra-luxury sedan, the Maybach.

In the video game arena, James scored the 2004 sequel to the smash hit from Namco, Dead to Rights 2, as well as the Sony Playstation flagship game, SOCOM III: U.S. Navy SEALs, using a live orchestra recorded in London.
Last year, James scored the documentary The Mars Underground, which focuses on a grassroots push to put a human on the red planet. He also teamed up once again with Hans Zimmer to write music for the smash hit Dreamworks Animation film, Madagascar. This resulted in James scoring the animated short film The Madagascar Penguins in A Christmas Caper, which appeared in front of the hit Dreamworks / Aardman Animation feature film, Wallace & Gromit: The Curse of the Were-rabbit - for which James also contributed additional music.

James has just finished work on Impy's Island, a German computer animated film whose orchestral score was recorded in Bratislava, as well as the thrilling Screen Gems remake of When A Stranger Calls, which was recorded in Seattle with the Northwest Sinfonia Orchestra.
Recently James worked with Hans Zimmer on The Da Vinci Code, for award-winning director Ron Howard. Currently he is working on SOCOM: U.S. Navy SEALs: Combined Assault, the latest computer game in the SOCOM series.

Read more...

REVIEWS

Just what I was looking for!
author: JD
                            
Music for my imagination! Wonderfully executed. A great find.
Read more...
Epic Electronic Excellence
author: James B. Lee
                            
Quite well realized electronic "faux orchestra" music, coming in somewhere between Philip Glass' symphonic pieces and Christoph Franke's "Babylon 5" soundtracks. Dooley's style is very melodic and suitably majestic; it works perfectly well divorced from the movie it was meant to accompany, which is more than many soundtracks can do.
Read more...
Very imadinative and the music is undescribablly colorful.
author: MjNielsen from Horizons c/o Paragon Records in Madison Tenn."ANG
                            
The music I heard absolutely fits PERFECTALLY,!! in any of the moves is it was placed in. The musical arrangements and dynamic changes give the imagination and the minds eye unlimited possibilities of wonderous places to go and see. Wheather it would be crossing the open planes of the old West or just coming into view of the outer reaches of space and all the planets. One of the songs would have fit perfectly in the sceen where Richard Dryfuss and Malinda Dillon pear over the hill and see the landing strip where the alliens will land in Close Encounters. Only thing left to say when seeing that is Oh!!! MY!!! GOD.!!!! But said real slow in the way when you can't believe what has just appeared before your eyes. I wanted to give it a 12 but there was only a 5 in the scroll down.
Read more...
The Mars Underground CD is nothing less than FANTASTIC
author: Bruno Misonne
                            
The Mars Underground catches you from the start till the end, and this music is that good that when you would use it as background music while for instance cleaning, thus with a low volume level, the music simply remains at the foreground : Even with low volume, you listen ! I'm a composer, and from the technical side we have perfection here but you don't need to be a composer to find it out all by yourself ! Great Job, Mister James Dooley, you are a musical genius ! yoyoman
Read more...
123
Sell your music on CD Baby and iTunes! Minimize this Tab Open this Tab