I've been a fan of Jude's music since I first heard her perform live several years ago. I'm still a fan because she consistently releases music that connects with me both emotionally and sonically. That happens so rarely with me that I am always anxious to hear what new material Jude has waiting in the wings. Given my love of Jude's songwriting and my ever-growing appreciation for music of the Golden Era, I was extremely "jazzed" to hear that Jude was going to be releasing this CD of self-penned torch and jazz-influenced music. I knew I was in for a treat, and Jude did not disappoint. Fans of Jude's two previous releases will undoubtedly enjoy this CD as well because of the similarities between it and her previous work. The subject matter and melancholy tone of her earlier lyrics appear again throughout this CD as well as her heavy use of piano and string arrangements. But for all of its similarities to Jude's previous work, this CD has just enough new elements to keep a faithful listener intrigued. These "new" elements are, namely, a "jazzier" and "blusier" tone to the tracks. While these elements are definitely at the forefront of the songs' arrangements, it would be misleading to say that this CD is a full-on jazz CD complete with long, improvised musical solos and scatting. (Anyone expecting to hear those elements will be disappointed--or relieved--depending on one's musical leanings.) Instead, Blue Light is more of a tasteful homage to a musical style that Jude grew up listening to and still greatly reveres. The lyrics on Blue Light deal with the same topics and emotions that are explored on Jude's previous efforts and are as strong and effective as ever. A line from the stunning track, "Paper Doll," describes the overarching tone and theme of the CD's: "So here's a sad song/ You'll need one after all." While such lyrics pack an obvious melancholy punch, Jude's lyrics never come across as melodramatic. While the majority of the tracks deal with the reckoning of emotional scars left in the wake of romances gone awry, one standout track, the elegant and almost prayerful "New York Morning," seems to be more of a love song to the Empire State. One of the track's best lyrics: "Somebody told me/ That it's all in the stars/And this flesh and bone is/ Really not what we are," is especially poignant in light of the upcoming anniversary of the September 11th attacks on New York. The CD ends with a "goodbye" trifecta---three songs which chronicle relationships (romantic or otherwise) that have come to an end. "Quittin' Time"--perhaps my personal favorite on this CD--contains some of the most gut-wrenching lyrics to have ever come from Jude's pen: "I knew someday you'd leave/ The moment that you wanted to," and the image-rich, "I knew that love would lose/ That one day you would say goodbye/ And vanish like the sun/ Into a Winter sky." On "Walk Away," Jude sings, "I know you don't love me/ I know you never will," accompanied by a deceptively peppy musical arrangement. Rounding out the trifecta is the bonus track, "Over and Done," which was written and recorded by Jude in 1983 and was the inspiration for the making of this album. With the 12 tracks on Blue Light, Jude has managed to craft a top-notch CD for true music lovers. There is something on this CD for everyone---new fans and old. While new listeners will have their curiosities piqued to hear Jude's previous recordings, old fans--like myself--will have their curiosities piqued to hear what musical roads Jude will take us down next. I, for one, look forward to

An excellant mix of bluesy and folksy jazz - sort of like Bonnie Raitt with an extra dose of syncopation...Johnstone's writing, as well as her way of revealing a lyric, is filled with a reflective heart. Blue Light is worthy of repeated investigation.

Right from the opening title track..her innate ability to tell the story, make it believable and have you feeling the pulse and pure emotion of the words and their meaning is her modus operandi.

"In case you haven't heard Jude Johnstone's "Good Guy,"(from her CD Blue light), stop everything and give it a listen. It's a perfect gem." Pat Pattison Professor, Berklee College of Music Author, "Writing Better Lyrics"