Inspires guitarists to want to learn how to do what John does.
author: Lawrence Amato, fingerstyle guitarist
Instrumental solo guitar is exactly that! Not only a fitting title but each composition defines what instrumental solo guitar is. From Beauty Road to Sleepy Eyes John Sheehan weaves an instrumental story of emotion and absolute command of the fingerboad. Taking a page from John Fahey, J.S.Bach, and Blind Blake. John Sheehan does it his way, with classical technic and a sportin' right hand. Congratulations John, few people can say what you did with this C.D...... and never uttering a word.
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Brilliant collection that satisfies those hungry for excellence.
author: Deb Boucher
A must for any collection of discrimintating taste. The talent that oozes from each original piece will satisfy the most critical ear. Each track stands on it's own, keeping you involved with what is being delivered with such precision and fluidity, it seems effortless.
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Extraordianry !
author: J.L. Hannah for Kweevak.com
When I listen to John Sheehan's Instrumental Solo Guitar, I see the past. Not in an outdated, passe’ kind of way, but rather, in a timeless, of the earth, fabled kind of play. I see horses and mountains that matter and stream. I see forests and castles, minstrels, the sea. I meet villans and ruffians, Robinhood dreams. There are dark roads and corners and sunlit plateaus. Questions upon questions, sparked off in earnest rows. Blacksmiths toil in labors of love. No empty distractions, an eagle above. I see green on green and blue on grey. Rock-riddled coastline of deep ancient days. No, this is not a movie review and there are no lyrics to this recording...not a one. Yet, all this I see. Great playing is rare, but great playing of great songs, well...that's precious. And that's what you get here from John Sheehan. On this CD he doesn't just play some pleasant acoustic guitar (although much of it is quite pleasant... ‘Beauty Road’, ‘Ancestry’, ‘Governor Mountain’, to name a few). He digs in and attacks, often...sometimes subtle, yet always strong. There is a backbone...a pulse, a vibrant life running through it. And as full as it is, it's all just John. He goes it completely alone here...no accompaniment, no percussion, no cloudy effects. There is no note wasted, no drivel or pretense. It's all just John, and his guitar of course, and the songs. The Dedicated Fingerstyle Guitar Method is smiling a wide grin somewhere as a result of this recording. It speaks so well for the school, not just because of John's inspired execution, but also because of how at home fingerstyle is with his wonderful melodies. I won't try to capture each song here in narrative. Comparisons and labeling also fall short, yet they are helpful in pointing one toward a familiar direction. So when you ask, "OK, so who does this guy John Sheehan sound like" ? Let's just say that if you like Jorma (acoustic Hot Tuna), if you can imagine Ian Anderson without words ...ditto for James Taylor...If you appreciate John Prine and Mark Knophler, then my sense is that you will thoroughly enjoy this CD. If you have a Celtic bone in your body or past, you can't help but feel much of it at your core. It just works that way. If you liken a musician's long journey to the building of a house, then I would say that what you have here is the strongest of foundations built by a gifted artist... brick by brick, board by board, note by note, sigh by sigh, all by himself. On the strength of such a firm footing...this debut cd...it's hard to imagine anything but extraordinary things coming from Mr Sheehan further on up the road. Perhaps you see (or hear) what I see ?
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