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JOHN LONG : LOST & FOUND
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Completely original acoustic Delta Blues performed with style and integrity.
Genre: Blues: Acoustic Blues
Release Date: 2006
LOST & FOUND Record Label: DELTA GROOVE PRODUCTIONS
  • Buy CD - $16.99
Preview Song Name Time Format Price Select
Hokum Town 3:55 Album Only
Pressure Cooker ('Bout to Blow) 4:07 Album Only
Hell Cat 3:53 Album Only
Blues And Boogie Woogie 2:29 Album Only
Foot Stomin' Daddy 4:08 Album Only
Stanglevine 3:14 Album Only
Johnny's Jump 2:00 Album Only
Mean Ole Rootin' Ground Sloth 3:18 Album Only
Greyhound Driver 3:00 Album Only
Healin' Touch 2:59 Album Only
Leavin' St. Louis (solo version) 3:41 Album Only
Leavin' St. Louis (piano version) 4:35 Album Only
preview all songs

Album Notes

John Long is a national treasure.

More than 20 years ago Muddy Waters is quoted saying “John Long is the best young country blues artist playing today.”

Last year upon hearing John’s music for the first time, Los Angeles based guitarist Zac Zunis remarked, “If you wanted to make an argument for reincarnation, John Long is it.”

No one has come along in the last 20 years or so who can fill John’s shoes. He is still, hands down, the best post-modern old school bluesman working today. He is the complete package. A master of the art.

So why has he fallen through the proverbial cracks? Well, what about Skip James, and Robert Johnson, and what about Willie Walker (a blind singer and guitarist from the Carolinas who Reverend Gary Davis said was the best he’d ever heard, bar none; listening to Walker’s only two brilliant recordings, it’s easy to see why the Reverend Davis said what he did). All these masters fell through the cracks. It has happened all too often, for blues artists especially.

How many times have I heard the know-it-alls, the critics, the so-called progressive blues musicians say it can’t be done like it was? Enter John Long, in my rarely humble opinion, the end all, be all of the post modern old school country blues musicians. God bless Johnny Long. It can be done, and oh-so-naturally with total authority and originality. Long live the blues.
- Al Blake

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REVIEWS

the best
author: CHESNAIS Michel
I dig this CD Blues and nothing but the Blues
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lost and found
author: david young
cant get enough ,Its been a long time since elseware on lincoln
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Carrying the torch of Country Blues greats!
author: Jason Wesley (FolkWax)
The first thing that hits you on this release is Long's deep, timeless voice as it rolls like a Greyhound bus rolling south out of Memphis over the sliding strings of his resonator guitar, which is hard to ignore as it jumps right up and fills the room with a sound as old as the Blues itself. The second thing that hits you is that this is the real deal Blues, carrying the torch of Country Blues greats like Lightnin' Hopkins and Homesick James Williamson. And like a proud Olympian, Long carries that torch high and with great respect for the endless line of great Bluesmen that it represents. If you are a fan of classic pre-war acoustic Blues, or of Paul Oscher 's Down in the Delta, then you are going to love John Long's Lost & Found. I don't know where this guy has been, but this disc is clearly in the top runners so far for next year's Blues Music Awards for Best New Artist Debut or Best Acoustic Album.
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Indispensable!
author: Justin O'Brien (Living Blues Magazine)
Long’s well-practiced country blues guitar and seasoned voice have a decided authority. He ably approximates Robert Johnson’s powerful cadences, Charley Patton’s gruffness, Tommy Johnson’s octave jumps, plus all the indispensable whoops, howls, comic asides, and near yodels of country blues. Even his minor slip-ups have an authenticity to them, being errors an originator might have made. Each of the eleven originals was written or co-written with his brother, Claude, and one is credited solely to Claude. Leavin’ St. Louis is presented twice: acoustic solo and electric with Fred Kaplan on piano, for a total of twelve. John Long and this CD ought to be nominees for a number of year-end awards, especially best debut.
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