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Joss : If Not For The Hovering...
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Evocative guitar styling reminiscent of alternative pioneers Television and the Church married to stark lyricism and a backdrop of elemental drum and bass a la Morphine.
Genre: Rock: Modern Rock
Release Date: 2004
If Not For The Hovering... Record Label: Delmore Recording Society
  • Buy CD - $9.99
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Preview Song Name Time Format Price Select
Rumour of a Monkey Clown 5:47 Album Only
MM 4:47 Album Only
Careless 4:24 Album Only
Good Weather 7:18 Album Only
Mooncake 3:07 Album Only
Gingko 4:34 Album Only
My Own Ghost 2:28 Album Only
Mojave Desert Highrise 4:12 Album Only
Good Grace 7:28 Album Only
Helicopter 7:06 Album Only
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Album Notes

"Armed with enough spooky tremolo-guitar effects and slinky maracas to put Friends of Dean Martinez out of business, this NYC-area trio provides the soundtrack for a burning cantina. Think of Joss as Yo La Tengo's evil cowpoke twin, with Ambrose Liu singing in a flatter-than-Ira monotone and sculpting menacing guitar epics."
-MAGNET Magazine

"Moody musical misfits along the lines of Idaho, The Handsome Family, Sparklehorse ...echoing, tremolo-laden, rainy day musical meanders that deserve a national audience."
-THE AQUARIAN WEEKLY

If Not For the Hovering… is a sprawling ten song journey populated with eerie narratives of stark lyricism. Guitarist/vocalist Ambrose Liu, drummer Christopher O’Donovan (formerly of Wild Carnation, Speed the Plough) and bassist/vocalist Michael Pasuit evoke alt-rock stalwarts such as the Church, Tom Verlaine and Pinetop Seven while carving out a cinematic sound all of their own. Guitar lines shimmer and meander through moody beats echoing strange prophecies – that is the essence of JOSS’ new record.

If Not For the Hovering… reflects a myriad of art-rock influences from sparse drum & bass to gothic blues to spaghetti westerns, but these seemingly disparate styles gel into the cohesive and atmospheric sound that is JOSS.

Whether it is a tremolo-trenched, Tom Waits-ian dirge or a noisy, three-minute workout led by a frustrated guitar, everything falls into its right place.

Jack Rabid of The Big Takeover raves that “smooth laid back lounge shadows slide out velvet from this trio with a little bit of Twin Peaks in the mood… feels so Dream Syndicate… I feel like I should either be listening to this album on headphones while riding on a Greyhound towards Louisiana sometime after midnight, or sitting in a dark bar smoking a cigarette and nursing a scotch, eyeing the long black-haired girl in the corner booth as this band plays low and slow on a dimly lit red light stage. ”

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REVIEWS

nods to 'art rock' - hooks with the best rock there is
author: groupiegirldc
There is a song on this CD that stopped me in my tracks, in the first 30 seconds, I had to turn the song off and kind of collect myself and try and figure out what was up, the music was so overwhelming in it's intensity. (I’ve never had that happen, even with dead guy classical composers.) Over about 3 weeks, I had to run the song through the player with the scanner. I listened to the 7 minute 7 second helicopter in like 40 to 90 second bites. It's a really powerful song, in concept, lyric and musical execution. Buying this CD just for this song would be worth it. The other 9 tracks, may nod to 'art rock' but hook like the best rock music there is.
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